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The Grammys

Sunday, February 10, 2013Blown Away took home two Grammys on Sunday: for Best Country Solo Performance by Carrie Underwood and Best Country Song for songwriters Josh Kear and Chris Tompkins.

"Wow," Underwood said. "Country music has always been so good to me, and I thank the Good Lord that I've been always part of such an amazing, talent family."

Underwood also had the chance to sing the song with different reflections going on her dress.

Zac Brown Band won the Country Album Grammy for "Uncaged." Brown gave thanks to various people associated with the group's career including "the fans."

Little Big Town won Best Country Duo/Group Performance for Pontoon at the Grammys awards.

LBT took the honor over Young Band's Even If It Breaks Your Heart, Taylor Swift & The Civil Wars for Safe & Sound, The Tim Jumpers for On the Outskirts of Town and Don Williams Featuring Alison Krauss on I Just Come Here For the Music.

Blown Away took Best Country Song for writers Josh Kear and Chris Tompkins. Carrie Underwood, of course, sang it. Other nominees were Cost of Livin' by Phillip Coleman and Ronnie Dunn (Dunn sang it); Even If It Breaks Your Heart by Will Hoge and Eris Paslay (Elio Young Band); So You Don't Have to Love Me Anymore, by Jay Knowles and Adam Wright (Alan Jackson) and Springsteen by Eric Church, Jeff Hyde and Ryan Tyndell (Church).

Bonnie Raitt took home Best Americana Album for "Slipstream." The vet took it over Mumford & Sons for "Babel," The Avett Brothers for "The Carpenter," virtual unknown John Fullbright for "From the Ground Up" and The Lumineers for their self-titled disc.

The Steep Canyon Rangers won Best Bluegrass Album for "Nobody Knows You." Dailey & Vincent were nominated as well for "The Gospel Side of Dailey & Vincent," The Grascals for "Life Finds a Way," Noam Pikelny for "Beat the Devil and Carry a Rail" and Special Consensus for "Scratch Gravel Road."

Best Folk Album went to "The Goat Rodeo Sessions" for Yo-Yo Ma, Stuart Duncan, Edgar Meyer and Chris Thile. Carolina Chocolate Drops for "Leaving Eden," Ry Cooder for "Election Special," Luther Dickinson for "Hambone's Meditations" and Various Artists for "This One's For Him: A Tribute to Guy Clark" also were nominated.

The disc also took Best Engineered Album, Non-Classical for Richard King, engineer and Richard King, mastering engineer.

Mumford & Sons took Best Long Form Music Video for "Big Easy Express" with Edward Sharpe & The Magnetic Zeros and Old Crow Medicine Show.

The show included a tribute to the late Levon Helm with a rendition of The Weight. The tribute included Mumford & Sons, Brittany Howard of Alabama Shakes, Mavis Staples, Elton John, Zac Brown and T Bone Burnett.

More news for Little Big Town

CD reviews for Little Big Town

The Breaker CD review - The Breaker
Anyone who missed Little Big Town's remarkable 2012 Unplugged performance on CMT should seek it out online. When they sing their monster hit "Pontoon," four hypnotic voices combine to harmonic perfection with no studio tricks - pick from any of the microphones, and it works as the song's lead vocal. But now that the group has ascended to the upper rung of stardom, different challenges arise. How do you compete with yourself fresh from a Grammy for Best Country Song »»»
Pain Killer CD review - Pain Killer
For some, listening to Little Big Town will be an act of searching for something at least half as catchy as "Pontoon," yet without success. Whenever a group creates such a fantastically memorable single, the prospect of following it up successfully can be a bit of a handicap. With that said, though, "Pain Killer" is a pretty good pop-country album, as pop-country albums go. Although Little Big Town has never been known to be rockers, the rollicking "Save Your Sin" »»»
Tornado CD review - Tornado
When the chorus to Leavin' in Your Eyes kicks in with some lovely layered vocals, it's tempting to compare Little Big Town to Fleetwood Mac. After better sense kicks in, though, it's more reasonable to categorize LBT as Fleetwood Mac-lite, at best. All that '70s cocaine and infidelity made Fleetwood Mac so much darker than anything modern day Nashville could ever produce. To its credit, though, Fleetwood Mac could never produce anything nearly as catchy as Pontoon, easily the »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Moakler does it his way – Steve Moakler told the good-sized crowd that he had played just about every college there is in the area. Now, that would be quite a lot and probably a bit hyperbolic. But the point is he's trying to do it his way. Without the benefits of commercial radio play or a label behind him, Moakler has benefitted from extraterrestrial radio playing his... »»»
Concert Review: Giddens captivates, engages – About the only thing wrong that Rhiannon Giddens did was play a too small 900-plus seat venue that sold out months in advance. Aside from that misstep of not allowing in even more of her fans, Giddens was captivating, engaging and certainly not afraid to continue as potent musical force, although she was far more overtly political.... »»»
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