Sunday, February 10, 2013
– Blown Away
took home two Grammys on Sunday: for Best Country Solo Performance by Carrie Underwood and Best Country Song for songwriters Josh Kear and Chris Tompkins.
"Wow," Underwood said. "Country music has always been so good to me, and I thank the Good Lord that I've been always part of such an amazing, talent family."
Underwood also had the chance to sing the song with different reflections going on her dress.
Zac Brown Band won the Country Album Grammy for "Uncaged." Brown gave thanks to various people associated with the group's career including "the fans."
Little Big Town won Best Country Duo/Group Performance for Pontoon at the Grammys awards.
LBT took the honor over Young Band's Even If It Breaks Your Heart, Taylor Swift & The Civil Wars for Safe & Sound, The Tim Jumpers for On the Outskirts of Town and Don Williams Featuring Alison Krauss on I Just Come Here For the Music.
Blown Away took Best Country Song for writers Josh Kear and Chris Tompkins. Carrie Underwood, of course, sang it. Other nominees were Cost of Livin' by Phillip Coleman and Ronnie Dunn (Dunn sang it); Even If It Breaks Your Heart by Will Hoge and Eris Paslay (Elio Young Band); So You Don't Have to Love Me Anymore, by Jay Knowles and Adam Wright (Alan Jackson) and Springsteen by Eric Church, Jeff Hyde and Ryan Tyndell (Church).
Bonnie Raitt took home Best Americana Album for "Slipstream." The vet took it over Mumford & Sons for "Babel," The Avett Brothers for "The Carpenter," virtual unknown John Fullbright for "From the Ground Up" and The Lumineers for their self-titled disc.
The Steep Canyon Rangers won Best Bluegrass Album for "Nobody Knows You." Dailey & Vincent were nominated as well for "The Gospel Side of Dailey & Vincent," The Grascals for "Life Finds a Way," Noam Pikelny for "Beat the Devil and Carry a Rail" and Special Consensus for "Scratch Gravel Road."
Best Folk Album went to "The Goat Rodeo Sessions" for Yo-Yo Ma, Stuart Duncan, Edgar Meyer and Chris Thile. Carolina Chocolate Drops for "Leaving Eden," Ry Cooder for "Election Special," Luther Dickinson for "Hambone's Meditations" and Various Artists for "This One's For Him: A Tribute to Guy Clark" also were nominated.
The disc also took Best Engineered Album, Non-Classical for Richard King, engineer and Richard King, mastering engineer.
Mumford & Sons took Best Long Form Music Video for "Big Easy Express" with Edward Sharpe & The Magnetic Zeros and Old Crow Medicine Show.
The show included a tribute to the late Levon Helm with a rendition of The Weight. The tribute included Mumford & Sons, Brittany Howard of Alabama Shakes, Mavis Staples, Elton John, Zac Brown and T Bone Burnett.
More news for Little Big Town
CD reviews for Little Big Town
For some, listening to Little Big Town will be an act of searching for something at least half as catchy as "Pontoon," yet without success. Whenever a group creates such a fantastically memorable single, the prospect of following it up successfully can be a bit of a handicap. With that said, though, "Pain Killer" is a pretty good pop-country album, as pop-country albums go.
Although Little Big Town has never been known to be rockers, the rollicking "Save Your Sin" »»»
When the chorus to Leavin' in Your Eyes kicks in with some lovely layered vocals, it's tempting to compare Little Big Town to Fleetwood Mac. After better sense kicks in, though, it's more reasonable to categorize LBT as Fleetwood Mac-lite, at best. All that '70s cocaine and infidelity made Fleetwood Mac so much darker than anything modern day Nashville could ever produce. To its credit, though, Fleetwood Mac could never produce anything nearly as catchy as Pontoon, easily the »»»
The Reason Why
Little Big Town has bounced around the country music industry through no fault of their own, but when it comes to the music, LBT moves beyond its role as the country successor to Fleetwood Mac. Similar to that touchstone, LBT has the two male, two-female line-up, including a married couple (Karen Fairchild and Jimi Westbrook). More importantly, soaring harmonies rule as evidenced from the get go on the bouncy title track.
But on their third label (Monument Nashville for their self-titled debut »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Wishing for more McKenna
Telling friends you just saw a Lori McKenna concert usually draws immediate blank stares. That is until you mention some of the more famous songs she's helped write for stars like Little Big Town and Tim McGraw. What your friends may not realize, though, is there are more great songs where those hits came from.
McKenna's set list included a... »»»
Concert Review: Drive-By Truckers finds little to celebrate
While introducing "Guns of Umpqua," off the new "American Band" album, Drive-By Truckers' Patterson Hood wondered out loud - in a profanity-laced observation - why he can never seem to see a flag not at half-mast anymore. "We can do better, people!" he admonished the crowd. In an election year with two of the most... »»»
Country News Digest
Elsewhere in the news
Currently at the CST blogs
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White Christmas Blue
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create pure country music. Lynn's "White Christmas Blue" album may feel like a Christmas miracle to many traditional country fans. »»»
For Better, Or Worse
With "For Better or Worse," John Prine follows up his "In Spite of Ourselves" album with more male/female duets. And this one is a true A-list effort, as it finds Prine trading lines with the likes of Miranda Lambert, Kacey Musgraves and Alison Krauss. Once again, though, Iris DeMent steals the show with the angry and sarcastic "Who's Gonna Take the Garbage Out," the same way she did with the prior album's title cut. »»»
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Farm Tour...Here's to the Farmer
Luke Bryan has been in that "hardware" phase of his career for the last few years. There have been several armloads of awards, many on the strength of the high-caliber singles from 2013's "Crash My Party." It might present a challenge to stay grounded. But Bryan has kept himself busy with work for charities (he's embarking on a traditional tour of farms to benefit his scholarship fund), and the use of the EP - this marks his eighth. »»»
With "Buckaroo" off Reckless Kelly's "Sunset Motel" the band gives us one of the best hurtin' songs in recent memory. "You were my angel/I was your buckaroo," they tell us with deep regret. And after all the booze has worn off, the cold, harsh facts of life come clearly into view. "Now that I'm sober/I wish you were home." »»»
Redemption & Ruin
Charles Baudelaire and Verbal Kint separately and astutely noted that the devil's greatest trick is in convincing the world that he doesn't exist. There could be a corollary concerning the reality of The Devil Makes Three; the trio exists in so many different musical forms that they may well have talked us into believing they're a dozen distinct bands when they are in fact just one single, extraordinarily talented unit. »»»