Sunday, February 10, 2013
– Blown Away
took home two Grammys on Sunday: for Best Country Solo Performance by Carrie Underwood and Best Country Song for songwriters Josh Kear and Chris Tompkins.
"Wow," Underwood said. "Country music has always been so good to me, and I thank the Good Lord that I've been always part of such an amazing, talent family."
Underwood also had the chance to sing the song with different reflections going on her dress.
Zac Brown Band won the Country Album Grammy for "Uncaged." Brown gave thanks to various people associated with the group's career including "the fans."
Little Big Town won Best Country Duo/Group Performance for Pontoon at the Grammys awards.
LBT took the honor over Young Band's Even If It Breaks Your Heart, Taylor Swift & The Civil Wars for Safe & Sound, The Tim Jumpers for On the Outskirts of Town and Don Williams Featuring Alison Krauss on I Just Come Here For the Music.
Blown Away took Best Country Song for writers Josh Kear and Chris Tompkins. Carrie Underwood, of course, sang it. Other nominees were Cost of Livin' by Phillip Coleman and Ronnie Dunn (Dunn sang it); Even If It Breaks Your Heart by Will Hoge and Eris Paslay (Elio Young Band); So You Don't Have to Love Me Anymore, by Jay Knowles and Adam Wright (Alan Jackson) and Springsteen by Eric Church, Jeff Hyde and Ryan Tyndell (Church).
Bonnie Raitt took home Best Americana Album for "Slipstream." The vet took it over Mumford & Sons for "Babel," The Avett Brothers for "The Carpenter," virtual unknown John Fullbright for "From the Ground Up" and The Lumineers for their self-titled disc.
The Steep Canyon Rangers won Best Bluegrass Album for "Nobody Knows You." Dailey & Vincent were nominated as well for "The Gospel Side of Dailey & Vincent," The Grascals for "Life Finds a Way," Noam Pikelny for "Beat the Devil and Carry a Rail" and Special Consensus for "Scratch Gravel Road."
Best Folk Album went to "The Goat Rodeo Sessions" for Yo-Yo Ma, Stuart Duncan, Edgar Meyer and Chris Thile. Carolina Chocolate Drops for "Leaving Eden," Ry Cooder for "Election Special," Luther Dickinson for "Hambone's Meditations" and Various Artists for "This One's For Him: A Tribute to Guy Clark" also were nominated.
The disc also took Best Engineered Album, Non-Classical for Richard King, engineer and Richard King, mastering engineer.
Mumford & Sons took Best Long Form Music Video for "Big Easy Express" with Edward Sharpe & The Magnetic Zeros and Old Crow Medicine Show.
The show included a tribute to the late Levon Helm with a rendition of The Weight. The tribute included Mumford & Sons, Brittany Howard of Alabama Shakes, Mavis Staples, Elton John, Zac Brown and T Bone Burnett.
More news for Little Big Town
CD reviews for Little Big Town
For some, listening to Little Big Town will be an act of searching for something at least half as catchy as "Pontoon," yet without success. Whenever a group creates such a fantastically memorable single, the prospect of following it up successfully can be a bit of a handicap. With that said, though, "Pain Killer" is a pretty good pop-country album, as pop-country albums go.
Although Little Big Town has never been known to be rockers, the rollicking "Save Your Sin" »»»
When the chorus to Leavin' in Your Eyes kicks in with some lovely layered vocals, it's tempting to compare Little Big Town to Fleetwood Mac. After better sense kicks in, though, it's more reasonable to categorize LBT as Fleetwood Mac-lite, at best. All that '70s cocaine and infidelity made Fleetwood Mac so much darker than anything modern day Nashville could ever produce. To its credit, though, Fleetwood Mac could never produce anything nearly as catchy as Pontoon, easily the »»»
The Reason Why
Little Big Town has bounced around the country music industry through no fault of their own, but when it comes to the music, LBT moves beyond its role as the country successor to Fleetwood Mac. Similar to that touchstone, LBT has the two male, two-female line-up, including a married couple (Karen Fairchild and Jimi Westbrook). More importantly, soaring harmonies rule as evidenced from the get go on the bouncy title track.
But on their third label (Monument Nashville for their self-titled debut »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Womack sings "real country music"
Lee Ann Womack made it quite clear where she was coming from three songs in to her first show in the Boston area in years. "We're gonna play country music," said Womack after playing a sparking version of the new song "Don't Listen to the Wind." "I mean real country music."
By that, Womack actually meant... »»»
Concert Review: Wait at LakeShake for Paisley proves worth it
The one thing that could be controlled over the three-day Windy City LakeShake country music festival was the weather. With thunder, lighting and rain in the skies on Saturday night, Brad Paisley was forced to cancel that night.
But Saturday's loss was Sunday's gain because he ended closing the inaugural fest with a set that was also by... »»»
Country News Digest
Elsewhere in the news
Currently at the CST blogs
Joey Ryan, half of acoustic folk duo the Milk Carton Kids, is girding his loins for the long trip from the band's Los Angeles home base to Australia. Although he's made this trip before, he's yet to acclimate completely to it.... »»»
Sitting in a motel room in Houston after a weekend gig at the Mucky Duck, singer/songwriter John Moreland is in a pretty good mood. His career is on a major upswing, and he is riding some pretty big critical success of his latest release, "High on Tulsa." Moreland has a lot to be happy about with three cuts picked for the soundtrack of the hit TV show "Sons of Anarchy," a national record distribution deal with Thirty Tigers and, apparently a well-placed super fan in MSNBC political pundit Rachel Maddow.... »»»
Allison Moorer packed a lot of living in the past five years leading up to the recently released "Down To Believing." The results are evident throughout the effort, like a light at the end of a tunnel. Writing or co-writing 12 of the 13 tracks, Moorer is fearlessly open and autobiographical. "Even when I try to make them about something or someone else, they always end up being about me. I am the subject that I know best."
Larry Campbell and Teresa Williams
After serving as a sideman to some of the most distinguished luminaries in the biz - Bob Dylan, Paul Simon, Levon Helm and Mavis Staples among them- it seems well past time that guitarist/producer Larry Campbell would step out on his own and spotlight his skills as both a singer and songwriter. It's to his credit however that he opts to share the spotlight with his wife and collaborator Teresa Williams... »»»
Kacey Musgraves is a welcome throwback in these bro and modern country times. That means you're going to hear sharp lyrics with more than a touch of humor, story songs and even instrumentation that recalls traditional country, like pedal steel, mandolin and a Johnny Cash drumbeat. »»»
The Muscle Shoals Recordings
The SteelDrivers are a dynamic, driving bluegrass band, a five-piece with a sound and an approach completely their own. "The Muscle Shoals Recordings" is their fourth album and second featuring expressive lead vocalist Gary Nichols and mandolinist Brent Truitt alongside group founders Tammy Rodgers (fiddle), Richard Bailey (five-string banjo), and Mike Fleming (bass). »»»
Call Me Insane
Dale Watson continually finds new ways to express old suspicions, judgments and wishes, but always stays comfortably within his self-coined Ameripolitan wheelhouse. Not that there is anything safe or staid about Watson's approach on "Call Me Insane." »»»
It's not hard to draw a laser straight line between The Deslondes' New Orleans home base and the quintet's twangy, tangy R&B/Soul gumbo on their eponymous debut. Just press play and marvel at the loping authenticity of the opening track and first single (how very Motown), the Fats Domino-flavored "Fought the Blues and Won." »»»
Tommy A Bluegrass Opry
Six months ago, few had heard of The Hillbenders, a rather non-descript bluegrass band from Springfield, Mo. Today, they are garnering more press for their new release than most bluegrass bands attract in a decade. »»»