Sunday, February 10, 2013
– Blown Away
took home two Grammys on Sunday: for Best Country Solo Performance by Carrie Underwood and Best Country Song for songwriters Josh Kear and Chris Tompkins.
"Wow," Underwood said. "Country music has always been so good to me, and I thank the Good Lord that I've been always part of such an amazing, talent family."
Underwood also had the chance to sing the song with different reflections going on her dress.
Zac Brown Band won the Country Album Grammy for "Uncaged." Brown gave thanks to various people associated with the group's career including "the fans."
Little Big Town won Best Country Duo/Group Performance for Pontoon at the Grammys awards.
LBT took the honor over Young Band's Even If It Breaks Your Heart, Taylor Swift & The Civil Wars for Safe & Sound, The Tim Jumpers for On the Outskirts of Town and Don Williams Featuring Alison Krauss on I Just Come Here For the Music.
Blown Away took Best Country Song for writers Josh Kear and Chris Tompkins. Carrie Underwood, of course, sang it. Other nominees were Cost of Livin' by Phillip Coleman and Ronnie Dunn (Dunn sang it); Even If It Breaks Your Heart by Will Hoge and Eris Paslay (Elio Young Band); So You Don't Have to Love Me Anymore, by Jay Knowles and Adam Wright (Alan Jackson) and Springsteen by Eric Church, Jeff Hyde and Ryan Tyndell (Church).
Bonnie Raitt took home Best Americana Album for "Slipstream." The vet took it over Mumford & Sons for "Babel," The Avett Brothers for "The Carpenter," virtual unknown John Fullbright for "From the Ground Up" and The Lumineers for their self-titled disc.
The Steep Canyon Rangers won Best Bluegrass Album for "Nobody Knows You." Dailey & Vincent were nominated as well for "The Gospel Side of Dailey & Vincent," The Grascals for "Life Finds a Way," Noam Pikelny for "Beat the Devil and Carry a Rail" and Special Consensus for "Scratch Gravel Road."
Best Folk Album went to "The Goat Rodeo Sessions" for Yo-Yo Ma, Stuart Duncan, Edgar Meyer and Chris Thile. Carolina Chocolate Drops for "Leaving Eden," Ry Cooder for "Election Special," Luther Dickinson for "Hambone's Meditations" and Various Artists for "This One's For Him: A Tribute to Guy Clark" also were nominated.
The disc also took Best Engineered Album, Non-Classical for Richard King, engineer and Richard King, mastering engineer.
Mumford & Sons took Best Long Form Music Video for "Big Easy Express" with Edward Sharpe & The Magnetic Zeros and Old Crow Medicine Show.
The show included a tribute to the late Levon Helm with a rendition of The Weight. The tribute included Mumford & Sons, Brittany Howard of Alabama Shakes, Mavis Staples, Elton John, Zac Brown and T Bone Burnett.
More news for Little Big Town
CD reviews for Little Big Town
When the chorus to Leavin' in Your Eyes kicks in with some lovely layered vocals, it's tempting to compare Little Big Town to Fleetwood Mac. After better sense kicks in, though, it's more reasonable to categorize LBT as Fleetwood Mac-lite, at best. All that '70s cocaine and infidelity made Fleetwood Mac so much darker than anything modern day Nashville could ever produce. To its credit, though, Fleetwood Mac could never produce anything nearly as catchy as Pontoon, easily the »»»
The Reason Why
Little Big Town has bounced around the country music industry through no fault of their own, but when it comes to the music, LBT moves beyond its role as the country successor to Fleetwood Mac. Similar to that touchstone, LBT has the two male, two-female line-up, including a married couple (Karen Fairchild and Jimi Westbrook). More importantly, soaring harmonies rule as evidenced from the get go on the bouncy title track.
But on their third label (Monument Nashville for their self-titled debut »»»
A Place To Land (re-release)
Little Big Town's third studio album was recently re-released by the group's new label after they split from Equity Music Group and took the CD with them. Those already familiar with the quartet will find a dozen tracks from the original recording, but there are also four new tracks to enjoy including a live coda - a cover of The Dream Academy's Life in a Northern Town - recorded with Jake Owen and Sugarland that has charted on its own. Highlights include That's Where I'll »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Rhett parties on, but leaves you wondering
About half-way through his set as the opening act, tall Jon Pardi commented to the crowd, "We're going to do...a traditional country song. It's a thing of the past, but not for me."
With that the California launched into the mid-tempo "Happens All the Time" from his debut disc "Write You a Song.... »»»
Concert Review: The Avett Brothers make the leap
The Avett Brothers have been on an upward trajectory, from going the indie route and building a following through heavy touring clubs of their blend of country, bluegrass, rock and more to a major label and hitting arenas.
While hard to envision this kind of popularity of the band not too many years ago - that reflected the listening tastes of... »»»
Country News Digest
Elsewhere in the news
Currently at the CST blogs
To take a page from Judy Collins' notebook, Lydia Loveless has seen life from both sides now. After a childhood in tiny Coshocton, Ohio, a move to Columbus and a gig playing bass in her family's new wave/rock band as a teenager, Loveless set out on her own musical path at the age of 17. In 2010, the 20-year-old Loveless released her debut album, "The Only Man," which was critically acclaimed but just barely heard by the general public.... »»»
Mary Chapin Carpenter's songs have always transcended the mundane, whether through the introspective songs about life and death on albums like "The Age of Miracles" or "The Calling" or in the humorous ways she laughs at fate in songs such as I Feel Lucky
or The Bug
in order to show the chinks in our mortal facades. Her music has often helped us get beyond ourselves to see the places where real meaning lies, whether we decide to embrace such meaning or not.... »»»
It's the Voice. Rhonda Vincent has been wrapping her soaring, golden-throated vocals around bluegrass tunes for a couple of decades now. The International Bluegrass Association named her Female Vocalist of the Year seven years running (2000-2006), and named her IBMA Entertained of the Year in 2001. From 2002-2006, Vincent carried home the Entertainer of the Year award from The Society for the Preservation of Bluegrass (SPBGMA). Early in her career, Vincent also recorded a couple of country albums, before returning to bluegrass. Yet, it was always her voice that gave every project its power, beauty, and character.... »»»
Listening to Don Williams is like putting on that old flannel shirt you've had since your college days; it's a comfortable fit, soft and reassuring without looking too much like something your dad might own. Williams' style of country music isn't much in fashion these days, but it carries a bit of a timeless quality with it - like George Strait, this new album could have come out any time in Williams' career. »»»
It would be easy perhaps even tempting - to label Alabama's Drive By Truckers as simply a rowdy and rambunctious country rock outfit that goes all out to make their insurgent sound heard. Not surprisingly, it was their landmark opus, "Southern Rock Opera," an album detailing the exploits of a fictional '70s Dixie-bred outfit called "Betamax Guillotine," that helped solidify both their sound and reputation. »»»
Change was in store for Dierks Bentley when it came to recording his seventh album, "Riser." On the personal front, he lost his father and added to his family, clearly affecting the subject matter of his latest. On the musical front, he traded long-time producer Brett Beavers, producer of every disc except "Up on the Ridge," for Ross Copperman. »»»
Will Kimbrough's been around a long time, with his early band Will & the Bushmen signed to a short-lived major label contract and his tenure in the Bis-Quits with Tommy Womack a notable footnote, but despite extensive credits as an artist he's still mostly lauded for his production, songwriting and sideman roles for others including Todd Snider and Jimmy Buffett. »»»
It's almost as if Cole Swindell's producer told him to concentrate hard and picture himself performing before a sold out stadium crowd when he wrote these songs because nearly everything on the artist's self-titled album is an anthem - little is subtle or left to the imagination. Whether he's giving a great, big shout out to the crowd with "Hey Y'all" or giving his girl a quiet squeeze from the cheap seats on "Swayin'," »»»
Eric Church looks to take no prisoners on his big and bold - sometimes very dark - sounding fourth studio release. He makes that crystal clear on the cover where he stands flanked by his backing quintet, looking tough, menacing, ready for a rumble with arms hanging down, hiding behind sunglasses. These guys are ready to roll. As in rock and roll, which Church et al cook up with the lead-off title track, an out-and-out rocker with Church laying down his outside the lines credentials. »»»