Keith preps new tour
Monday, February 4, 2013
– Toby Keith is preparing for a new tour, the Hammer Down Tour, starting June 8 in Ozark, Ark.
Joining him on this party is special guest Kip Moore.
Keith will tour in support of his current album "Hope On The Rocks."
Tour dates are:
June 8 Ozark AR Thunder On The Mountain *
June 14 Cincinnati Riverbend Music Center
June 15 Pittsburgh First Niagara Pavilion
June 22 Philadelphia Susquehanna Bank Center
June 28 Oshkosh, WI Country USA *
June 29 Cadott, WI Country Fest *
June 30 Chicago First Midwest Bank Amphitheater
July 19 Cleveland Blossom Music Center
July 20 St. Clairsville, OH Jamboree In The Hills
July 21 Buffalo, NY Darien Lake Performing Arts Center
July 27 Cheyenne Frontier Days *
July 30 Davenport, IA Mississippi Valley Fair *
Aug. 2 Sweet Home, OR Oregon Jamboree
Aug. 6 Sturgis, SD Buffalo Chip *
Aug. 14 Springfield, IL Illinois State Fair
Aug. 24 Washington, DC Jiffy Lube Live
Aug. 25 Hartford, CT Comcast Theatre
Aug. 31 Allentown, PA The Great Allentown Fair
Sept. 1 Essex Junction, VT Champlain Valley Fair
Sept. 7 Indianapolis Klipsch Music Center
Dates with * = Kip Moore does not appear.
Prior to the start of the tour, Keith will headline the San Antonio Stock Show & Rodeo, Houston Livestock Show & Rodeo, a night at the four-day festival Country Thunder in Florence, Ariz., and a night at the blockbuster Stagecoach festival in Indio, Cal.
More news for Toby Keith
CD reviews for Toby Keith
Drinks After Work
If 52-year old Toby Keith has learned anything after 20 years, it is to stick with a winning formula. Working with longtime collaborators Scotty Emerick, Bobby Pinson and Rivers Rutherford, "Drinks After Work" is chock full of blue collar ethic, humor and some heartbreak.
Most of the album is driven by big hooks and country guitar, However, Keith experiments a bit stylistically with computerized hip hop on the party anthem opener, Shut Up And Hold On, a Buffet-esque steel drum on »»»
Hope on the Rocks
For most of the 2000s, Toby Keith albums have been predictable and quite honestly pretty boring. Keith's latest again is predictable, but this time around it's anything but dull. Perhaps it's the pared down selection of just 10 cuts, allowing Keith to cull and produce the best that he's written.
His themes stomp through familiar turf - cold beer, curvy girls, curvy girls who drink cold beer - but there's a more convincing vibe from start to finish. »»»
Bullets in the Gun
Toby Keith is back with his annual release, once again delivering a record stocked with blue collar scenarios and tales of life. While his songs do paint a picture, at times they lack the refreshing desire of something fresh and new.
The record opens with the title cut co-written by Rivers Rutherford. This song tells a story, but leaves the feeling of having heard it before. Think Robert Earl Keen and mix in the Cliff Note version of Townes Van Zandt's Pancho & Lefty, without the compelling saga. »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Corb Lund finally returns
To say that a Corb Lund show was a rarity in these parts would be an understatement, but with a new disc, "Things That Can't Be Undone," dropping in two days, the Canadian roots/country artist is on the road - south of the border.
Lund lives on a farm in southern Alberta, Canada, near the Montana border, and has achieved popularity in his homeland.... »»»
Concert Review: Time makes a difference for Striking Matches
What a difference four months makes. When the duo Striking Matches debuted in Boston in late May, Sarah Zimmerman and Justin Davis capably showed off their skills, but somehow it felt like a lot of songs fell just a bit short.
Davis and Zimmerman tended to cut a lot of songs abruptly, never letting them breath enough or fleshing them out.... »»»
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