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Keith preps new tour

Monday, February 4, 2013 – Toby Keith is preparing for a new tour, the Hammer Down Tour, starting June 8 in Ozark, Ark.

Joining him on this party is special guest Kip Moore.

Keith will tour in support of his current album "Hope On The Rocks."

Tour dates are:
June 8 Ozark AR Thunder On The Mountain *
June 14 Cincinnati Riverbend Music Center
June 15 Pittsburgh First Niagara Pavilion
June 22 Philadelphia Susquehanna Bank Center
June 28 Oshkosh, WI Country USA *
June 29 Cadott, WI Country Fest *
June 30 Chicago First Midwest Bank Amphitheater
July 19 Cleveland Blossom Music Center
July 20 St. Clairsville, OH Jamboree In The Hills
July 21 Buffalo, NY Darien Lake Performing Arts Center
July 27 Cheyenne Frontier Days *
July 30 Davenport, IA Mississippi Valley Fair *
Aug. 2 Sweet Home, OR Oregon Jamboree
Aug. 6 Sturgis, SD Buffalo Chip *
Aug. 14 Springfield, IL Illinois State Fair
Aug. 24 Washington, DC Jiffy Lube Live
Aug. 25 Hartford, CT Comcast Theatre
Aug. 31 Allentown, PA The Great Allentown Fair
Sept. 1 Essex Junction, VT Champlain Valley Fair
Sept. 7 Indianapolis Klipsch Music Center

Dates with * = Kip Moore does not appear.

Prior to the start of the tour, Keith will headline the San Antonio Stock Show & Rodeo, Houston Livestock Show & Rodeo, a night at the four-day festival Country Thunder in Florence, Ariz., and a night at the blockbuster Stagecoach festival in Indio, Cal.

More news for Toby Keith

CD reviews for Toby Keith

35 mph Town CD review - 35 mph Town
Way back in the '90's, before millions of dollars, high profile political feuds and moguldom, Toby Keith could really sing and write a pretty good song! News flash! He still can on his nostalgic, 18th album. You can hear an unexpected Merle Haggard influence all over this record. The title cut, "35 MPH" evokes a Haggard vibe. Think "Roots Of My Raising - 2015" as Keith laments the loss of the commonplace, now gone forever. What could've easily been an appeal »»»
Drinks After Work CD review - Drinks After Work
If 52-year old Toby Keith has learned anything after 20 years, it is to stick with a winning formula. Working with longtime collaborators Scotty Emerick, Bobby Pinson and Rivers Rutherford, "Drinks After Work" is chock full of blue collar ethic, humor and some heartbreak. Most of the album is driven by big hooks and country guitar, However, Keith experiments a bit stylistically with computerized hip hop on the party anthem opener, Shut Up And Hold On, a Buffet-esque steel drum on »»»
Hope on the Rocks CD review - Hope on the Rocks
For most of the 2000s, Toby Keith albums have been predictable and quite honestly pretty boring. Keith's latest again is predictable, but this time around it's anything but dull. Perhaps it's the pared down selection of just 10 cuts, allowing Keith to cull and produce the best that he's written. His themes stomp through familiar turf - cold beer, curvy girls, curvy girls who drink cold beer - but there's a more convincing vibe from start to finish. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Moakler does it his way – Steve Moakler told the good-sized crowd that he had played just about every college there is in the area. Now, that would be quite a lot and probably a bit hyperbolic. But the point is he's trying to do it his way. Without the benefits of commercial radio play or a label behind him, Moakler has benefitted from extraterrestrial radio playing his... »»»
Concert Review: Giddens captivates, engages – About the only thing wrong that Rhiannon Giddens did was play a too small 900-plus seat venue that sold out months in advance. Aside from that misstep of not allowing in even more of her fans, Giddens was captivating, engaging and certainly not afraid to continue as potent musical force, although she was far more overtly political.... »»»
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