Moore sells out Boston in 20 minutes
Friday, February 1, 2013
– Kip Moore continued his streak of sold-out shows selling 2,400 tickets for his March 23 stop in Boston at House of Blues in just 20 minutes this morning.
The show follows previous sold-out dates already this year in Norfolk, Va., Raleigh, N.C., Athens, Ga., Nashville, Starkville, Miss. and upcoming Grand Rapids, Mich.
"This year is off to a crazy start, and it's only February," said Moore. "We have been at this awhile, just going out on the road and playing to as many people who would listen. It wasn't much at first, but thankfully, the number of people listening seems to be getting bigger and bigger. And if you missed out on any tickets, I'm sorry, but I guarantee we'll be back soon."
Moore recently released the third single, Hey Pretty Girl, from his debut album "Up All Night," which was the best selling debut album from any country artist released in 2012. The single follows two consecutive number one singles Somethin' 'Bout A Truck and Beer Money.
Previously on tour with Eric Church last fall, Moore is continuing to headline his own dates as well as hitting the road with Brantley Gilbert in February and April.
Moore will be opening for Toby Keith starting in May.
More news for Kip Moore
CD reviews for Kip Moore
Up All Night
Kip Moore's debut, "Up All Night" may be out now, but he is no newbie. He wrote two songs on Thompson Square's debut before surfacing with his singleMary Was the Marrying Kind. Kiefer Thompson returned the favor by co-writing the opener Drive Me Crazy, a teenage romance number with infectious melody.
Moore said he thinks fans still have a lot to learn about him and the depth of "Up All Night." "They'll be surprised from the single. It's a very emotional record. »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Long wait ends for Kitty, Daisy & Lewis
When you don't show for almost six years - Kitty, Daisy & Lewis are guilty as charged - and barely release any music unless counting one excellent disc out in late March on a British label and something almost unheard in the states in 2011, don't expect the masses to show up either.
Predictably, that didn't happen for the family band... »»»
Concert Review: Mellencamp overcomes conundrum
John Mellencamp faces the predicament that artists of his stature must face as they age. Now 63 and still putting out new, quality albums, Mellencamp presumably wants to push his new highly relevant music, while the faithful, long-time supporters thrive on the old stuff.
How do you rectify the two? Mellencamp tended to have it both ways before a... »»»
Country News Digest
Elsewhere in the news
Currently at the CST blogs
A great deal has transpired in the 10 years between Rhiannon Giddens, Dom Flemons and Justin Robinson connecting at North Carolina's Black Banjo Gathering and the release of Giddens' brilliant debut solo album, "Tomorrow is My Turn." Giddens and Flemons formed the very successful Sankofa Springs. Robinson met and was mentored by black string band legend Joe Thompson, and ultimately, Giddens, Flemons and Robinson formed the bluegrass/folk/blues powerhouse, the Carolina Chocolate Drops.
A couple of years ago, while discussing various musical poet-heroes, singer-songwriter Hayes Carll mused that "in a perfect world, Ray Wylie Hubbard would be winning Grammys." With the release of his latest offering, "The Ruffian's Misfortune," a follow-up to 2012's critically acclaimed, "The Grifter's Hymnal," now might just be the time that Carll was talking about.... »»»
Young bluegrass artist Nathan Stanley doesn't fall far from the branches of the family tree; he honors the legacy of his grandfather, Dr. Ralph Stanley, by delivering straight ahead traditional bluegrass music, interpreting old classics that have shaped him and his music. At the same time, young Stanley is an original, refusing to sing the old songs in the ways they've been performed before. "If it's been done," he says, "I don't think I'll do it that way."... »»»