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Country returns to New York radio

Monday, January 21, 2013 – Country radio returned to New York today for the first time in 17 years. Cumulus Broadcasting announced that 94.7 - aka "Nash FM" is now a country station.

The station's web site said, "Nash FM is dedicated to bringing you the best, newest and most exciting country artists on the planet 24 hours a day, 7 days a week. We're more than country - we're Country for Life."

The station's tag line is "America's country station. New York's All New Nash FM 94.7."

The first song played by the station was Randy Houser's How Country Feels. Alan Jackson's Gone Country was next.

The last country station in New York was in 1996 when WYNY became WKTU. The station later was picked up by a suburban signal and continued until 2002.

The Daily News reported that the station had no DJs, something common at the start of a station.

Cumulus also owns WABC and WPLJ, two major New York stations.

Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Aldean and friends stretch it out, way out – Jason Aldean's tour, "Six String Circus," gets its name from his recent single, "Lights Come On." And titling his tour after a guitar - and more appropriately an electric guitar - makes all the sense in the world. Each act on the bill, which also included A Thousand Horses and Thomas Rhett, use a lot of guitars - but mostly in... »»»
Concert Review: The Jayhawks remain in top form – It's usually a good time to catch a band right after they've released one of their better albums, and "Paging Mr. Proust" is one of The Jayhawks' best. Comprised of smart songs, which consistently put lead singer Gary Louris' engaging vibrato to proper use and instrumental textures that oftentimes stretch the Minnesota act... »»»
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