Richey looks ahead to "Thorn In My Heart"
Friday, January 11, 2013
– Kim Richey will make her Yep Roc Records label debut April 16 with the release of her seventh studio album,"Thorn In My Heart."
Recorded at Mr. Lemon's Studio in Nashville, "Thorn In My Heart" was produced by Neilson Hubbard (Glen Phillips, Matthew Ryan, The Apache Relay) and features 12 original compositions. The follow-up to 2010's "Wreck Your Wheels," the album features guest appearances from Jason Isbell, Trisha Yearwood, Carl Broemel of My Morning Jacket and Pat Sansone of Wilco.
Richey, a former professional chef, got her first record deal at 37 and has garnered success as a songwriter, co-writing two number one hits; the Grammy-nominated Believe Me Baby I Lied for Trisha Yearwood and Nobody Wins for Radney Foster. Other songwriting contributions include songs for Dixie Chicks, Jim Lauderdale, Brooks & Dunn and Patty Loveless. Her vocals also appear on albums by Ryan Adams and Shawn Colvin.
Her self-titled debut was released in 1995, followed by "Bitter Sweet" (1997), "Glimmer" (1999), "Rise" (2002), "The Collection" (2004/label), "Chinese Boxes" (2007, and "Wreck Your Wheels" (2010).
1. Thorn In My Heart
2. London Town
3. Something More
4. Breakaway Speed
5. Angel's Share
6. Come On
7. Love Is
8. I Will Wait
9. I'm Going Down
10. No Means Yes
11. Take Me To The Other Side
12. Everything's Gonna Be Good
More news for Kim Richey
CD reviews for Kim Richey
Thorn In My Heart
Kim Richey has certainly secured a reputation as a songwriter's songwriter, co-penning two number one hits: Believe Me, Baby I Lied for Trisha Yearwood and Nobody Wins for Radney Foster. On her follow up to 2010's "Wreck Your Wheels," Richey displays not only her songwriting chops, but also her rich, often soaring, vocals, and her canny ability to capture the vagaries of love, sex, misunderstanding, contempt and disappointment in musical styles ranging from traditional country »»»
Wreck Your Wheels
Kim Richey's music is not made for multi-taskers. Sure, you can listen to "Wreck Your Wheels" while washing dishes and talking on the phone, but it just won't be the same. Richey sings softly, but carries a big-hearted message. She can take the simplest stuff of life and build wonderful songs around it. Take Keys, for example. Keys can be used to lock doors and keep people out. But they also allow others in. "Is it too late now to let you in?" Richey asks, over »»»
Once upon a time, Kim Richey smartly combined rock chick instincts with country roots. And she was irresistible. Not to suggest Richey is no longer irresistible, but "Chinese Boxes" doesn't sound at all like the Richey of old.
Instead, she's nearly a dead ringer for the soft and melodic Aimee Mann.
Recording this disc at Eastcote Studios in West London might have something to do with its distinctly un-Americana sound. But the related fact that Giles Martin (son of George »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Moakler does it his way
Steve Moakler told the good-sized crowd that he had played just about every college there is in the area. Now, that would be quite a lot and probably a bit hyperbolic. But the point is he's trying to do it his way.
Without the benefits of commercial radio play or a label behind him, Moakler has benefitted from extraterrestrial radio playing his... »»»
Concert Review: Giddens captivates, engages
About the only thing wrong that Rhiannon Giddens did was play a too small 900-plus seat venue that sold out months in advance. Aside from that misstep of not allowing in even more of her fans, Giddens was captivating, engaging and certainly not afraid to continue as potent musical force, although she was far more overtly political.... »»»
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