FGL, Swift top charts
Thursday, January 10, 2013 – Florida Georgia Line rode Cruise all the way to the top of the Billboard Country Songs chart for the week ending Jan. 19. FGL switched spots with Taylor Swift whose We Are Never Ever Getting Back Together slipped to second. Swift was second on the overall CD sales chart with "Red." The CD dropped from first to third with "Les Miserable" soundtrack in first.
On the songs chart, Hunter Hayes remained third with Wanted as did The Band Perry in fourth with Better Dig Two. Gary Allan was up one to fifth with Every Storm (Runs Out of Rain). Zac Brown Band was sixth as Goodbye In Her Eyes was up from 10.
Kip Moore made into the top 10 with Beer Money climbing 2, to 10th. Little Big Town was 11th with Tornado up 2. Brad Paisley's Southern Comfort Zone went from 18 to 14. One of Those Nights from Tim McGraw stood at 14, up 6. Carrie Underwood's Two Black Cadillacs climbed 4 to 16. Dierks Bentley held the 22nd spot with Tip It On Back, up 3.
On the Country Albums chart, Swift was followed by Underwood's "Blown Away." FGL was third for "Here's to the Good Times." Jason Aldean's "Night Train" was fourth, while Luke Bryan was fifth with "tailgates & tanlines." The soundtrack "Nashville: The Music of Nashville" fell from 6 to 10.
Kenny Chesney was at 11, up 4, with "Welcome to the Fishbowl." Lady Antebellum's "Own the Night" jumped from 19 to 12. Toby Keith was 13 with "Hope on the Rocks," up 3. "Hard 2 Love" from Lee Brice went from 18 to 14. Moore was at 16, up 6, with "Up All Night." Miranda Lambert's "Four the Record" was up 3 to 18 and "The Road" from Aaron Lewis was at 19, up 4.
Justin Moore was 21st with "Outlaws Like Me," moving up 3. Jamey Johnson was a big mover with "Living For a Song: A Tribute to Hank Cochran" up 11 to 22. Dustin Lynch's self-titled debut was 23rd, up 4. "Icon" George Strait" was one behind, up six. "Hell On Heels" from Pistol Annies was up 3 to 25. Easton Corbin was 28th with "All Over the Road," up 6. Jana Kramer was up 11 with her self-titled debut, up 11. Dwight Yoakam's "3 Pears" stood at 32, up 3. Also was up three was Chris Young's "Neon" at 35.
The 2011 soundtrack to "Footloose" jumped from 48 to 37. "Live Across America" from Josh Turner was up 8 to 38. Chris Cagle's "Back in the Saddle" was up 5 to 39. " Gloriana's "A Thousand Miles Left Behind" went from 49 to 40.
On the bluegrass chart, Old Crow Medicine Show stayed first with "Carry Me Back." Trampled by Turtles was second with "Stars and Satellites." Punch Brothers were third with "Who's Feeling Young Now?" The Goat Rodeo Sessions" from Yo-Yo Ma, Stuart Duncan, Chris Thile and Edgar Meyer was fourth. Steve Ivey was fifth with "Best of Bluegrass."
On the overall top 200, Underwood was 22nd, FGL 25th, Aldean 26th and Bryan 27th
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CD reviews
Here's to the Good Times
This record can be summed up with five words: "Def Leppard with a banjo." Replace the leather pants and motorcycle boots with scuffed up Romeos and roughed up jeans and you've transformed England's most successful arena rockers into America's new favorite arena twangers. Switch the Flying V's with mandolins, cover British accents with country twang and replace the girls with big hair with girls with big... and you've got yourself a formula for hit records and sold out concerts. »»»
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It's Just What We Do
Tragic abuse of proper spelling aside, Florida Georgia Line's debut EP, "It'z Just What We Do," can already be considered a success. The duo of Brian Kelley and Tyler Hubbard was recently signed to Republic Nashville, and a listen to their songs makes it clear why. Considering the runaway success of the likes of Jason Aldean, Luke Bryan and the like, Florida Georgia Line's brand of rockin' country - emphasis on the "rockin'" fits right in with mainstream radio trends. »»»
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Journey to Fearless DVD
Part Behind The Music style documentary and part concert film, Taylor Swift's new Blu-ray release offers an interesting hybrid approach to the typical live performance video - an approach that hits more than it misses. "Journey To Fearless" focuses on Swift's meteoric rise from aspiring grade-school singer/songwriter to award-winning country and pop megastar while sprinkling in live performances. Hardcore Swift fans will find a lot to love on this single-disc set (which is also »»»
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Editorial: Walking the talk –
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Music City goes (Boston) Pop(s) –
On the face of it, the idea of top shelf country songwriters coming up from Nashville to play with the Boston Pops may seem incongruous. The idea of the venerable Boston institution and fixture on the July 4 scene, playing patriotic songs doesn't have all that much to do with country.
The idea isn't without precedent, of course.... »»»
Concert Review: O'Donovan goes home –
Aiofe O'Donovan had plenty of reason to be filled with good cheer. This was a hometown gig, after all, and only three days before the release of her first full-length solo debut, "Fossils."
Joking that the audience was filled with people she knew from high school and her parents' friends, O'Donovan made it clear that Boston... »»»
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Some folks listening to Kelly Willis and Bruce Robison's new duet album, "Cheaters Game," may well exclaim, 'Well, it's about time!' after finally hearing these two talented country singer/songwriters recording music as a pair for the first time. Willis has built quite a following for her independently-minded feminine perspective, while Robison has written hits for the Dixie Chicks ( Travelin' Soldier) and Tim McGraw and Faith Hill ( Angry All the Time), as well as penning the ultimate Willie Nelson tribute, What Would Willie Do? and recording it as a solo act.
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Still Fighting the War
Few artists exude pain in their voices the way Slaid Cleaves can, and there are moments during his strong new full-length, "Still Fighting the War," when he seems a little like the male equivalent to Lucinda Williams. With Rust Belt Fields, Cleaves speaks up for most anybody that's been laid low be America's recent recession, from those dealing with home foreclosure to the ones laid off from their jobs. »»»
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Southeastern
Given the fact that Jason Isbell opts for solo billing this time around, it might be assumed that last year's "Live From Alabama," recorded with the 400 Unit, was the band's swan song of sorts. That is, unless one considers the fact that drummer Chad Gamble and keyboardist Derry deBorja are still along for the ride, albeit sans the band billing. »»»
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Fossils
Aiofe O'Donovan has been on a roll. As lead singer of the well-regarded alt.-bluegrass band, Crooked Still, O'Donovan helped put the alt. in the bluegrass with her light, sometimes breathy vocals. She also gained attention for singing on two songs on "The Goat Rodeo Sessions." She's now on her own (Crooked Still is on hiatus) for her first full-length disc. »»»
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Pokey LaFarge
Although Pokey LaFarge is a relatively young 30 years old, his songwriting soul is as old as a Victrola crank. In the past seven years and across seven albums, LaFarge has paid homage to the American music that caught his ear as a teenager (hot jazz, swing, country blues and Appalachian folk), not with an idolator's slavish heart, but with the nervy spirit of an innovator. »»»
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Wrote a Song for Everyone
Considering that Creedence Clearwater Revival's back catalogue contains some of the most beloved and iconic music of the rock era, and John Fogerty himself - the man who made all those great songs great - will be dueting with you, an artist has to feel like he's got two strikes against him when he sets out to contribute to a cover album tribute to Creedence Clearwater Revival and John Fogerty. »»»
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This World Oft Can Be
Although it isn't rare to hear women singing and playing bluegrass-inspired music, it is still unusual to take in a five-girl band doing so. Della Mae are not what The Runaways and The Go-Go's meant to rock & roll, perhaps, but they're nevertheless significant and unique. »»»
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