Thursday, January 3, 2013
– Taylor Swift had a great week on the charts. She enjoyed the best selling CD in the U.S. with "Red" for the week ending Dec. 30, 2012 on the Billboard chart with 241,000 units sold, down 12 percent.
Billboard reported that 54 percent of the sales were downloads, probably in part due to an Amazon MP3 sale of $1.99 on Dec. 24.
On the song chart, Swift was back on top with We Are Never Ever Getting Back Together, switching spots with Cruise by Florida Georgia Line, which fell to second.
Hunter Hayes remained third with Wanted, while Carrie Underwood jumped from 11 to 4 with Blown Away. The Band Perry was fifth with Better Dig Two. Jason Aldean was seventh with The Only Way I Know with help from Luke Bryan and Eric Church. Hayes also was ninth with Somebody's Heartbreak, jumping six places.
Swift's Begin Again moved up 6 to 13. Newcomer Kacey Musgraves' Merry Go 'Round went from 24 to 19. And Swift also had the biggest mover by far with Red skyrocketing from 40 to 22.
On the album chart, Aldean's "Night Train" was second, up three. Underwood was third with "Blown Away," up three, while Florida Georgia Line moved from eight to four with "Here's to the Good Times." Little Big Town was fifth with "Tornado."
Hayes' self-titled debut stood at seven, up four. "Red River Blue" from Blake Shelton jumped from 16 to 8. Eric Church was ninth with "Chief," up three.
Brantley Gilbert was 17th with "Halfway to Heaven," up 4. Aaron Lewis was 23rd with "The Road," up 3. Dustin Lynch's self-titled debut was up 4 to 27. Jake Owen was 27th with "Barefoot Blue Jean Night," moving four spots. Easton Corbin's "All Over the Road" was 34th, up 3.
Colt Ford's "Declaration of Independence" was at 36, up 3. "Neon" by Chris Young was up 6 to 38. Eli Young Band's "Life At Best" was 39th, up 8.
On the bluegrass chart, Old Crow Medicine Show was first again with "Carry Me Back." Trampled by Turtles was second, up four, with "Stars and Satellites." The Goat Rodeo Sessions" from Yo-Yo Ma, Stuart Duncan, Chris Thile and Edgar Meyer remained third. Punch Brothers were fourth with "Who's Feeling Young Now?" Steve Ivey was fifth with "Best of Bluegrass."
Swift also enjoyed a great week on the Digital Songs chart as I Knew You Were Trouble returned to the top spot with 582,000 sold, up 163 percent. That was the fourth largest sales week ever for a song.
On the overall top 200, Aldean was 18th, Underwood 22nd, Florida Georgia Line 30th and Bryan 33rd.
More news for Taylor Swift
CD reviews for Taylor Swift
Journey to Fearless DVD
Part Behind The Music style documentary and part concert film, Taylor Swift's new Blu-ray release offers an interesting hybrid approach to the typical live performance video - an approach that hits more than it misses. "Journey To Fearless" focuses on Swift's meteoric rise from aspiring grade-school singer/songwriter to award-winning country and pop megastar while sprinkling in live performances. Hardcore Swift fans will find a lot to love on this single-disc set (which is also »»»
Taylor Swift has made the best CD of her young career with her fourth CD. The biggest difference is that Swift's singing, spotty on previous releases and live performances, is far far superior here.
Swift wrote all 14 songs here, which like her other albums tend to deal with relationships that have gone south. Swift's songwriting always has been one of her strengths, and that continues to be the case here - both lyrically and musically. Put simply, Swift knows a lot about penning »»»
Taylor Swift took the county world by storm with her huge selling debut and its five hit singles. With a huge marketing push and myspace, Swift was on her way. Kind of like an Avril Lavigne for the teen female country set.
Sophomore slump? There's no indication of that. Swift once again writes her material - all 13 songs here with help sometimes from Liz Rose, Colbie Caillat and John Rich. Swift writes of what she knows about - relationships and teen love come and gone in songs speak to her fans. »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: The Avett Brothers make the leap
The Avett Brothers have been on an upward trajectory, from going the indie route and building a following through heavy touring clubs of their blend of country, bluegrass, rock and more to a major label and hitting arenas.
While hard to envision this kind of popularity of the band not too many years ago - that reflected the listening tastes of... »»»
Concert Review: All for the Hall: thanks to Harris, Gill, no ordinary guitar pull
This all-star benefit concert for the Country Music Hall Of Fame may have been likened to a Nashville living room guitar pull, but this was certainly no ordinary guitar pull. The evening's acoustic show featured Vince Gill, Emmylou Harris Jason Mraz and Heart. It amounted to a wonderful evening of stories and songs.
Although actress Rita Wilson... »»»
Country News Digest
Elsewhere in the news
Currently at the CST blogs
To take a page from Judy Collins' notebook, Lydia Loveless has seen life from both sides now. After a childhood in tiny Coshocton, Ohio, a move to Columbus and a gig playing bass in her family's new wave/rock band as a teenager, Loveless set out on her own musical path at the age of 17. In 2010, the 20-year-old Loveless released her debut album, "The Only Man," which was critically acclaimed but just barely heard by the general public.... »»»
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or The Bug
in order to show the chinks in our mortal facades. Her music has often helped us get beyond ourselves to see the places where real meaning lies, whether we decide to embrace such meaning or not.... »»»
It's the Voice. Rhonda Vincent has been wrapping her soaring, golden-throated vocals around bluegrass tunes for a couple of decades now. The International Bluegrass Association named her Female Vocalist of the Year seven years running (2000-2006), and named her IBMA Entertained of the Year in 2001. From 2002-2006, Vincent carried home the Entertainer of the Year award from The Society for the Preservation of Bluegrass (SPBGMA). Early in her career, Vincent also recorded a couple of country albums, before returning to bluegrass. Yet, it was always her voice that gave every project its power, beauty, and character.... »»»
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Will Kimbrough's been around a long time, with his early band Will & the Bushmen signed to a short-lived major label contract and his tenure in the Bis-Quits with Tommy Womack a notable footnote, but despite extensive credits as an artist he's still mostly lauded for his production, songwriting and sideman roles for others including Todd Snider and Jimmy Buffett. »»»
It's almost as if Cole Swindell's producer told him to concentrate hard and picture himself performing before a sold out stadium crowd when he wrote these songs because nearly everything on the artist's self-titled album is an anthem - little is subtle or left to the imagination. Whether he's giving a great, big shout out to the crowd with "Hey Y'all" or giving his girl a quiet squeeze from the cheap seats on "Swayin'," »»»
Eric Church looks to take no prisoners on his big and bold - sometimes very dark - sounding fourth studio release. He makes that crystal clear on the cover where he stands flanked by his backing quintet, looking tough, menacing, ready for a rumble with arms hanging down, hiding behind sunglasses. These guys are ready to roll. As in rock and roll, which Church et al cook up with the lead-off title track, an out-and-out rocker with Church laying down his outside the lines credentials. »»»