Lynch, Trischka, Ickes win honors
Monday, December 3, 2012
– Claire Lynch, Tony Trischka and Rob Ickes are among 54 artists to receive one of 50 USA Fellowships from United States Artists (USA). The national advocacy organization awarded unrestricted grants of $50,000 today.
Those honored come from the fields of architecture and design, crafts and traditional arts, dance, literature, media, music, theater arts, and visual arts.
Out of the 54 winners, only seven are in the music field.
Lynch has long been recognized as a creative force in acoustic music and at the forefront of women who have expanded the bluegrass genre. She has twice earned The International Bluegrass Music Association's "Female Vocalist of the Year" title, and two Grammy nominations.
"On a personal level, the award fuels my confidence and creativity and inspires me to take my work to new levels," said Lynch. "I'm in the studio recording a new album right now and the thrill of being selected is bringing an incredible energy to the sessions."
Lynch's encompasses classic bluegrass and infusions of contemporary folk, country, rock and swing. Her songs have been recorded by Kathy Mattea, Patty Loveless and others.
Lynch released 7 albums through Rounder Records, where she enjoyed an 18-year collaboration with label founder Ken Irwin. Currently, she is recording a new album to be released in 2013 on roots label Compass Records.
Ickes has long considered a premier Dobro player while Trischka plays banjo.
More news for Claire Lynch
CD reviews for Claire Lynch
Whatcha Gonna Do
Claire Lynch is one of the finest singers in acoustic music. That's been the case for more than 25 years. Her vocal twang both soothes and captures your attention.
A multiple IBMA award winner, her music spans beyond bluegrass, though she can mix it up bluegrass-style as well as anyone, as evidenced here by Barbed Wire Boys and Bill Monroe's My Florida Sunshine. Widow's Weeds has a strong bluegrassy and old timey flavor to it as well.
Though a terrific songwriter and »»»
Claire Lynch's talents as a singer, songwriter and band leader are showcased on this compilation disc of 10 songs from her catalogue and new recordings of favorites by her Front Porch String Band. "Sweetheart Darlin' of Mine" and "If Wishes Were Horses" are bluegrass tunes with elegant breaks and tight vocal harmonies. In "Train Long Gone," the group sets the stage by clueing the listener to the next line. It's a new take on more traditional tunes where »»»
Claire Lynch's first album in five years finds her with a new sound and band mining deeper roots than she has previously.
Featuring Jim Hurst (guitar) and Missy Raines (bass), Lynch's old partners from The Front Porch String Band, her new line-up also boasts mandolin virtuoso David Harvey. His influence allows Lynch to explore darker, more traditional sounds than she has embraced in the past.
On the best song, "Love Will Find You Again," the poetic lyrics and »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: McGraw has plenty of fight left
Despite the fact that Tim McGraw is five years sober, fit as a triathlete and touring behind a number one album, he is still in an unenviable position. As he approaches 50, McGraw has to stay a step ahead of the current crop of young country hunks with TV shows, cross format radio airplay and wider appeal. But as he proved at First Niagara's... »»»
Concert Review: Steve Earle doesn't rest (on laurels)
If you didn't realize Steve Earle had a new disc out, "The Low Highway," it would have been no problem realizing that quite and quickly.
That was because Earle started the two-hour show with three straight tracks from "The Low Highway," and he would not be done for the night. The title track of was a midtempo effort... »»»
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