Sign up for newsletter
 

Pistol Annies member readies disc

Monday, November 26, 2012 – Ashley Monroe, a member of the trio Pistol Annies, will release her first Warner Nashville solo album, "Like A Rose," to digital outlets on Dec. 18.

The physical CD drops at retail Jan. 22, 2013.

Monroe, 26, spent her childhood in Knoxville, Tenn., where she immersed herself in all varieties of music ranging from country - she's not-too-distantly related to members of the legendary Carter Family - to rock, pop, rap and even opera. When she was 11, Monroe won a talent contest singing I Want To Be a Cowboy's Sweetheart, and 2 years later, her father gave Monroe her first guitar.

Shortly thereafter Monroe's father was diagnosed with cancer and died when she was 13. The young girl immersed herself in music. Monroe and her mother moved to Nashville so that Monroe could pursue her dream.

Within a year Monroe had signed a song publishing deal, secured a recording contract and released a single, Satisfied. But her record label merged with a larger company and declined to release her already-recorded album.

In 2008, Monroe cut an EP with singer-songwriter Trent Dabbs and a few years later, at the invitation of Jack White, she sang background vocals on an album he was producing by country-rockabilly singer Wanda Jackson. Monroe also contributed vocals to Bruises on the album "California 37" by the rock band Train.

Monroe also had time to form Pistol Annies in 2011with her friend Miranda Lambert, whose chart-topping hit Heart Like Mine Monroe co-penned, and newcomer Angaleena Presley.

Vince Gill produced the new Monroe disc. "We just got the band in a circle and started playing the songs," Monroe said, "and once we felt like we had a feel for it, I'd do my vocal live - I never went back in to do a second vocal. Everyone put everything we had into the songs. There was a buzz in the room. We all had fun - it felt like a big old family, the way records used to be made."

Some of the songs were newly written for the album; others date back several years. The semi-autobiographical title track was co-written about six years ago with Guy Clark.

Monroe co-wrote You Got Me with Little Big Town's Karen Fairchild. It's about an addiction to something - one thing or another, whether you're stuck in a bad relationship or alcohol or whatever it is - and you try to hide it and fight it but you're kind of saying, 'Alright, you got me'," she said.

On a more light-hearted note is You Ain't Dolly (And You Ain't Porter), a duet featuring Blake Shelton

"Used is an update of a song that appeared on Monroe's "Satisfie"d album. "It came to me when I was about 17, and my manager at the time had just bought me this old 1950s Gibson guitar," she said. "It came into my mind that things are worth more used, and I thought about my mom, who had lost my dad when she was 38. I was thinking, she had two kids, she's been through a lot, and, bless her heart, it's all gonna be worth it. Vince and I worked up this new version, which made it fresh for me."

More news for Pistol Annies

CD reviews for Pistol Annies

Annie Up CD review - Annie Up
For those who thought "Hell on Heels" was a one-off side project for Miranda Lambert (along with sidekicks Angaleena Presley and Ashley Monroe), think again. The Annies, aka "Lonestar Annie" (Lambert), "Hippie Annie" (Monroe), and "Holler Annie" (Presley), are no novelty act. Instead, they tackle material that you just are unlikely to hear on mainstream country radio both in subject matter and sonics. Like the debut, this one also makes it quite clear that »»»
Pistol Annies CD review - Pistol Annies
One might think that given the presence of Miranda Lambert, Pistol Annies are some sort of unworthy side, vanity project for Lambert in between discs. They also would be most wrong because this is not just Lambert and a few sidekicks. Nope. This is a full-fledged, hardcore country trio album (Ashley Monroe and Angeleena Presley are Lambert's partners in crime) and an excellent one at that. The disc takes no prisoners to say the least, making that clear from the get go »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Alabama Shakes, Elvis celebrate music – Donald Trump was nowhere to be seen at the final day of the Newport Folk Festival, but that didn't mean he was ignored. Maybe it was the political roots of folk music. The Republican presidential candidate was mentioned at least three times - all by foreign musicians - during the finale. No one exactly endorsed his candidacy either.... »»»
Concert Review: Newport Folk Fest retains its beauty – With acts ranging from Ray LaMontagne to The Staves to Case/Lang/Veirs, the Newport Folk Festival ran the gamut from tried and true to not so well known to brand new (sort of) acts. And that was the beauty of day one of the festival in enabling attendees to sample a wide range of music and genres, albeit little of it folk as we once knew it.... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Lonely Heartstring Band navigates "Deep Waters" Four years after forming in Boston and a year after receiving their first major award (an IBMA Momentum nod), when most bands might be expected to have two or three already in circulation, the Lonely Heartstring Band finally has its first full-length CD release "Deep Waters" (Rounder) out on the street.... »»»
Bush tells the story Sam Bush is back with a new record, "Storyman," not that he ever went anywhere. Identified with The Telluride Bluegrass Festival, which he has played in one form or another for each year but one, he helped define the new grass sound. Starting with Poor Richard's Almanac (along with Alan Munde and Wayne Stewart) in 1970, continuing to turns with New Grass Revival and Nash Ramblers, Bush has played fiddle, mandolin and mandolin variants (including slide mandolin) solidly since that time.... »»»
Ladies and gentlemen, The Infamous Stringdusters Nearly 10 years on, The Infamous Stringdusters have carved out a singular place for themselves in the bluegrass/jamgrass world. The Stringdusters tour aggressively, are fixtures on the festival circuit and released several intriguing recording projects since late 2015: an EP of covers, including Tom Petty's "American Girl," and a full-length album of songs collaborating with some of the finest female singers in the Americana genre ("Ladies and Gentlemen").... »»»
The Fighter CD review - The Fighter
A singer's believability is essential to the success of any album, and David Nail has a way of persuading us that every word he sings on his "Fighter" comes straight from the heart. And it doesn't hurt that the songwriting contained within is topnotch throughout. Two songs, in particular, go straight to the heart in addition to being heartfelt. "Home," which Lori McKenna both sings on and co-wrote, is the first song on this record... »»»
We're All Somebody From Somewhere CD review - We're All Somebody From Somewhere
It's a difficult proposition for a band member to go solo after a longstanding highly successful career and try to forge a musical identity that not only isn't all that similar to what's come before, but is also able to stand on its own as musically viable. And despite some false starts in launching his solo career commercially on the country charts, Steven Tyler has managed to make a statement on both counts. »»»
Rattle & Roar CD review - Rattle & Roar
In the spirit of "if it was a good idea the first time around, it's got to be worth trying again," Jerry Douglas and his collaborators in the Earls Of Leicester return with a follow-up to their self-titled Grammy-winning debut of two years ago. On the off chance that you missed it the first time around, Douglas pulled the band together, not as just another "tribute" band... »»»
Young in All the Wrong Ways CD review - Young in All the Wrong Ways
Sara Watkins' voice is powerful. "Young In All The Wrong Ways" showcases her instrument admirably. Watkins burst upon the music scene in 1989, as part of Nickel Creek, teaming with her brother Sean and mandolinist Chris Thile. Nickel Creek had a solid run of recording and live music performances for a couple of decades before the members spread out into other collaborations. »»»
Storyman CD review - Storyman
It's been seven years since Sam Bush released a collection of songs (2009's "Circles Around Me"), but Bush has never left the bluegrass/jamgrass consciousness. He tours, mostly festivals, with his first-rate Sam Bush Band and has popped up as instrumental collaborator with Frank Solivan, Taylor Swift, Bela Fleck, David Grisman and countless others over the years. »»»
True Sadness CD review - True Sadness
The Avett Brothers shows oftentimes offer some of the best bluegrass-inspired instrumental music around as brothers Seth and Scott surround themselves with highly skilled players. Albums, on the other hand, can sometimes be a significantly different matter. Songs on the new "True Sadness," for instance, reveal this act's well-developed introspective side. »»»