Owens, Flatt and Scruggs, Charles songs enter Grammy hall
Wednesday, November 21, 2012
– Songs by Buck Owens, Flatt and Scruggs, Ray Charles and Ernest Stoneman will be added into the Grammy Hall of Fame.
Paul McCartney, Bob Dylan, James Brown and Elton John are among others who will see their songs inducted.
"With the Grammy Hall of Fame celebrating 40 years, it's especially important to note that these entries continue the tradition of inducting a wide variety of recordings that have inspired and influenced both fans and music makers for generations," Neil Portnow, President and CEO of the Recording Academy, said in a release. "Memorable for being both culturally and historically significant, we are proud to add them to our growing catalog of outstanding recordings that have become part of our musical, social, and cultural history."
The songs are:
Buck Owens, "Act Naturally"
Lester Flatt, Earl Scruggs And The Foggy Mountain Boys, "Foggy Mountain Banjo"
Ray Charles, "Hit The Road Jack"
Ernest V. "Pop" Stoneman, "The Titanic"
Louis Jordan And His Tympany Five, "Ain't Nobody Here But Us Chickens"
Joe Falcon, "Allons A Lafayette"
AC/DC, "Back In Black"
Paul McCartney & Wings, Band On The Run
W.H. Stepp, "Bonaparte's Retreat"
Lennie Tristano Sextet, Crosscurrents
Carols Gardel, "El Dia Que Me Quieras"
Elton John - "Elton John" (CD)
Little Richard, Here's Little Richard
Willie Mae "Big Mama" Thornton, "Hound Dog"
James Brown, "I Got You (I Feel Good)"
John Coltrane And Johnny Hartman, John Coltrane And Johnny Hartman
Original Broadway Cast, Lost In The Stars
Charles Mingus, Mingus Ah Um
Son House, "My Black Mama [Parts 1 and 2]"
Francis Craig And His Orchestra, "Near You"
The Drifters, "On Broadway"
Billy Joel, "Piano Man"
Memphis Jug Band, "Stealin' Stealin'"
Richard Pryor, That Nigger's Crazy
Frank Sinatra, Theme from "New York, New York"
Bob Dylan, "The Times They Are A-Changin'"
Whitney Houston - "Whitney Houston"
More news for Buck Owens
CD reviews for Buck Owens
Bound for Bakersfield: 1953-1956 The Complete Pre-Capitol Collection
Buck Owens had not yet developed the style that would make him a superstar in the '60s when he recorded the songs in this collection for small California labels Pep, Chesterfield and La Brea Records between 1953 and 1956. The Hank Williams influence is heard in the balladBlue Love, Owens' first known recording, as well as early Owens compositions Right After The Dance, Down On The Corner Of Love and It Don't Show On Me.
Other impressive Owens compositions are the George Jones »»»
The Warner Bros. Recordings
It's a bit surprising to read the liner notes to a reissue - especially a pricey, deluxe package like those offered by Rhino Handmade - and find not only their author (in this case, veteran country music journalist Rich Keinzle), but the artist as well, more or less suggesting that the music contained therein is second-rate, but that's certainly the impression a reader is left with here.
Buck Owens' move in from Capitol - the label with which he'd spent almost all of his »»»
Buck Owens in London
Buck Owens was not averse to putting out live albums. "In London," released in March 1969, was his third in three years. "Big in Vegas" followed close on its heels the same year, with another double shot of albums in 1972; and those are only domestic live releases. In his fine liner notes to the reissue, Deke Dickerson suggests that this one might be the best of the lot, and he may well be right. But what's remarkable is that none of them are throwaways, and each brought something distinctive to the table. »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Queen Taylor wears her crown well
When Taylor Swift brought Natalie Maines of Dixie Chicks on stage to sing "Goodbye Earl," it meant more than just another star guest, on an already celebrity-packed, five-night attendance record-breaking Los Angeles concert run. This duet also brought into clear focus the truth that Swift's huge success unintentionally fulfilled the... »»»
Concert Review: Mandolin Orange commands the room
Mandolin Orange presents a simple picture: two members, sharing fiddle, mandolin and guitar and two powerful voices. As Mandolin Orange, Emily Franz and Andrew Marlin command the room.
The duo formed in Carrboro, N.C. a few years back, and have released an impressive series of CDs over the last few years, most recent "Such Jubilee" on Yep Roc Records.... »»»
Country News Digest
Elsewhere in the news
Currently at the CST blogs
In the spirit of hard-hitting journalism, it seemed logical to ask Deslondes vocalist/guitarist Riley Downing the Mike-Wallace-from-60-Minutes question that has to be on everyone's mind: How the hell do you say the New Orleans-based band's name? "It's pronounced 'dez lawn,'" says Downing. "I know there's different ways that people have pronounced it over the course of history...... »»»
From their first, self-titled, major label release, the Allison Krauss-produced, "Nickel Creek," two-thirds of that trio - musical siblings Sara and Sean Watkins - have been in the musical spotlight continually since 1999. As for working with her brother off and on for most of their lives, Sara says, "We have been lucky...... »»»
Joey Ryan, half of acoustic folk duo the Milk Carton Kids, is girding his loins for the long trip from the band's Los Angeles home base to Australia. Although he's made this trip before, he's yet to acclimate completely to it.... »»»
Maddie & Tea (aka Madison Marlow and Taylor Dye) start their biggest song "Girl in a Country Song" with a warning, "No country music was hurt in the making of this song." That warning also applies to the remaining 10 songs, which is about as country sounding as music seems to get these days for most artists. »»»
Sometimes it's all too evident. You hear an artist for the first time and you know he or she is destined to etch their imprint. That's the case with David Ramirez, whose new album "Fables" is one that plucks at the heartstrings and creates an impression that continues to reverberate long after the music finally fades away. »»»
Kip Moore's sophomore release has been a long time in coming - 3 1/2 years - a surprise considering how well he did with his debut, "Up All Night," and its big hits ("Somethin' 'Bout a Truck," "Beer Money"). Moore has said he spent time expanding his sound - and he surely has done that - although two failed singles doubtlessly didn't help. »»»
Common Law Wife
Slipping into the spot vacated by Nanci Griffith, South Carolinian Angela Easterling provides her perspective on modern country music, motherhood, the state of her nation, lost love, hometown shut downs and matrimony. »»»
Kill the Lights
When Luke Bryan announces, "I've got that music for your ear" during the single "Kick the Dust Up," listeners should know right off this is not a collection of sounds for every ear. It's targeted toward the young and reckless set instead, where consequences don't seem to matter. There's no better example of this loose approach than the revenge sex expressed through a duet with Little Big Town's Karen Fairchild on "Home Alone Tonight,"... »»»
The big single from Michael Ray's self-titled album, "Kiss You in the Morning," is one of the most annoying songs of the summer. It's an unbridled lust lyric that describes one man's pursuit of a girl in a country song. Ray is better on the driving song, "Drivin' All Night," though. Maybe it's the fact that Ray name-drops both Steve Earle and Tom Petty on it. »»»