Owens, Flatt and Scruggs, Charles songs enter Grammy hall
Wednesday, November 21, 2012
– Songs by Buck Owens, Flatt and Scruggs, Ray Charles and Ernest Stoneman will be added into the Grammy Hall of Fame.
Paul McCartney, Bob Dylan, James Brown and Elton John are among others who will see their songs inducted.
"With the Grammy Hall of Fame celebrating 40 years, it's especially important to note that these entries continue the tradition of inducting a wide variety of recordings that have inspired and influenced both fans and music makers for generations," Neil Portnow, President and CEO of the Recording Academy, said in a release. "Memorable for being both culturally and historically significant, we are proud to add them to our growing catalog of outstanding recordings that have become part of our musical, social, and cultural history."
The songs are:
Buck Owens, "Act Naturally"
Lester Flatt, Earl Scruggs And The Foggy Mountain Boys, "Foggy Mountain Banjo"
Ray Charles, "Hit The Road Jack"
Ernest V. "Pop" Stoneman, "The Titanic"
Louis Jordan And His Tympany Five, "Ain't Nobody Here But Us Chickens"
Joe Falcon, "Allons A Lafayette"
AC/DC, "Back In Black"
Paul McCartney & Wings, Band On The Run
W.H. Stepp, "Bonaparte's Retreat"
Lennie Tristano Sextet, Crosscurrents
Carols Gardel, "El Dia Que Me Quieras"
Elton John - "Elton John" (CD)
Little Richard, Here's Little Richard
Willie Mae "Big Mama" Thornton, "Hound Dog"
James Brown, "I Got You (I Feel Good)"
John Coltrane And Johnny Hartman, John Coltrane And Johnny Hartman
Original Broadway Cast, Lost In The Stars
Charles Mingus, Mingus Ah Um
Son House, "My Black Mama [Parts 1 and 2]"
Francis Craig And His Orchestra, "Near You"
The Drifters, "On Broadway"
Billy Joel, "Piano Man"
Memphis Jug Band, "Stealin' Stealin'"
Richard Pryor, That Nigger's Crazy
Frank Sinatra, Theme from "New York, New York"
Bob Dylan, "The Times They Are A-Changin'"
Whitney Houston - "Whitney Houston"
More news for Buck Owens
CD reviews for Buck Owens
Bound for Bakersfield: 1953-1956 The Complete Pre-Capitol Collection
Buck Owens had not yet developed the style that would make him a superstar in the '60s when he recorded the songs in this collection for small California labels Pep, Chesterfield and La Brea Records between 1953 and 1956. The Hank Williams influence is heard in the balladBlue Love, Owens' first known recording, as well as early Owens compositions Right After The Dance, Down On The Corner Of Love and It Don't Show On Me.
Other impressive Owens compositions are the George Jones »»»
The Warner Bros. Recordings
It's a bit surprising to read the liner notes to a reissue - especially a pricey, deluxe package like those offered by Rhino Handmade - and find not only their author (in this case, veteran country music journalist Rich Keinzle), but the artist as well, more or less suggesting that the music contained therein is second-rate, but that's certainly the impression a reader is left with here.
Buck Owens' move in from Capitol - the label with which he'd spent almost all of his »»»
Buck Owens in London
Buck Owens was not averse to putting out live albums. "In London," released in March 1969, was his third in three years. "Big in Vegas" followed close on its heels the same year, with another double shot of albums in 1972; and those are only domestic live releases. In his fine liner notes to the reissue, Deke Dickerson suggests that this one might be the best of the lot, and he may well be right. But what's remarkable is that none of them are throwaways, and each brought something distinctive to the table. »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Perhaps not country, but Urban stars
After Keith Urban scorched a version of "Days Go By," a man in his mid-50s in a Led Zeppelin T shirt said to his rhinestone clad lady friend, "This is not country music, that guy's a rock star."
Indeed, the chart topping Aussie further contributes to country's multiple personality disorder, but in a category other than pop.... »»»
Concert Review: Loveless translates her sound well
Once upon a time, Lydia Loveless was part of the country, maybe alt.-country movement, but over time the Ohio-based singer has strayed further from those roots.
That was made ever more clear by her rocking - with edge - performance on this evening. That's not to say that there's anything wrong with Loveless' direction - it's just... »»»
Country News Digest
Elsewhere in the news
Currently at the CST blogs
For nearly a decade and a half, The Devil Makes Three has concocted an amazing blend of bluegrass, folk, country, blues, rockabilly and whatever happens to bubble to the surface, and applied it liberally to their songwriting ethic.... »»»
Mercy Rose Isbell recently celebrated her first birthday and, ironically, the album she helped inspire has just been released. Synchronicity is a beautiful thing. Mercy Rose is, of course, the daughter of singer/songwriters Jason Isbell and Amanda Shires, two of the most gifted Americana artists working today...
Something old is new again. The Earls of Leicester, fresh from their first release in late 2014 and the IBMA Entertainer of the Year Award for 2015, followed that remarkable success with "Rattle and Roar."... »»»
If naming your release "Gunslinger," you'd better let it rip and go for a harder country sound, especially if donning a black cowboy hat on the cover. The reality does not exactly match that sentiment for Garth Brooks, but at times he comes mighty close. »»»
Listening to Garth Brooks' and Trisha Yearwood's new holiday album of (mostly) duets, one is once again reminded how Yearwood is one of the most underrated country artists, whereas - if we're being honest - Brooks is a little on the overrated side. »»»
The Life and Songs of Emmylou Harris
Perhaps no artist is so ingrained in the very fibre of modern Americana more than Emmylou Harris. Her presence is everywhere - in the music she makes on her own, in the music she shares with others, in the music that feature finds her simply settled in the background sharing supporting vocals or merely lending inspiration. »»»
Balsam Range has been at the heart of mainstream bluegrass music since its debut in 2007. "Mountain Voodoo" is an ambitious, and successful, summation of the first decade. Vocal harmonies provide the core of Balsam Range's music. It's mountain music, to be sure, with lots of vocal range. »»»
The gospel, per Kenny Chesney's pseudo-spiritually-titled album, "Cosmic Hallelujah," is that the world is too crazy to make any sense of, and the only logical response is to drink more alcohol. (So, don't be surprised if there are more arrests for public intoxication at the performer's upcoming concert dates). »»»
Highway Prayer, A Tribute to Adam Carroll
Adam Carroll doesn't boast anywhere near the recognition factor of, say, Bob Dylan, Townes Van Zandt or any of the other far more famous singer/songwriters that astute insiders frequently compare him to. »»»