Owens, Flatt and Scruggs, Charles songs enter Grammy hall
Wednesday, November 21, 2012
– Songs by Buck Owens, Flatt and Scruggs, Ray Charles and Ernest Stoneman will be added into the Grammy Hall of Fame.
Paul McCartney, Bob Dylan, James Brown and Elton John are among others who will see their songs inducted.
"With the Grammy Hall of Fame celebrating 40 years, it's especially important to note that these entries continue the tradition of inducting a wide variety of recordings that have inspired and influenced both fans and music makers for generations," Neil Portnow, President and CEO of the Recording Academy, said in a release. "Memorable for being both culturally and historically significant, we are proud to add them to our growing catalog of outstanding recordings that have become part of our musical, social, and cultural history."
The songs are:
Buck Owens, "Act Naturally"
Lester Flatt, Earl Scruggs And The Foggy Mountain Boys, "Foggy Mountain Banjo"
Ray Charles, "Hit The Road Jack"
Ernest V. "Pop" Stoneman, "The Titanic"
Louis Jordan And His Tympany Five, "Ain't Nobody Here But Us Chickens"
Joe Falcon, "Allons A Lafayette"
AC/DC, "Back In Black"
Paul McCartney & Wings, Band On The Run
W.H. Stepp, "Bonaparte's Retreat"
Lennie Tristano Sextet, Crosscurrents
Carols Gardel, "El Dia Que Me Quieras"
Elton John - "Elton John" (CD)
Little Richard, Here's Little Richard
Willie Mae "Big Mama" Thornton, "Hound Dog"
James Brown, "I Got You (I Feel Good)"
John Coltrane And Johnny Hartman, John Coltrane And Johnny Hartman
Original Broadway Cast, Lost In The Stars
Charles Mingus, Mingus Ah Um
Son House, "My Black Mama [Parts 1 and 2]"
Francis Craig And His Orchestra, "Near You"
The Drifters, "On Broadway"
Billy Joel, "Piano Man"
Memphis Jug Band, "Stealin' Stealin'"
Richard Pryor, That Nigger's Crazy
Frank Sinatra, Theme from "New York, New York"
Bob Dylan, "The Times They Are A-Changin'"
Whitney Houston - "Whitney Houston"
More news for Buck Owens
CD reviews for Buck Owens
Bound for Bakersfield: 1953-1956 The Complete Pre-Capitol Collection
Buck Owens had not yet developed the style that would make him a superstar in the '60s when he recorded the songs in this collection for small California labels Pep, Chesterfield and La Brea Records between 1953 and 1956. The Hank Williams influence is heard in the balladBlue Love, Owens' first known recording, as well as early Owens compositions Right After The Dance, Down On The Corner Of Love and It Don't Show On Me.
Other impressive Owens compositions are the George Jones »»»
The Warner Bros. Recordings
It's a bit surprising to read the liner notes to a reissue - especially a pricey, deluxe package like those offered by Rhino Handmade - and find not only their author (in this case, veteran country music journalist Rich Keinzle), but the artist as well, more or less suggesting that the music contained therein is second-rate, but that's certainly the impression a reader is left with here.
Buck Owens' move in from Capitol - the label with which he'd spent almost all of his »»»
Buck Owens in London
Buck Owens was not averse to putting out live albums. "In London," released in March 1969, was his third in three years. "Big in Vegas" followed close on its heels the same year, with another double shot of albums in 1972; and those are only domestic live releases. In his fine liner notes to the reissue, Deke Dickerson suggests that this one might be the best of the lot, and he may well be right. But what's remarkable is that none of them are throwaways, and each brought something distinctive to the table. »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: McGraw has plenty of fight left
Despite the fact that Tim McGraw is five years sober, fit as a triathlete and touring behind a number one album, he is still in an unenviable position. As he approaches 50, McGraw has to stay a step ahead of the current crop of young country hunks with TV shows, cross format radio airplay and wider appeal. But as he proved at First Niagara's... »»»
Concert Review: Steve Earle doesn't rest (on laurels)
If you didn't realize Steve Earle had a new disc out, "The Low Highway," it would have been no problem realizing that quite and quickly.
That was because Earle started the two-hour show with three straight tracks from "The Low Highway," and he would not be done for the night. The title track of was a midtempo effort... »»»
Country News Digest
Elsewhere in the news
Currently at the CST blogs
Some folks listening to Kelly Willis and Bruce Robison's new duet album, "Cheaters Game," may well exclaim, 'Well, it's about time!' after finally hearing these two talented country singer/songwriters recording music as a pair for the first time. Willis has built quite a following for her independently-minded feminine perspective, while Robison has written hits for the Dixie Chicks (Travelin' Soldier
) and Tim McGraw and Faith Hill (Angry All the Time
), as well as penning the ultimate Willie Nelson tribute, What Would Willie Do?
and recording it as a solo act.
Last fall, singer/songwriter Steve Forbert dropped the 14th studio album of his 35-year career, the impeccable "Over With You." Critics recognized the album as a return to the form Forbert displayed on his earliest works - 1978's stripped back and personal "Alive on Arrival" and 1979's more lushly produced and commercially accessible "Jackrabbit Slim" - but the fact is that Forbert has never strayed far from their basic folk/rock tenets.... »»»
Over the course of the past 20 years or so, Jim Lauderdale and Buddy Miller have both experienced a certain rise in their respective rootsy country profiles. Miller has become one of Nashville's hottest speed dial numbers, as an artist, a guitarist-for-hire (a role he has performed for Lucinda Williams, Emmylou Harris and Robert Plant, among others) and an intuitive producer (he's currently working with Executive Music Producer T Bone Burnett to provide the soundtrack for ABC's "Nashville" television series).... »»»
"Wilderness" is another twisted menagerie of The Handsome Family songs. Once again, husband Brett Sparks sings their songs, sometimes in a bellowing gravedigger voice, after adding music to wife Rennie's lyrics. This time out, each and every tune is named after an animal, insect or other such nature creature. However, Rennie studies animals the way Flannery O'Connor wrote about humans, which is with the weirdness and character flaws in primary focus. »»»
Love Is Everything
George Strait may have reached his seventh decade, but he shows zero signs of slowing down. In fact, Strait seems to be getting even more consistent as he gets older. Strait doesn't stray all that far from the formula that has resulted in superstar status. First and foremost, that means his sonorous voice is mixed far above the music, a very good thing. »»»
Dark Dirty Mile
Jason Boland and the Stragglers have released a new country album that sounds old. This isn't to imply that the sound is aged in a negative way; they have a classic country maturity that isn't heard too much these days with the exception of Jamey Johnson. For those not familiar with the music of Boland, the first track is a great way to decide whether this is your kind of country music. The title track is a mid tempo country song reminiscent of the late Waylon Jennings. »»»
Lady Antebellum probably needed a change in direction after "Own the Night" dropped in 2011. The material was overly geared towards taking dead aim at the radio jugular. That isn't the case this time out on the trio's fifth release because most of the songs veer away from being obviously radio fodder (except for the current singleDowntown
with its soulful beginning and strong vocals from Hillary Scott), but that also doesn't man that this was the right change. »»»