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Swift dominates charts

Thursday, November 1, 2012 – Taylor Swift owned the charts this week. "Red" was the top selling disc in the U.S. for the week ending Nov. 10 with more than 1.2 million units sold. Swift also held onto the top spot on the Billboard Songs Chart with We Are Never Ever Getting Back Together.

On the songs chart, Carrie Underwood remained second with Blown Away. Florida Georgia Line stayed third with Cruise. Lee Brice was in fourth with Hard to Love, up one. Luke Bryan's Kiss Tomorrow Goodbye inched up one to fifth. Jason Aldean broke into the top 10 with Take a Little Ride at 10.

Swift also held the 13th spot with I Almost Do, the download version from "Red." She also debuted at 17 with All Too Well and 24th with Stay Stay Stay. Sam Palladio and Clare Bowen debuted in 25th with Fade Into You.

Gary Allan was 18th, up 4 with Every Storm (Runs Out of Rain). Zac Brown Band was a big mover with Goodbye in Her Eyes. jumping 6 to 19th.

Swift displaced Aldean's "Night Train," which fell to second, on the album chart. Lady Antebellum debuted in third with "On This Winter's Night." Little Big Town held onto fourth with "Tornado." Scotty McCreery was fifth with "Christmas with Scotty McCreery."

The rest of the Top 40 had little movement. Josh Turner was 34th with "Punching Bag," up 4. Kasey Chambers and husband Shane Nicholson debuted at 35 with "Wreck And Ruin." Billy Ray Cyrus debuted at 38 with "Change My Mind."

On the bluegrass chart, Old Crow Medicine Show as first again with "Carry Me Back." Trampled By Turtles were second with "Stars and Satellites," Yo-Yo Ma, Stuart Duncan, Edgar Meyer and Chris Thile third with "The Goat Rodeo Stations," "The Gospel Side of Dailey & Vincent" fourth and Punch Brothers fifth with "Who's Feeling Young Now?"

On the overall top 200, Aldean was 3rd, Lady Antebellum 9th, LBT 11th, McCreery 15th and Underwood 20th.

More news for Carrie Underwood

CD reviews for Carrie Underwood

Storyteller CD review - Storyteller
Carrie Underwood's powerful voice has been her calling card throughout her career, and that is no different on her latest. She has always possessed a voice that can be chameleon-like and work with the material at hand. Underwood does that again on these 13 songs, 6 of which she helped pen. Underwood knows a thing or two about writing or finding material that fits her commercial orientation as almost all 13 could conceivably be picked as singles. They are big sounding, big voiced and radio ready. »»»
Greatest Hits: Decade #1 CD review - Greatest Hits: Decade #1
Greatest hits albums are often derided as creative placeholders, or worse yet, contractual obligations. In Carrie Underwood's case, the album subtitled "Decade #1" is a chance to take a somewhat awe inspired look at what a successful career this American Idol alumnus has already had to date. One of its two new songs, the single "Something in the Water," is a wonderfully gutsy move on Underwood's part. Country is one of the rare genres where a Christian can sing of »»»
Blown Away CD review - Blown Away
Carrie Underwood's calling card remains intact - her ultra strong set of pipes. "Blown Away" is almost a tale of two CDs. The first half or so tends to be far more pop oriented and at times rocks, while the other half veers far more towards country and even gets traditional on a song or two. The lead-off hit first single, Good Girl, rocks far more than anything else. It sounds good, catchy, but with Underwood singing hard, the song is geared for arena rock, not anything remotely »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Avett Brothers come home – For the 30th anniversary of the "Traditional Plus" MerleFest music festival, there might not be a more appropriate act to anchor the opening night than the Avett Brothers. Born of a desire to bring rock 'n' roll energy to traditional music and formed by devotees to Doc Watson, The Avetts may have outgrown their acoustic roots over... »»»
Concert Review: Turnpike Troubadours leave no doubt – Turnpike Troubadours have not released an album since mid-September 2015. Don't look for any new release hitting the streets any day now either. The last time the Oklahoma-based band played Boston, they were in a pretty, 1,200-seat theatre. So, one could have been outwardly skeptical about the band when it downsized to a venue on the outskirts... »»»
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Elsewhere in the news

Currently at the CST blogs

The Avett Brothers come home to MerleFest For The Avett Brothers, MerleFest is a coming home of sorts. This year's edition of the MerleFest "traditional-plus" music festival in Wilkesboro, N.C., the event's 30th anniversary, a milestone sure to be marked by many different special appearances and commemorations during the festival's four-day run, is no exception.... »»»
Gibson Brothers rise up from "In the Ground" There's no more solid live bluegrass show than the Gibson Brothers. They play with great technical skill and crispness. Their harmonies are just what a brother act should be: sweet, true and never forced. Brothers Leigh and Eric Gibson surround themselves with outstanding sidemen with impeccable bluegrass cred: Jesse Brock (mandolin), Mike Barber (bass) and Clayton Campbell on fiddle.... »»»
The Devil Makes Three examine salvation, sin For nearly a decade and a half, The Devil Makes Three has concocted an amazing blend of bluegrass, folk, country, blues, rockabilly and whatever happens to bubble to the surface, and applied it liberally to their songwriting ethic.... »»»
The Harmed Brothers CD review - The Harmed Brothers
Let's put it succinctly. The Harmed Brothers may be the best band no one has ever heard of. Well, maybe that's an exaggeration. They do have their ardent admirers, so let's not discount their following entirely. Still, for those who are unaware, the band's new eponymous effort ought to make it clear that this is a group with a wealth of resources at their command. »»»
West Coast Town CD review - West Coast Town
Chris Shiflett is best known as a guitarist in Foo Fighters, but he's also has some authentic traditional country in his bones. Inspired, in part, by much of the fine vintage country music created in California, "West Coast Town" lets Shiflett show off his country music skills. »»»
Something's Going On CD review - Something's Going On
Trace Adkins' wonderful low singing voice can be a little deceptive because he could easily sing utter crap and still somehow sound great. It's why the critical ear must pay close attention to specifically what he's saying in his songs whenever evaluating his work. Adkins doesn't write his own songs, so he's entirely dependent upon stellar writers.  »»»
Patriots & Poets CD review - Patriots & Poets
From time to time an album comes along with exactly the right message and meaning at exactly the right time - "Patriots & Poets" is one of those albums. Dailey and Vincent initially set out to create a project full of songs they had written independently, together and with close friends. While succeeding mightily in that regard, they also created a beautiful love letter to America and her people... »»»
WildHorse CD review - WildHorse
Someone needs to inform karma that Raelynn is not getting what she deserves. It takes a lot of work to mess this equation up: national TV exposure (from "The Voice"), a monster hit (2014's "God Made Girls") and famous friends who've practically adopted you (like Blake Shelton). This is all atop her twangy Texan charm and very capable singer/songwriter chops. »»»