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Swift dominates charts

Thursday, November 1, 2012 – Taylor Swift owned the charts this week. "Red" was the top selling disc in the U.S. for the week ending Nov. 10 with more than 1.2 million units sold. Swift also held onto the top spot on the Billboard Songs Chart with We Are Never Ever Getting Back Together.

On the songs chart, Carrie Underwood remained second with Blown Away. Florida Georgia Line stayed third with Cruise. Lee Brice was in fourth with Hard to Love, up one. Luke Bryan's Kiss Tomorrow Goodbye inched up one to fifth. Jason Aldean broke into the top 10 with Take a Little Ride at 10.

Swift also held the 13th spot with I Almost Do, the download version from "Red." She also debuted at 17 with All Too Well and 24th with Stay Stay Stay. Sam Palladio and Clare Bowen debuted in 25th with Fade Into You.

Gary Allan was 18th, up 4 with Every Storm (Runs Out of Rain). Zac Brown Band was a big mover with Goodbye in Her Eyes. jumping 6 to 19th.

Swift displaced Aldean's "Night Train," which fell to second, on the album chart. Lady Antebellum debuted in third with "On This Winter's Night." Little Big Town held onto fourth with "Tornado." Scotty McCreery was fifth with "Christmas with Scotty McCreery."

The rest of the Top 40 had little movement. Josh Turner was 34th with "Punching Bag," up 4. Kasey Chambers and husband Shane Nicholson debuted at 35 with "Wreck And Ruin." Billy Ray Cyrus debuted at 38 with "Change My Mind."

On the bluegrass chart, Old Crow Medicine Show as first again with "Carry Me Back." Trampled By Turtles were second with "Stars and Satellites," Yo-Yo Ma, Stuart Duncan, Edgar Meyer and Chris Thile third with "The Goat Rodeo Stations," "The Gospel Side of Dailey & Vincent" fourth and Punch Brothers fifth with "Who's Feeling Young Now?"

On the overall top 200, Aldean was 3rd, Lady Antebellum 9th, LBT 11th, McCreery 15th and Underwood 20th.

More news for Carrie Underwood

CD reviews for Carrie Underwood

Storyteller CD review - Storyteller
Carrie Underwood's powerful voice has been her calling card throughout her career, and that is no different on her latest. She has always possessed a voice that can be chameleon-like and work with the material at hand. Underwood does that again on these 13 songs, 6 of which she helped pen. Underwood knows a thing or two about writing or finding material that fits her commercial orientation as almost all 13 could conceivably be picked as singles. They are big sounding, big voiced and radio ready. »»»
Greatest Hits: Decade #1 CD review - Greatest Hits: Decade #1
Greatest hits albums are often derided as creative placeholders, or worse yet, contractual obligations. In Carrie Underwood's case, the album subtitled "Decade #1" is a chance to take a somewhat awe inspired look at what a successful career this American Idol alumnus has already had to date. One of its two new songs, the single "Something in the Water," is a wonderfully gutsy move on Underwood's part. Country is one of the rare genres where a Christian can sing of »»»
Blown Away CD review - Blown Away
Carrie Underwood's calling card remains intact - her ultra strong set of pipes. "Blown Away" is almost a tale of two CDs. The first half or so tends to be far more pop oriented and at times rocks, while the other half veers far more towards country and even gets traditional on a song or two. The lead-off hit first single, Good Girl, rocks far more than anything else. It sounds good, catchy, but with Underwood singing hard, the song is geared for arena rock, not anything remotely »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Kristofferson gives insight, but no easy answers – When they say music gets better with age, they're not always just talking about songs alone; sometimes they're also referring to the listener. When Kris Kristofferson sings, "Well, I woke up Sunday morning/With no way to hold my head that didn't hurt," to smartly open "Sunday Mornin' Comin' Down," he... »»»
Concert Review: No sugarcoating, Welch dishes out an experience – Gillian Welch (accompanied, as always, by master guitarist David Rawlings), celebrated her "The Harrow & The Harvest" album with a powerful night of music. She apologized many times for the utter unhappiness expressed through this album's songs, admitting it's "not the most chipper album" at one point.... »»»
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