Sign up for newsletter
 

Swift dominates charts

Thursday, November 1, 2012 – Taylor Swift owned the charts this week. "Red" was the top selling disc in the U.S. for the week ending Nov. 10 with more than 1.2 million units sold. Swift also held onto the top spot on the Billboard Songs Chart with We Are Never Ever Getting Back Together.

On the songs chart, Carrie Underwood remained second with Blown Away. Florida Georgia Line stayed third with Cruise. Lee Brice was in fourth with Hard to Love, up one. Luke Bryan's Kiss Tomorrow Goodbye inched up one to fifth. Jason Aldean broke into the top 10 with Take a Little Ride at 10.

Swift also held the 13th spot with I Almost Do, the download version from "Red." She also debuted at 17 with All Too Well and 24th with Stay Stay Stay. Sam Palladio and Clare Bowen debuted in 25th with Fade Into You.

Gary Allan was 18th, up 4 with Every Storm (Runs Out of Rain). Zac Brown Band was a big mover with Goodbye in Her Eyes. jumping 6 to 19th.

Swift displaced Aldean's "Night Train," which fell to second, on the album chart. Lady Antebellum debuted in third with "On This Winter's Night." Little Big Town held onto fourth with "Tornado." Scotty McCreery was fifth with "Christmas with Scotty McCreery."

The rest of the Top 40 had little movement. Josh Turner was 34th with "Punching Bag," up 4. Kasey Chambers and husband Shane Nicholson debuted at 35 with "Wreck And Ruin." Billy Ray Cyrus debuted at 38 with "Change My Mind."

On the bluegrass chart, Old Crow Medicine Show as first again with "Carry Me Back." Trampled By Turtles were second with "Stars and Satellites," Yo-Yo Ma, Stuart Duncan, Edgar Meyer and Chris Thile third with "The Goat Rodeo Stations," "The Gospel Side of Dailey & Vincent" fourth and Punch Brothers fifth with "Who's Feeling Young Now?"

On the overall top 200, Aldean was 3rd, Lady Antebellum 9th, LBT 11th, McCreery 15th and Underwood 20th.

More news for Carrie Underwood

CD reviews for Carrie Underwood

Storyteller CD review - Storyteller
Carrie Underwood's powerful voice has been her calling card throughout her career, and that is no different on her latest. She has always possessed a voice that can be chameleon-like and work with the material at hand. Underwood does that again on these 13 songs, 6 of which she helped pen. Underwood knows a thing or two about writing or finding material that fits her commercial orientation as almost all 13 could conceivably be picked as singles. They are big sounding, big voiced and radio ready. »»»
Greatest Hits: Decade #1 CD review - Greatest Hits: Decade #1
Greatest hits albums are often derided as creative placeholders, or worse yet, contractual obligations. In Carrie Underwood's case, the album subtitled "Decade #1" is a chance to take a somewhat awe inspired look at what a successful career this American Idol alumnus has already had to date. One of its two new songs, the single "Something in the Water," is a wonderfully gutsy move on Underwood's part. Country is one of the rare genres where a Christian can sing of »»»
Blown Away CD review - Blown Away
Carrie Underwood's calling card remains intact - her ultra strong set of pipes. "Blown Away" is almost a tale of two CDs. The first half or so tends to be far more pop oriented and at times rocks, while the other half veers far more towards country and even gets traditional on a song or two. The lead-off hit first single, Good Girl, rocks far more than anything else. It sounds good, catchy, but with Underwood singing hard, the song is geared for arena rock, not anything remotely »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: LSD tour provides a lot of highs – This was not your grandkids' country, that's for sure. Even the name of the tour - the LSD Tour - was a throwback (albeit far before the principals were making music). But make no mistake about it. With the ever cool country traditionalist Dwight Yoakam, the country with some rock and blues and rabble rousing of Steve Earle thrown in and the... »»»
Concert Review: Alvin, Gilmore fortunately get together – Dave Alvin and Jimmie Dale Gilmore had known each other for decades, but it wasn't until last year that they toured together in a guitar pull setting. What started as a small Texas tour mushroomed into points east and west and eventually the release earlier this month of their blues-based disc, "Downey to Lubbock." And now we have the... »»»
Follow Country Standard Time  Subscribe to Country News Digest  Follow Country Standard Time on twitter  Visit Country Standard Time on Facebook 

Elsewhere in the news

Currently at the CST blogs

Tyminski goes dark Dan Tyminski (known simply as "Tyminski" on his 2017 release "Southern Gothic") has traditional music roots and unassailable bluegrass street cred especially given his membership in Alison Krauss' Union Station. He is also a powerful songwriter and has been writing songs for himself and others for years now.... »»»
Washburn, Fleck create "Echoes" Bela Fleck and Abigail Washburn have powerhouse individual talents; each has followed an estimable career path to where they find themselves today: making complex, but spare, records, writing music together and touring with their son Juno. Their new release, "Echoes In The Valley" features mostly songs written by Fleck and Washburn, banjos, Washburn's strong vocals and very little else.... »»»
Hillman bides his time Legends don't come any more legendary than Chris Hillman. The roll call of bands that comprises Hillman's half century in music reads like a wing exhibit at the Rock & Roll Hall of Fame; Byrds, Flying Burrito Brothers, Manassas, the Souther Hillman Furay Band, the Desert Rose Band,... »»»
Bigger CD review - Bigger
Sugarland is back with "Bigger," its first studio album in nearly a decade. And its arrival says more about branding, than anything else. Although his voice is heard often enough on this album to make his presence felt, it's still difficult to get away from seeing Kristian Bush in the Oates to Hall or Ridgeley to Michael role in this duo.  »»»
This One's For You Too CD review - This One's For You Too
Luke Combs has gotten a lot of life out of his album "This One's for You," which includes his breakthrough hit "Hurricane," as well as the popular single "When It Rains It Pours." This deluxe edition includes five new tracks, many of which are just as strong as the original 12.  »»»
Things Change CD review - Things Change
There may be no other CD title this year quite as apropos as this one. Things have indeed changed for American Aquarium since their previous studio album (2015's underrated "Wolves"). For one thing 80 per cent of the band quit, leaving only lead vocalist and songwriter BJ Barham. »»»
Dancing With The Beast CD review - Dancing With The Beast
Informed by the renewed strength of today's woman's movement, particularly in light of recent cultural social and political upheavals, Gretchen Peters' "Dancing With the Beast" finds her sharing stories about loss, struggle, upheaval, tragedy and turmoil in ways that resonate with a common bond, though told from a woman's perspective. »»»
Hard Times Are Relative CD review - Hard Times Are Relative
Jason Boland and The Stragglers serve up the ninth helping of their unapologetic, get it or not, country, in the past 20 years. This appears to almost be two EP's with the first mostly being a hard country dance cd and the second being a little more "out there" mix of fun and contemplative tunes, much less easy to categorize. »»»
Life is Good on the Open Road CD review - Life is Good on the Open Road
After a four-year-break from recording, Duluth, Minn. sextet Trampled By Turtles return with its eighth studio release of edgy bluegrass and Indie folk/rock. Lead singer Dave Simonett wrote all of the mostly dark themed lyrics with the lone instrumental that showcases the band's topflight musicianship, "Good Land," credited to bandmate Erik Berry. »»»