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Swift's "Red" sells 1.2 million

Tuesday, October 30, 2012 – Taylor Swift's "Red" sold a 1.208 million copies last week in the U.S., according to Nielsen SoundScan. It was 10 years ago when Eminem's "The Eminem Show" sold 1.322 million in its first full week that any album has done better.

The disc will top the Billboard top 200, marking Swift's third chart-topper. "Red" is the 18th album to sell a million units in a single week since SoundScan began tracking sales in 1991 and eighth biggest overall. NSync's "No Strings Attached" holds the record with 2.416 million in 2000.

Swift became the only female artist to have 2 million-selling weeks since SoundScan started tracking sales in 1991. Her last studio release, 2010's "Speak Now," started with 1.047 million.

To help boost sales, Swift launched a media blitz last week. The disc also was being sold in Starbucks, Walgreens, Pap John's Pizza and a deluxe version at Target.

Target sold the only deluxe version of "Red" with additional audio content (three bonus songs and three remixes), while the iTunes Store was the exclusive digital retailer of the title last week.

Billboard said that Big Machine sources indicated that iTunes sold almost 465,000 copies of the album, a record sales week for an iTunes album. Target sold about 396,000 on its own, a record for Target.

More news for Taylor Swift

CD reviews for Taylor Swift

Journey to Fearless DVD
Part Behind The Music style documentary and part concert film, Taylor Swift's new Blu-ray release offers an interesting hybrid approach to the typical live performance video - an approach that hits more than it misses. "Journey To Fearless" focuses on Swift's meteoric rise from aspiring grade-school singer/songwriter to award-winning country and pop megastar while sprinkling in live performances. Hardcore Swift fans will find a lot to love on this single-disc set (which is also »»»
Speak Now CD review - Speak Now
Taylor Swift has made the best CD of her young career with her fourth CD. The biggest difference is that Swift's singing, spotty on previous releases and live performances, is far far superior here. Swift wrote all 14 songs here, which like her other albums tend to deal with relationships that have gone south. Swift's songwriting always has been one of her strengths, and that continues to be the case here - both lyrically and musically. Put simply, Swift knows a lot about penning »»»
Fearless CD review - Fearless
Taylor Swift took the county world by storm with her huge selling debut and its five hit singles. With a huge marketing push and myspace, Swift was on her way. Kind of like an Avril Lavigne for the teen female country set. Sophomore slump? There's no indication of that. Swift once again writes her material - all 13 songs here with help sometimes from Liz Rose, Colbie Caillat and John Rich. Swift writes of what she knows about - relationships and teen love come and gone in songs speak to her fans. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Moakler does it his way – Steve Moakler told the good-sized crowd that he had played just about every college there is in the area. Now, that would be quite a lot and probably a bit hyperbolic. But the point is he's trying to do it his way. Without the benefits of commercial radio play or a label behind him, Moakler has benefitted from extraterrestrial radio playing his... »»»
Concert Review: Giddens captivates, engages – About the only thing wrong that Rhiannon Giddens did was play a too small 900-plus seat venue that sold out months in advance. Aside from that misstep of not allowing in even more of her fans, Giddens was captivating, engaging and certainly not afraid to continue as potent musical force, although she was far more overtly political.... »»»
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