Sign up for newsletter
 

Strait gives it all he's got on new single

Friday, October 26, 2012 – George Strait will be out with a new single on Monday from his next disc.

Give It All We Got Tonight will be sent at 3 p.m. eastern time Monday to country radio. The single was recorded in Nashville and penned by Tim James, Phil O'Donnell and Mark Bright. Strait once again collaborated with longtime producer, Tony Brown, on the music.

"The song has a very unusual melody and very cool phrasing, which I've always been drawn to," said Strait.

Lyrics to the song are:
July moonlight shines
Your pretty little head on my shoulder
Pull over on the side of the road
Oh my God, you're something
Like nothing I've ever seen
If I'm asleep girl, let me dream

Baby fall into my kiss
It should just happen like this
Trust it so much that there's no one else but us and
This moment that says it's so right
'Cause that's all we have in this life
Drink up this love, baby, give it all we got tonight

Summer honeysuckle
Leaking through a rolled down window
We both know when that seat lays back
Anything can happen
So imagine it'll never end
Just close your eyes and you can see that we are where we're meant to be

Baby fall into my kiss
It should just happen like this
Trust it so much that there's no one else but us and
This moment that says it's so right
'Cause that's all we have in this life
Baby, drink up this love, give it all we got tonight
Give it all we got tonight

Baby fall into my kiss
It should just happen like this
Trust it so much that there's no one else but us and
This moment that says it's so right
That's all we have in this life
Drink up this love, c'mon, give it all we got tonight
Give it all we got tonight

Strait recently announced the two-year The Cowboy Rides Away Tour starting on Jan. 18, 2013 in Lubbock, Texas with special guest Martina McBride.

More news for George Strait

CD reviews for George Strait

The Cowboy Rides Away: Live From AT&T Stadium CD review - The Cowboy Rides Away: Live From AT&T Stadium
George Strait has been one of the most dependable country music stars for three decades. In this day and age, the Texan is a certifiable throwback. He's low key, not a self-promoter. All's he has done is churn out hit after hit for decade after decade. He has not been the kind of artist who put his finger up in the air either or trading his cowboy hat for a baseball cap. When looking up the definition of traditional country, George Strait sits at the top. Strait tackles 20 songs on »»»
Love Is Everything CD review - Love Is Everything
George Strait may have reached his seventh decade, but he shows zero signs of slowing down. In fact, Strait seems to be getting even more consistent as he gets older. Strait doesn't stray all that far from the formula that has resulted in superstar status. First and foremost, that means his sonorous voice is mixed far above the music, a very good thing. He is comfortable on everything including hard core country (pedal steel, fiddle and mandolin are not tacked on afterthoughts with »»»
Here for a Good Time CD review - Here for a Good Time
With as many hit songs and albums as George Strait has had in his career, he could be forgiven if he coasts and just releases the same album repeatedly. Maybe it seems like he's done just that from time to time. But giving credit where credit is due, Strait has decided to start listening to his songwriting muse, 30 years into his recording career, and his latest album shows the fruits of his labor. Of the 11 songs, Strait had a hand in writing 7 of them - most often with Dean Dillon and son Bubba. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Making perfect sense of Striking Matches, The Secret Sisters – The pairing of Striking Matches and The Secret Sisters on tour makes perfect sense. Both are duos, although the Matches are male/female and the Secrets truly are sisters (Rogers is the name, not Secret). Both emphasize keen vocal interplay. And perhaps most importantly, they shared a very famous producer, T Bone Burnett. But when it came to the live... »»»
Concert Review: Whitehorse changes gears – Whitehorse, the Canadian husband-and-wife duo of Melissa McClelland and Luke Doucet, has changed gears. In years past, they were more on the roots side, but you would have scratched your head wondering where that went during their show at what is billed as a folk club. Only Whitehorse couldn't be accused of being folk oriented either in a tour... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Moorer gets "Down to Believing" Allison Moorer packed a lot of living in the past five years leading up to the recently released "Down To Believing." The results are evident throughout the effort, like a light at the end of a tunnel. Writing or co-writing 12 of the 13 tracks, Moorer is fearlessly open and autobiographical. "Even when I try to make them about something or someone else, they always end up being about me. I am the subject that I know best." ... »»»
Thanks to Wills, AATW remains the king After over 40 years of touring and recording as the founder, lead guitar and front-man for Western Swing music's standard-bearers, Asleep At The Wheel, Ray Benson has a lot of irons in the fire these days. In fact, with his TV show Texas Music Scene a hit throughout the southwestern U.S. and touring in support of AATW's new release, "Still the King: Celebrating the Music of Bob Wills and His Texas Playboys," he is as busy now as ever.... »»»
Pug turns writer's block into "Windfall" In his life and career, Joe Pug has never done anything halfway. So when Pug experienced a crippling lack of creative inspiration after his punishing road schedule to promote 2012's "The Great Despiser," he didn't consider the possibility of taking a short break. Joe Pug was on the verge of throwing in the towel.... »»»
Sundown Over Ghost Town CD review - Sundown Over Ghost Town
It's not an overstatement to say that Eilen Jewell is Johnny Cash reincarnate - at least, that's the sound she puts forth on her seventh album, "Sundown Over Ghost Town." Jewell's melancholy vocals and simplistic instrumentation betray just enough to show each song's depth and autobiographical roots. »»»
Bayou Boys CD review - Bayou Boys
Unlike some country music stars have when they reached a certain age, John Anderson chooses to not rest on his laurels. Instead the 60-year-old member of the Nashville Songwriters Hall of Fame continues to release new recordings - although not as frequently as in his chart-topping heyday of 1980-1995 - featuring largely original numbers. »»»
Monterey CD review - Monterey
The Milk Carton Kids may be one of the most unlikely Americana contenders of the past few years. Relying solely on dual acoustic guitars and close-knit harmonies, they look and sound like an introspective folk duo circa the mid '60s - think Simon and Garfunkel, Peter and Gordon, or Chad and Jeremy »»»
The Malpass Brothers CD review - The Malpass Brothers
The North Carolina-based Malpass Brothers' passion for the classic country of past decades is nicely displayed on their latest self-titled release. Christopher and Taylor Malpass are most effective when they tackle brotherly harmonies as with covers of the Wilburn Brothers' "Which One Is To Blame" and the Louvin Brothers' "Satan and the Saint," »»»
Banditos CD review - Banditos
It takes a certain raw instinct to make music that's as unhinged and unruly as that purveyed by Banditos. Originally from Alabama and now ensconced in Nashville, this scruffy looking bunch of 20-somethings makes a sound that's wholly raw, raucous and unrefined, a perfect anecdote to the polite, plaintive melodies that defines much of what's typecast as Americana these days. »»»
Della Mae CD review - Della Mae
The time has come to drop the label "female bluegrass band" as applied to Della Mae. With their second, self-titled, Rounder Records release, Della Mae is simply one of the most accomplished bluegrass acts on the circuit. The four Dellas (they are down to a quartet with Mark Schatz standing on bass) have total command of their instruments (vocal and otherwise).  »»»