Sign up for newsletter
 

Isbell sets live disc

Monday, October 1, 2012 – Jason Isbell & The 400 Unit will release its first live disc in late November.

"Live From Alabama" is set for a Nov. 20 release on Lightning Rod Records/Thirty Tigers. The live set comes on the heels of receiving the award for Song of the Year at the 2012 Americana Music Awards & Honors for Alabama Pines, from the group's 2011 release, "Here We Rest."

Isbell also announced a winter tour that is likely to be their last for some time as Isbell prepares to record a solo album in 2013.

"Live From Alabama" was recorded in Isbell's home state during several sold out shows in August at the WorkPlay Theater in Birmingham, Ala. and Crossroads in Huntsville, Ala.

The 400 Unit is keyboardist Derry deBorja, bassist Jimbo Hart and drummer Chad Gamble.

Songs on the CD are:

1.) Tour of Duty
2.) Decoration Day
3.) Goddamn Lonely Love
4.) Heart On A String
5.) Danko/Manuel
6.) In A Razor Town
7.) Alabama Pines
8.) Outfit
9.) Cigarettes and Wine
10.) TVA
11.) The Blue
12.) Dress Blues
13.) Like A Hurricane

Tour dates are:
Nov. 20 - Nashville, TN - Grimey's
Nov. 23 - Atlanta, GA - Buckhead Theater
Nov. 24 - Asheville, NC - Orange Peel
Nov. 30 - Auburn, AL - Bourbon Street Bar
Dec. 1 - Athens, GA - 40 Watt
Dec. 2 - Charleston, SC - The Pour House
Dec. 3 - Charlotte, NC - Visulite Theater
Dec. 4 - Winston-Salem, NC - Ziggy's
Dec. 6 - Boston, MA - Bowery Boston
Dec. 7 - New York, NY - Bowery Ballroom
Dec. 8 - Hartford, CT - Arch Street Tavern
Dec. 9 - Washington, DC - 9:30 Club
Dec. 10 - Philadelphia, PA - World Café Live
Dec. 14 - Chicago, IL - Lincoln Hall
Dec. 15 - Lexington, KY - Buster's
Dec. 20 - Memphis, TN - Hi-Tone Cafe
Dec. 21 - Nashville, TN - Mercy Lounge
Dec. 22 - Florence, AL -Shoals Theater

More news for Jason Isbell and the 400 Unit

CD reviews for Jason Isbell and the 400 Unit

Southeastern CD review - Southeastern
Given the fact that Jason Isbell opts for solo billing this time around, it might be assumed that last year's "Live From Alabama," recorded with the 400 Unit, was the band's swan song of sorts. That is, unless one considers the fact that drummer Chad Gamble and keyboardist Derry deBorja are still along for the ride, albeit sans the band billing. Likewise, the cast and crew also includes some notable names in the credits, including fiddle player/vocalist Amanda Shires (who is »»»
Here We Rest CD review - Here We Rest
The Drive-By Truckers' long shadow continues to fade away on Jason Isbell's third album since his departure from the band. Rest assured, "Here We Rest" retains a strong sense of the South, particularly Alabama, that is a trademark of his old band; however, Isbell has developed his own special sound, which adds healthy doses of twang and soul into the country rock template. He fills this disc with vivid portraits of folks struggling and frequently failing, at life. »»»
Jason Isbell and the 400 Unit CD review - Jason Isbell and the 400 Unit
"Now Muscle Shoals has got the Swampers" goes the line from Lynyrd Skynyrd's "Sweet Home Alabama" . And now this corner of Dixie has Jason Isbell, who amicably split with Drive-By Truckers in 2007. While the Truckers' work leaned towards song suites and concept albums, Isbell aims at old-fashioned melody and plainspoken truths. He turns some deft phrases on this, his second solo effort, and never spares himself from his own critical eye. On Sunstroke, he calls out a »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: It's closing time for Philly Folk with Wainwright, Steep Canyon Rangers – Philadelphia Folk Festival Old Pool Farm, Schwenksville, PA August 17, 2014 (Sunday) With five smaller stages going simultaneously and featuring various combinations of the hired talent, it's literally impossible to see everything at the 53rd Philadelphia Folk Festival on closing day, and choosing wisely involves considerable time looking... »»»
Concert Review: Yes, Town Mountain is "really good" – Town Mountain exited the stage after concluding its regular set, and when the applause demanded the deserved encore, a fan yelled out "You guys are really good." That the mainly Asheville, N.C.-based bluegrass quintet demonstrated time and again. Town Mountain merged bluegrass and country sounds with enough alterations during the 81-minute... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Trampled by Turtles get wild Trampled By Turtles is an indie folk group, an alt.-country band or a bluegrass act - depending on how you choose to look at them. Perhaps it's best to view the outfit as the ultimate combo platter consisting of just about everything that's good about American music. They play wonderfully, yet they also write intelligent songs that draw everyone from Townes Van Zandt to Nirvana to Ralph Stanley. It's all good, and some (or all) of these influences can be spotted in most of Trampled By Turtles' enjoyable sounds.... »»»
Don't try labeling Parker Millsap If you move in alt.-country/Americana circles, you simply cannot get away from the name Parker Millsap. He's certainly one of the biggest buzz artists of 2014. Better still, his self-titled album lives up to all the hype. He's a smart songwriter and a passionate singer and is essential listening for anybody looking for high quality contemporary music. Millsap also creates music appealing to a wide variety of musical tastes. You can make a case that he's a country guy, but you can also hear a lot of blues and folk. And if you attempt to put a label on him, he'll quickly tear it right off.... »»»
Simpson gets metamodern What a difference a year can make. Last year, Sturgill Simpson was overly anxious about the arrival of his debut album, "High Top Mountain." This year, Simpson is simultaneously anticipating the birth of his debut child and his just-released sophomore album, "Metamodern Sounds in Country Music," and his mood couldn't be more relaxed and joyous.... »»»
NASHVILLE OUTLAWS: A Tribute To Motley Crue CD review - NASHVILLE OUTLAWS: A Tribute To Motley Crue
If you're expecting down home, countrified versions of metal band Motley Crue songs from "Nashville Outlaws: A Tribute to Motley Crue," you probably don't listen to a whole lot of mainstream "country" music. Most likely, this album's original conception was a rather crass attempt to capitalize on the large contingent of classic rock fans that also listen to and enjoy older rock's continuing influence on contemporary country music. »»»
The No-Hit Wonder CD review - The No-Hit Wonder
After only four albums in a dozen years, there's a certain truthfulness that comes with a title like "The No-Hit Wonder." On the other hand, Cory Branan's apparent attempt at modesty belies a talent that deserves to garner notice, thanks to a wry yet infectious songwriting style that takes pains to share its strengths without ever requiring a second listen. If Branan is reticent to show he's worthy of chart placement, it's certainly not evident here. »»»
Provoked CD review - Provoked
When we last heard from Sunny Sweeney in 2011 with "Concrete," her major label debut on Big Machine showed a very different side of Sweeney, whose album 5 years earlier was appropriately titled "Heartbreakers Hall of Fame." Texas honky tonk and traditional country songs blanketed her debut, but the same could not be said for "Concrete," which was the kind of disc that those bemoaning slicked up country had reason to be right. »»»
Don't Wait Up (For George) CD review - Don't Wait Up (For George)
Let's get one thing straight right off the bat. This is not a tribute album. For one thing there are only five songs on it. But it's not a tribute EP either. Only three of the five were ever recorded by Jones. Whatever you call it, this is the first of two recordings celebrating two very different musical icons. The second, due in January, will fete another George - Giorgio Moroder, an influential producer who worked with Donna Summer and paved the way for electronic dance music.  »»»