Sign up for newsletter
 

Gibsons, Sisk & band win IBMA honors

Thursday, September 27, 2012 – The Gibson Brothers won Entertainer of the Year Thursday night at the International Bluegrass Music Association awards in Nashville. The Gibson and Junior Sisk & Ramblers Choice were the only multiple winners of the night.

The night also was a time to remember those who died during the year. The late Earl Scruggs and Doc Watson were remembered by participants. Steve Martin paid tribute to Scruggs with a 30-banjo salute. The IBMA also saluted Doug Dillard and Everett Lilly, bluegrass promoter and actor Andy Griffith, all of whom died in the last year. Watson took guitarist of the year posthumously.

The Gibson won their first entertainer award. They also scored with gospel recorded performance for Singing As We Rise, with Ricky Skaggs.

Sisk & Ramblers Choice won album of the year for "The Heart of a Song" and song of the year for A Far Cry From Lester & Earl.

Russell Moore won male vocalist of the year, Dale Ann Bradley won female vocalist, Joe Mullins & The Radio Ramblers took emerging artist, Blue Highway won vocal group, The Boxcars captured instrumental group, Lonesome River Band won instrumental recorded performance for Angeline The Baker, and St. Jude charity album "Life Goes On" won recorded event.

Rob Ickes (Dobro), Stuart Duncan (fiddle), Sammy Shelor (banjo), Adam Steffey (mandolin) and Marshall Wilborn (bass) won instrumentalist of the year awards.

2012 Bluegrass Hall of Fame inductees Doyle Lawson and Ralph Rinzler also were honored.

The evening ended with the salute to Scruggs. Among those who joined him were J.D. Crowe, Kristin Scott Benson, Sam Bush, show co-host Del McCoury, Lawson, Shelor and Tony Trischka. Scruggs' sons Gary and Randy also participated.

More news for The Gibson Brothers

CD reviews for The Gibson Brothers

In the Ground CD review - In the Ground
The family band is a longstanding conceit of bluegrass and mountain music, including the Carters, the Osbornes, the McReynolds, the Whites, The Stanleys and even the progenitors of bluegrass Bill and Charlie Monroe. The trope continues to the present with The Gibson Brothers carrying on this tradition admirably. The Gibson Brothers, Leigh and Eric, exemplify the power and depth of this music tradition. "In The Ground" cements their position in the bluegrass world. »»»
Brotherhood CD review - Brotherhood
Over the more than 20 years since upstate (way, way upstate) New York natives Eric and Leigh Gibson debuted on the bluegrass scene, it has been more or less de rigueur for the journalists and reviewers who write about them to link them to the long and proud tradition - especially in country music in all its forms - of siblings whose voices combine in mystical ways for some of the most enduring sounds going back more than a century. And while there have been superlative sister acts, from the Carter »»»
They Called It Music CD review - They Called It Music
It's now two full decades since Eric and Leigh Gibson, natives of the farthest reaches of upstate New York (not much more than a couple of stones throws from the Canadian border) debuted on the bluegrass circuit in their early twenties, instantly winning fans with tight harmonies that drew immediate and enthusiastic comparisons to the great tradition of "brother duets" in country music - the Louvins, McReynolds, Delmores, Osbornes, Bollicks (Blue Sky Boys) - well, the list is pretty »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: The Surly Gentlemen prove anything but – For about the past six months, veteran bluegrassers Clay Hess, formerly of Kentucky Thunder, and Tim Shelton of NewFound Road, along with Clay's son Brennan, have collectively been The Surly Gentlemen. The trio's sound is probably best described as stripped down bluegrass meets singer/songwriter. These Surly Gents have been playing small... »»»
Concert Review: Dustbowl Revival leads just another typical night in Music City – The Station Inn is Nashville's self-styled "World Famous" venue for bluegrass and roots music for over 40 years. Over time, the area around The Station Inn (much like the rest of Nashville) has changed, swapping gritty and sweaty for shiny and slick. The area, known as The Gulch, now features shopping and restaurants, with little of the... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Gibson Brothers rise up from "In the Ground" There's no more solid live bluegrass show than the Gibson Brothers. They play with great technical skill and crispness. Their harmonies are just what a brother act should be: sweet, true and never forced. Brothers Leigh and Eric Gibson surround themselves with outstanding sidemen with impeccable bluegrass cred: Jesse Brock (mandolin), Mike Barber (bass) and Clayton Campbell on fiddle.... »»»
The Devil Makes Three examine salvation, sin For nearly a decade and a half, The Devil Makes Three has concocted an amazing blend of bluegrass, folk, country, blues, rockabilly and whatever happens to bubble to the surface, and applied it liberally to their songwriting ethic.... »»»
For Shires, home is where the family lies Mercy Rose Isbell recently celebrated her first birthday and, ironically, the album she helped inspire has just been released. Synchronicity is a beautiful thing. Mercy Rose is, of course, the daughter of singer/songwriters Jason Isbell and Amanda Shires, two of the most gifted Americana artists working today... ... »»»
The Drugstore Gypsies CD review - The Drugstore Gypsies
In a time when good old fashioned electric guitar rock has grown a bit stagnant, a fresh new quintet from Texas is stepping up to provide a jolt courtesy of a concise and confident debut that makes a case for the genre by adding touches of blues, country and southern rock to muscular classic rock riffs. »»»
Universal Favorite CD review - Universal Favorite
Noam Pikelny is the most ingratiating musical iconoclast you're likely to come across. He has deep roots in the Americana genre, and his playing, on banjo in most contexts, is precise and brilliant. Pikelny has produced a string of outstanding solo records, most recently "Universal Favorite."  »»»
Vaquero CD review - Vaquero
Independent singer/songwriter Aaron Watson's "Vaquero" is an ambitious 16-song mix of Texas country and mainstream Nashville with mostly good results. The strongest tracks are those that embrace the Tex Mex style of the title track, which imparts some sound advice delivered by an "old Mexican cowboy" the singer meets in a bar ("don't live your life like a sad country song/ A fool on a stool still a fool right or wrong"). »»»
Graveyard Whistle CD review - Graveyard Whistle
Old 97s' "Graveyard Whistling" is a slight return to form after 2014's "Most Messed Up," which was heavy on profanity, but far too light on charming country songs. "Graveyard Whistling" is a little more innocent and a lot more fun than its predecessor. "Bad Luck Charm," for instance, finds lead vocalist Rhett Miller playing a familiar role - that of lovable loser.  »»»
Freedom Highay CD review - Freedom Highay
Rhiannon Gidden's "Freedom Highway" takes an expansive look at the Black experience in America. "Better Get It Right the First Time" utilizes a gospel-y call and response format to tell the tragic story of a Black life that mattered. However, Giddens goes all the way back to slavery days for the lyrics to "At the Purchaser's Option." »»»