Aldean moves to top of chart
Thursday, September 27, 2012
– Jason Aldean took over the top of the Billboard Country Songs chart for the week ending Oct. 6 with Take a Little Road
from Hunter Hayes' Wanted,
which fell to second. On the album chart, Little Big Town spent a second week at the top with "Tornado, selling 55,000 units, down 55 percent.
On the album chart, Easton Corbin debuted in second with "All Over the Road," selling 29,000 units. Dwight Yoakam was third, debuting with "3 Pears" (19,000 units sold). Big & Rich bowed at number four with "Hillbilly Jedi, while Luke Bryan was fifth with "tailgates & tanlines."
Ryan Bingham debuted in seventh with "Tomorrowland." There was very little upward movement in the remainder of the top 40. Scotty McCreery was at 36 with "Clear As Day," up 8.
On the Songs chart, Dustin Lynch jumped three to third with Cowboys And Angels. Jana Kramer was fourth, up one with Why Ya Wanna. Carrie Underwood moved to fifth from seventh with Blown Away.
Miranda Lambert inched up from 11 to 10 with her latest hit Fastest Girl in Town. Eric Church was at 16, up 3, with Creepin'. Greg Bates also moved 3 spots, to 17, with Did It For the Girl. Beer Money from Kip Moore stood at 20th, up 4.
Duo Florida George Line placed 22nd, up 3, with Cruise. Kenny Chesney was a big mover with El Cerrito Place up 8 to 24. Brad Paisley scored big with Southern Comfort Zone debuting at 25. The song will be on his album due out in 20133.
On the bluegrass album chart, Old Crowd Medicine Show yet again was first with "Carry Me Back." "Stars and Satellites" from Trampled By Turtles was second, switching spots with Kathy Matte, who was third with "Calling Me Home." Black Prairie debuted in fourth with "Tear in the Eye Is a Wound in the Heart." "The Gospel Side of Dailey & Vincent' was fifth.
On the Billboard Top 200, LBT was 5th, Corbin 11th, Yoakam 18th, Big & Rich 25th and Bryan 26th.
More news for Jason Aldean
CD reviews for Jason Aldean
Old Boots, New Dirt
Arguing whether or not Jason Aldean's kinda (country) party is, in fact, anything remotely related to true country music is pointless. Aldean is so entrenched in the mainstream country marketplace now, we just need to accept him as he is, the same way we reluctantly accept Taylor Swift as "country." It's mighty tempting to subtitle a review of Aldean's new "Old Boots, New Dirt" release as 'Pickup Trucks & Pickup Lines,' as Aldean spends a little time »»»
Jason Aldean is getting used to the view from the top. His last album "My Kinda Party" spawned 5 Top 10 singles and has charted for almost 2 years. Driven by rocking country coupled with rap and a power ballad, that album seemed to rise to the top of the charts organically. With his fifth release, "Night Train," he seems to be taking dead aim at the summit.
Aldean is at his best as a studly outlaw, but the majority of the material on "Night Train" is clichéd »»»
My Kinda Party
Jason Aldean covers plenty of familiar ground in his latest offering, moving with ease from tanned-leg Georgia dreams to square cornfields to a fairly even mix of church pews and bar stools. If anything, the album is a bit too seamless, one song melding into the next, the words on many evaporating into thin air.
But it all adds up to a very good time - exactly what you'd hope for with an album with "party" in its title. Don't Wanna Stay , a duet with Kelly Clarkson (of all »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Gibson Brothers join "Brotherhood" in style
The idea of releasing "Brotherhood" by veteran bluegrass band The Gibson Brothers was a natural. The disc paid tribute to a long list of brother acts including the Everlys and lesser known acts like the York Brothers and the Four Brothers.
While the younger Gibson, Leigh, sure gave Eric a ton of grief throughout the show - all in jest, of... »»»
Concert Review: Moorer, Gauthier pull for each other
In their own right, Allison Moorer and Mary Gauthier did not really need the other because each is most capable of headlining.
But in one of those geniuses of booking, fans had the chance to see the two in a most enjoyable and alternative setting - a good, old-fashioned guitar pull.
That meant that the two were seated in comfortable chairs on... »»»
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