Strait announces final tour
Wednesday, September 26, 2012
– George Strait announced his plans today for his final two-year tour The Cowboy Rides Away Tour. In a press conference live from the Country Music Hall of Fame and Museum in Nashville, Strait revealed the first 21 markets he will visit during the winter and spring legs of his 2013 tour.
Special guest Martina McBride is set to join Strait for the 2013 dates, which begin on Jan. 18 in Lubbock, Texas.
Strait, who celebrated his 60th birthday earlier this year, said, "This is going to be a very special, emotional tour for me. Everywhere we're going holds fond memories, and I'm looking forward to paying my respects."
Strait plans to continue recording new music and play select dates around the country following the completion of the tour.
Strait fan club members will have an opportunity to purchase tickets beginning at 10 a.m. in the venue's respective time zone on Oct. 9, and tickets available to the general public will be available for purchase beginning Oct. 12 (same time zone restraints apply). Ticket prices start at $69.50 and may be purchased at www.georgestrait.com.
Tour dates are:
Jan. 18 - Lubbock, Texas - United Spirit Arena
Jan. 19 - Oklahoma City, Okla. - Chesapeake Energy Arena
Jan. 25 - Salt Lake City, Utah - Energy Solutions Arena
Jan. 26 - Nampa, Idaho - Idaho Center
Jan. 31 - Sacramento, Calif. - Power Balance Pavilion
Feb. 1 - Fresno, Calif. - Save Mart Center
Feb. 2 - Las Vegas, Nev. - MGM Grand Garden Arena
Feb. 15 - St. Paul, Minn. - Xcel Energy Center
Feb. 16 - Grand Forks, N.D. - The Alerus Center
Feb. 22 - Buffalo, N.Y. - First Niagara Center
Feb. 23 - Hartford, Conn. - XL Center
March 1 - Knoxville, Tenn. - Thompson-Boling Arena
March 2 - Lexington, Ky. - Rupp Arena
March 17 - Houston, Texas - Houston Livestock Show and Rodeo*
March 22 - Greenville, S.C. - Bi-Lo Center
March 23 - Greensboro, N.C. - Greensboro Coliseum Complex
April 5 - Albuquerque, N.M. - The Pit
April 6 - Las Cruces, N.M. - Pan American Center
April 12 - N. Little Rock, Ark. - Verizon Arena
April 13 - New Orleans, La. - New Orleans Arena
June 1 - San Antonio, Texas - Alamodome**
*Denotes previously announced tour date featuring Martina McBride and the Randy Rogers Band.
** On Sale TBD
Additional markets to be announced for 2013 and 2014.
More news for George Strait
CD reviews for George Strait
Cold Beer Conversation
recording front. This surprise release shows an artist now in his early 60s completely capable of being the leading voice for his brand of country music, which is increasingly rare these days.
Strait always has enjoyed a voice that resonates and is dexterous depending on the style. And the Texan sticks with the types of styles that brought him to the top - traditional country ("Let It Go," "Goin' Goin' Gone"), Texas swing ("It Takes All Kinds") and Zydeco »»»
The Cowboy Rides Away: Live From AT&T Stadium
George Strait has been one of the most dependable country music stars for three decades. In this day and age, the Texan is a certifiable throwback. He's low key, not a self-promoter. All's he has done is churn out hit after hit for decade after decade. He has not been the kind of artist who put his finger up in the air either or trading his cowboy hat for a baseball cap. When looking up the definition of traditional country, George Strait sits at the top.
Strait tackles 20 songs on »»»
Love Is Everything
George Strait may have reached his seventh decade, but he shows zero signs of slowing down. In fact, Strait seems to be getting even more consistent as he gets older. Strait doesn't stray all that far from the formula that has resulted in superstar status.
First and foremost, that means his sonorous voice is mixed far above the music, a very good thing. He is comfortable on everything including hard core country (pedal steel, fiddle and mandolin are not tacked on afterthoughts with »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: In crazy times, a little Williams joy endures
Nearly a week before the inauguration President-elect Donald Trump, Lucinda Williams served notice she's set on counting her blessings (opening her concert with "Blessed"), and determined not to let her joy be stolen by troubled times (closing with "Joy"). With a nearly two-hour set, Williams drew from all points her recording... »»»
Concert Review: Things change for McKenna, but not everything
The more things change - and in the case of Lori McKenna, that's a really good thing - the more they remain the same. Not only is that also a really good thing for McKenna, but also her fans.
This was the annual rite of December for McKenna in coming to her home area of Massachusetts and playing a run of shows at the venerable club where she has... »»»
Country News Digest
Elsewhere in the news
Currently at the CST blogs
For nearly a decade and a half, The Devil Makes Three has concocted an amazing blend of bluegrass, folk, country, blues, rockabilly and whatever happens to bubble to the surface, and applied it liberally to their songwriting ethic.... »»»
Mercy Rose Isbell recently celebrated her first birthday and, ironically, the album she helped inspire has just been released. Synchronicity is a beautiful thing. Mercy Rose is, of course, the daughter of singer/songwriters Jason Isbell and Amanda Shires, two of the most gifted Americana artists working today...
Something old is new again. The Earls of Leicester, fresh from their first release in late 2014 and the IBMA Entertainer of the Year Award for 2015, followed that remarkable success with "Rattle and Roar."... »»»
Laws of Gravity
The Infamous Stringdusters have always been difficult to categorize. That's part of their charm. Part traditional bluegrass (leaning on sound bluegrass instrumentation, namely guitar, Dobro, banjo, fiddle and standup bass), part jam band (extended sets of songs in their live shows in which one song triggers another), and wholly original with a signature sound and energy that goes on without cease. »»»
Rented Room on Broadway
Emerging from a latter version of The New South, over the past 16 years, Wildfire has quietly established itself as a consistent bluegrass outfit. With original members Robert Hale (guitar) and Curtis Chapman (bass) leading the way, Wildfire returns with "Rented Room on Broadway," their fifth album. John Lewis remains on banjo while bluegrass vagabonds Greg Luck (fiddle and guitar, and another J. D. Crowe alumnus) and Chris Davis (mandolin) make their recording debut. »»»
If naming your release "Gunslinger," you'd better let it rip and go for a harder country sound, especially if donning a black cowboy hat on the cover. The reality does not exactly match that sentiment for Garth Brooks, but at times he comes mighty close. »»»
There's a scene in the movie "Bull Durham" where Kevin Costner tells Tim Robbins how holding the record for most home runs in the minor leagues is kind of a dubious honor - it shows a lot of years that you didn't make it to the majors. Is that what being the biggest country band in Canada is like? High Valley, who've scored an impressive run of Great White North charting singles and awards, would disagree. »»»
Live Dinner Reunion
Talk about déja vu all over again, Robert Earl Keen's 'new' live album is a two-disc re-living, if you will, of the Texas singer-songwriter's "No. 2 Live Dinner," which was originally recorded in 1990. Performed again in front of an audience at John T. Floore Country Store in Helotes, Texas, "Live Dinner Reunion" includes many of Keen's best songs. »»»
Listening to Garth Brooks' and Trisha Yearwood's new holiday album of (mostly) duets, one is once again reminded how Yearwood is one of the most underrated country artists, whereas - if we're being honest - Brooks is a little on the overrated side. »»»