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Niemann announces soph disc for fall

Wednesday, June 6, 2012 – Jerrod Niemann will release his sophomore major label disc, "Free the Music," on Oct. 2.

Niemann enjoyed much success with his debut for Sea Gayle/Arista Nashville with hits including Lover, Lover. The first single from the new disc is Shin' On Me, which he wrote with Lee Brice, Rob Hatch and Lance Miller. He also collaborated with guest vocalist Colbie Caillat on the soulful ballad All About You.

"Free The Music is an album where I wanted to do just that," said Niemann. "It's a project honoring many different layers and colors that have appeared in the country genre since recorded music began."

Niemann took two years to record the disc. He used brasswind horns throughout, and had his live band lay down the tracks instead of hiring studio musicians.

Once again, he joined forces with Dave Brainard ("Judge Jerrod & The Hung Jury"), who co-produced the new album with him in Nashville

Niemann currently is at the CMA Musical Festival in Nashville. On Monday night, he signed autographs for10 hours at his Fan Club Party.

To kick off the CMA Festival, he performed music from his new album Monday night at a Fan Club Party with Brice to benefit the Muscular Dystrophy Association (MDA). Nearly 400 fans came out to show their support. Later in the evening Brice and Niemann signed autographs for each and every person who hung around - a total of 10 hours.

Fans can also catch Niemann on June 7 on SirusXM's The Highway as he co-hosts the show with Storme Warren and performs songs from the new CD. He will perform on the Chevrolet Riverstage that day at 1:15 p.m.

Niemann is currently out on the road with Miranda Lambert as part of her "On Fire" tour and will do fairs and festivals tour later this fall.

More news for Jerrod Niemann

CD reviews for Jerrod Niemann

High Noon CD review - High Noon
Jerrod Niemann's new "High Noon" album is better than the annoying single, "Drink to That All Night," might lead you to believe. Fortunately, the album is not completely a Luke Bryan sound-alike. Even so, there are moments where Niemann sometimes sounds a little too much like his musical contemporaries. The rap-influenced "Donkey" has a bit of Big & Rich flavor running through it, while the resigned tone in Niemann's voice during "Lucky #7" »»»
Free The Music
Some artists dance to the beat of a different drummer and on his latest recording, "Free the Music," Jerrod Niemann does just that. Stepping away from more conventional Music Row sounds, Niemann performs a mash-up of genres, showcasing elements of pop, rock, Dixieland jazz and more while still managing to keep his feet squarely in country territory. The title track leads off, finding the artist seemingly channeling fellow artist, Big Kenny, as he throws it all into a pot and stirs, »»»
Judge Jerrod & The Hung Jury CD review - Judge Jerrod & The Hung Jury
The spoken intro promises "one man, one band on a journey of epic proportions." Jerrod Niemann puts a lot of pressure on himself to deliver, and while not reaching those lofty standards, the Kansas native acquits himself when he sticks to the music. Niemann has achieved success as a songwriter, penning Good Ride Cowboy for Garth Brooks. But Niemann also suffered from being on Category 5 Records, a label that folded amidst turmoil before releasing his debut. Niemann, who mines the »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Moakler does it his way – Steve Moakler told the good-sized crowd that he had played just about every college there is in the area. Now, that would be quite a lot and probably a bit hyperbolic. But the point is he's trying to do it his way. Without the benefits of commercial radio play or a label behind him, Moakler has benefitted from extraterrestrial radio playing his... »»»
Concert Review: Giddens captivates, engages – About the only thing wrong that Rhiannon Giddens did was play a too small 900-plus seat venue that sold out months in advance. Aside from that misstep of not allowing in even more of her fans, Giddens was captivating, engaging and certainly not afraid to continue as potent musical force, although she was far more overtly political.... »»»
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