Sign up for newsletter
 

Shelton, Richie again lead charts

Thursday, April 26, 2012 – Lionel Richie and Blake Shelton both continue atop the Billboard charts for the week ending May 5. Richie, once again, has the best selling disc in the U.S. with "Tuskegee," while Shelton's Drink On It leads the country song chart.

Lady Antebellum inched up one to second on the song chart with Dancin' Away With My Heart. Rascal Flatts was third, up two, with Banjo. Miranda Lambert stayed fourth with Over You.Lee Brice's former number one, A Woman Like You, was fifth, down three. Kip Moore broke into the top 10 for the first time with his single, Somethin' 'Bout a Truck, at 9. Springsteen, by Eric Church, was just behind at 10, up 2.

THE FARM's single, Home Sweet Home, rose 3 to 24. So did Love And Theft's Angel Eyes, situated at 26. Thompson Square jumped 5 to 28 with Glass. Dierks Bentley rounded out the top 30 with the biggest jumper - 5-1-5-0 - going from 37 to 30.

On the album chart, Bryan was second with "tailgates & tanlines," changing places with Rascal Flatts' "Changed" in third. Church stayed fourth with "Chief" as did Jason Aldean in fifth with "My Kinda Party."

Hank Williams III debuted at 16 with "Long Gone Daddy." Rodney Atkins was up 6 to 21 with "Take a Back Road." Hunter Hayes' self-titled debut was 23rd. Thompson Square was up 6 to 35 with their self-titled debut. Alan Jackson debuted at 38 with "The Essential Alan Jackson."

On the bluegrass album chart, Trampled By Turtles stayed first with "Stars And Satellites." Punch Brothers stood in second with "Who's Feeling Young Now?," switching spots with Carolina Chocolate Drops' "Leaving Eden." Alison Krauss & Union Station were fourth with "Paper Airplane," one ahead of "The Goat Rodeo Sessions" by Yo-Yo Ma, Stuart Duncan, Edgar Meyer and Chris Thile.

On the overall top 200 chart, Bryan was 10th, Rascal Flatts 13th and Church 18.

More news for Blake Shelton

CD reviews for Blake Shelton

If I'm Honest CD review - If I'm Honest
Blake Shelton makes it abundantly clear that this is not going to be a light-hearted listen, despite his public demeanor. "I have never recorded a more personal or reflective album in my career," Shelton wrote on the cover insert. He said the 15-song release "touches both the highs and low of past year of my life." And that would first and foremost include his very public split with Miranda Lambert, which happened quickly and suddenly. Shelton forlornly looks back at a »»»
Bringing Back the Sunshine CD review - Bringing Back the Sunshine
It's impossible to get away from the fact that one's perception of Blake Shelton's music has changed significantly since he began his role as a judge on The Voice. His music hasn't been altered all that much after he became a TV star, but we now know him as the affable, yet extremely competitive, judge on the popular NBC singing show. His likeability simply makes us more likely to enjoy his music a little more, and with "Bringing Back the Sunshine," Shelton has »»»
Based on a True Story CD review - Based on a True Story
After Blake Shelton won his first CMA for Best Male Vocalist, he finally began to think he was one of the artists that would influence the direction of country music. If his latest release "Based on a True Story" is any indication, the genre is headed toward records featuring super catchy songs with homogenous themes. Every number has an infectious melody with lead single potential. The trade-off for the sonic pleasantry is a 12-song collection that is short on meaningful material, but long on fun. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Lane oversees her queendom – When Nikki Lane rolled into town on her current Stagecoach Spotlight Tour, she and her touring mates were under the weather. Although illness didn't keep Lane performing (she was in fine voice throughout), Robert Ellis was a last-minute scratch. His replacement, Jenny O, was one high caliber fill-in, however, and kept the bill strong.... »»»
Concert Review: The Surly Gentlemen prove anything but – For about the past six months, veteran bluegrassers Clay Hess, formerly of Kentucky Thunder, and Tim Shelton of NewFound Road, along with Clay's son Brennan, have collectively been The Surly Gentlemen. The trio's sound is probably best described as stripped down bluegrass meets singer/songwriter. These Surly Gents have been playing small... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Gibson Brothers rise up from "In the Ground" There's no more solid live bluegrass show than the Gibson Brothers. They play with great technical skill and crispness. Their harmonies are just what a brother act should be: sweet, true and never forced. Brothers Leigh and Eric Gibson surround themselves with outstanding sidemen with impeccable bluegrass cred: Jesse Brock (mandolin), Mike Barber (bass) and Clayton Campbell on fiddle.... »»»
The Devil Makes Three examine salvation, sin For nearly a decade and a half, The Devil Makes Three has concocted an amazing blend of bluegrass, folk, country, blues, rockabilly and whatever happens to bubble to the surface, and applied it liberally to their songwriting ethic.... »»»
For Shires, home is where the family lies Mercy Rose Isbell recently celebrated her first birthday and, ironically, the album she helped inspire has just been released. Synchronicity is a beautiful thing. Mercy Rose is, of course, the daughter of singer/songwriters Jason Isbell and Amanda Shires, two of the most gifted Americana artists working today... ... »»»
Wildhorse CD review - Wildhorse
Someone needs to inform karma that Raelynn is not getting what she deserves. It takes a lot of work to mess this equation up: national TV exposure (from "The Voice"), a monster hit (2014's "God Made Girls") and famous friends who've practically adopted you (like Blake Shelton). This is all atop her twangy Texan charm and very capable singer/songwriter chops. »»»
The Drugstore Gypsies CD review - The Drugstore Gypsies
In a time when good old fashioned electric guitar rock has grown a bit stagnant, a fresh new quintet from Texas is stepping up to provide a jolt courtesy of a concise and confident debut that makes a case for the genre by adding touches of blues, country and southern rock to muscular classic rock riffs. »»»
Universal Favorite CD review - Universal Favorite
Noam Pikelny is the most ingratiating musical iconoclast you're likely to come across. He has deep roots in the Americana genre, and his playing, on banjo in most contexts, is precise and brilliant. Pikelny has produced a string of outstanding solo records, most recently "Universal Favorite."  »»»
Vaquero CD review - Vaquero
Independent singer/songwriter Aaron Watson's "Vaquero" is an ambitious 16-song mix of Texas country and mainstream Nashville with mostly good results. The strongest tracks are those that embrace the Tex Mex style of the title track, which imparts some sound advice delivered by an "old Mexican cowboy" the singer meets in a bar ("don't live your life like a sad country song/ A fool on a stool still a fool right or wrong"). »»»
Graveyard Whistle CD review - Graveyard Whistle
Old 97s' "Graveyard Whistling" is a slight return to form after 2014's "Most Messed Up," which was heavy on profanity, but far too light on charming country songs. "Graveyard Whistling" is a little more innocent and a lot more fun than its predecessor. "Bad Luck Charm," for instance, finds lead vocalist Rhett Miller playing a familiar role - that of lovable loser.  »»»
Freedom Highay CD review - Freedom Highay
Rhiannon Gidden's "Freedom Highway" takes an expansive look at the Black experience in America. "Better Get It Right the First Time" utilizes a gospel-y call and response format to tell the tragic story of a Black life that mattered. However, Giddens goes all the way back to slavery days for the lyrics to "At the Purchaser's Option." »»»