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Sugarland defends self against suits

Tuesday, February 21, 2012 – Sugarland is defending itself against court suits filed in Indiana in the deadly concert last August, saying fans were partly responsible.

The band defended itself on its web site. "Sadly when a tragedy occurs, people want to point fingers and try to sensationalize the disaster. The single most important thing to Sugarland, are their fans. Their support and love over the past 9 years has been unmatched. For anyone to think otherwise is completely devastating to them," said Gail Gellman, Sugarland's manager, on the band's web site.

The A HREF=http://www.washingtonpost.com/national/sugarland-says-fans-failed-to-protect-themselves-against-injury-in-indiana-fair-stage-collapse/2012/02/21/gIQABySIRR_story.html?tid=pm_national_pop>Washington Post reported Tuesday night that the band's attorneys partly blamed concert goers for injuries sustained in the collapse of the stage at the Indiana state fair in which seven were killed and dozens injured.

In response to a civil lawsuit filed against the band, Sugarland attorneys said fans "failed to exercise due care for their own safety" and said some or all of their injuries "resulted from their own fault," the Post story said.

State Fair Commission Executive Director Cindy Hoye said in a deposition in January that Sugarland resisted pushing back the start of the concert despite the weather due to time lead singer Jennifer Nettles to warm up along with the band's travel schedule.

More news for Sugarland

CD reviews for Sugarland

The Incredible Machine CD review - The Incredible Machine
"The Incredible Machine" is a rather unfortunate title for Sugarland's latest full-length. Listening to Find The Beat Again, for example, makes it sound as though vocalist Jennifer Nettles wants to be Deborah Harry-fronting-Katrina & the Waves rather than, say, a latter-day Loretta Lynn. With its handclap rhythm and shouted "Hey, Hey" on the chorus, this track - along with many others - finds Sugarland firmly entrenched in a predictable pop music device. »»»
Gold and Green CD review - Gold and Green
Jennifer Nettles has one of the most distinctive voices in today's country music, which makes every thing she sings oh so easy on the ears. And with this 10-song holiday CD, Nettles never fails to please, vocally. So when one of these recordings is little more than Nettles singing, and sparse banjos backing (along with Kristian Bush's complimentary vocal), as happens with O Come, O Come, Emmanuel, it's a thing of simple musical beauty. Bush also takes a few lead vocals, but Nettles »»»
Live on the Inside CD review - Live on the Inside
Often it isn't the material chosen or the sound quality that makes a live album good or poor, but the act being captured. To that end Sugarland isn't a good band at all to capture on an audio CD. The group's live shows are renowned, and anyone who has been to one and wants a reminder of that experience will love CD/DVD. Yet those who just want to hear good music performed by Sugarland will be disappointed. On nearly every song, Jennifer Nettles asks for audience participation and readily gets it. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Moakler does it his way – Steve Moakler told the good-sized crowd that he had played just about every college there is in the area. Now, that would be quite a lot and probably a bit hyperbolic. But the point is he's trying to do it his way. Without the benefits of commercial radio play or a label behind him, Moakler has benefitted from extraterrestrial radio playing his... »»»
Concert Review: Giddens captivates, engages – About the only thing wrong that Rhiannon Giddens did was play a too small 900-plus seat venue that sold out months in advance. Aside from that misstep of not allowing in even more of her fans, Giddens was captivating, engaging and certainly not afraid to continue as potent musical force, although she was far more overtly political.... »»»
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