Sign up for newsletter
 

Scud Mountain Boys reform 14 years later

Monday, October 17, 2011 – The Scud Mountain Boys, who disbanded in 1997, will play several east coast shows in January and February 2012.

Stephen Desaulniers, Joe Pernice, Tom Shea and Bruce Tull, who comprised the band throughout most of its short recording and touring career from 1991-97, will play together for the first time in 14 years.

Dates are:

Friday, Jan. 13, 2012 - Bowery Ballroom, New York, NY

Saturday Jan. 14 - Brighton Music Hall, Boston, MA

Sunday, Jan. 15 - Pearl Street Clubroom, Northampton, MA

Saturday, Feb. 18, 2012 - Johnny Brenda's, Philadelphia, PA

Sunday, Feb. 19, 2012- The Black Cat, Washington, DC

James Walbourne, who plays in The Pernice Brothers with Joe Pernice, and also plays with The Pretenders, Edwyn Collins and Peter Bruntnell, will open the shows in January.

In August, after being out-of-contact for many years, Pernice, Desaulniers and Shea had an almost-impromptu reunion in Cambridge, Mass., after which they announced the full Scud Mountain Boys line-up would do these shows. Ashmont Records will re-release "The Early Year "in January 2012. "There are plans afoot for other re-releases and recordings, but nothing solid to report at this writing," the Scuds' publicist said Monday.

The Scud Mountain Boys began as the Scuds in western Massachusetts in 1991. Back then the group played loud rock 'n' roll in local clubs. But after those shows ended, the band would retreat to Bruce's kitchen to unwind. There, late at night, they would break out their old country favorites, playing the songs they thought too quiet and too slow for live performances.

The band found that these were the songs they really lived to play, so they decided to make a change. Adding "mountain boys" to their name, the re-christened Scud Mountain Boys played their first show in 1993. In keeping with their simplified approach, the Scud Mountain Boys preferred to record in the same kitchen that spawned their new direction. They had tried recording in a small studio but found it alienating. A 4-track recorder captured the sounds for 12 original songs and 3 covers of songs originally performed by such diverse sources as Jimmy Webb (Wichita Lineman), Olivia Newton-John (Please, Mister Please), and Cher (Gypsies, Tramps and Thieves). Originally sold as the Pine Box cassette, the tracks were later released on vinyl by the indie-rock label Chunk Records in 1995.

Later in 1995 the Scud Mountain Boys recorded another set of tracks which became "Dance the Night Away" on Chunk. Including more 4-track kitchen recordings, as well as others made a 24-track studio, the CD-only release featured drums on a few songs, another Jimmy Webb cover (Where's the Playground Susie).

The band signed with Seattle's Sub Pop Records and recorded "Massachusetts," a14-song album with a number of more upbeat songs with drums and electric guitar. Released in 1996, the CD received much praise. Sub Pop released the first 2 CDs as "The Early Year," a double CD, in 1997. The group disbanded shortly after that release, and has not performed since.

Tickets for these shows go on sale Oct. 21.

More news for Scud Mountain Boys

CD reviews for Scud Mountain Boys

The Early Year
The Scud Mountain Boys rose out of late night gatherings in guitarist/vocalist Bruce Tull's kitchen, playing quiet, acoustic, country-flavored tunes more than the regular rock bands they were used to playing in. The Scuds became a full-time project and, almost immediately, released two records in one year. This is a double-CD reissue of these first two releases: "Pine Box" and "Dance The Night Away" (both released in 1995 on Chunk Records). The former was recorded with just one microphone. »»»
Massachusetts
On the Scuds' latest, they reveal where there true musical direction lies. Although definitely having some country influences, the sound is similar to that of Better than Ezra or R.E.M. in their mellower moments. They also display their country influences, evoking memories of Gram Parsons, the Jayhawks et al on tracks prominently featuring traditional country instruments such as the mandolin, lap steel, and pedal steel guitar ("Big Hole" and "Van Drunk"). The tempo is rather slow and laid-back throughout. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Womack sings "real country music" – Lee Ann Womack made it quite clear where she was coming from three songs in to her first show in the Boston area in years. "We're gonna play country music," said Womack after playing a sparking version of the new song "Don't Listen to the Wind." "I mean real country music." By that, Womack actually meant... »»»
Concert Review: Wait at LakeShake for Paisley proves worth it – The one thing that could be controlled over the three-day Windy City LakeShake country music festival was the weather. With thunder, lighting and rain in the skies on Saturday night, Brad Paisley was forced to cancel that night. But Saturday's loss was Sunday's gain because he ended closing the inaugural fest with a set that was also by... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Milk Carton Kids find themselves on "Monterrey" Joey Ryan, half of acoustic folk duo the Milk Carton Kids, is girding his loins for the long trip from the band's Los Angeles home base to Australia. Although he's made this trip before, he's yet to acclimate completely to it.... »»»
Moreland gets high Sitting in a motel room in Houston after a weekend gig at the Mucky Duck, singer/songwriter John Moreland is in a pretty good mood. His career is on a major upswing, and he is riding some pretty big critical success of his latest release, "High on Tulsa." Moreland has a lot to be happy about with three cuts picked for the soundtrack of the hit TV show "Sons of Anarchy," a national record distribution deal with Thirty Tigers and, apparently a well-placed super fan in MSNBC political pundit Rachel Maddow.... »»»
Moorer gets "Down to Believing" Allison Moorer packed a lot of living in the past five years leading up to the recently released "Down To Believing." The results are evident throughout the effort, like a light at the end of a tunnel. Writing or co-writing 12 of the 13 tracks, Moorer is fearlessly open and autobiographical. "Even when I try to make them about something or someone else, they always end up being about me. I am the subject that I know best." ... »»»
Larry Campbell and Teresa Williams CD review - Larry Campbell and Teresa Williams
After serving as a sideman to some of the most distinguished luminaries in the biz - Bob Dylan, Paul Simon, Levon Helm and Mavis Staples among them- it seems well past time that guitarist/producer Larry Campbell would step out on his own and spotlight his skills as both a singer and songwriter. It's to his credit however that he opts to share the spotlight with his wife and collaborator Teresa Williams... »»»
The Muscle Shoals Recordings CD review - The Muscle Shoals Recordings
The SteelDrivers are a dynamic, driving bluegrass band, a five-piece with a sound and an approach completely their own. "The Muscle Shoals Recordings" is their fourth album and second featuring expressive lead vocalist Gary Nichols and mandolinist Brent Truitt alongside group founders Tammy Rodgers (fiddle), Richard Bailey (five-string banjo), and Mike Fleming (bass). »»»
Call Me Insane CD review - Call Me Insane
Dale Watson continually finds new ways to express old suspicions, judgments and wishes, but always stays comfortably within his self-coined Ameripolitan wheelhouse. Not that there is anything safe or staid about Watson's approach on "Call Me Insane." »»»
The Deslondes CD review - The Deslondes
It's not hard to draw a laser straight line between The Deslondes' New Orleans home base and the quintet's twangy, tangy R&B/Soul gumbo on their eponymous debut. Just press play and marvel at the loping authenticity of the opening track and first single (how very Motown), the Fats Domino-flavored "Fought the Blues and Won."  »»»
Tommy A Bluegrass Opry CD review - Tommy A Bluegrass Opry
Six months ago, few had heard of The Hillbenders, a rather non-descript bluegrass band from Springfield, Mo. Today, they are garnering more press for their new release than most bluegrass bands attract in a decade. »»»
Bayou Boys CD review - Bayou Boys
Unlike some country music stars have when they reached a certain age, John Anderson chooses to not rest on his laurels. Instead the 60-year-old member of the Nashville Songwriters Hall of Fame continues to release new recordings - although not as frequently as in his chart-topping heyday of 1980-1995 - featuring largely original numbers. »»»