Scud Mountain Boys reform 14 years later
Monday, October 17, 2011
– The Scud Mountain Boys, who disbanded in 1997, will play several east coast shows in January and February 2012.
Stephen Desaulniers, Joe Pernice, Tom Shea and Bruce Tull, who comprised the band throughout most of its short recording and touring career from 1991-97, will play together for the first time in 14 years.
Friday, Jan. 13, 2012 - Bowery Ballroom, New York, NY
Saturday Jan. 14 - Brighton Music Hall, Boston, MA
Sunday, Jan. 15 - Pearl Street Clubroom, Northampton, MA
Saturday, Feb. 18, 2012 - Johnny Brenda's, Philadelphia, PA
Sunday, Feb. 19, 2012- The Black Cat, Washington, DC
James Walbourne, who plays in The Pernice Brothers with Joe Pernice, and also plays with The Pretenders, Edwyn Collins and Peter Bruntnell, will open the shows in January.
In August, after being out-of-contact for many years, Pernice, Desaulniers and Shea had an almost-impromptu reunion in Cambridge, Mass., after which they announced the full Scud Mountain Boys line-up would do these shows. Ashmont Records will re-release "The Early Year "in January 2012. "There are plans afoot for other re-releases and recordings, but nothing solid to report at this writing," the Scuds' publicist said Monday.
The Scud Mountain Boys began as the Scuds in western Massachusetts in 1991. Back then the group played loud rock 'n' roll in local clubs. But after those shows ended, the band would retreat to Bruce's kitchen to unwind. There, late at night, they would break out their old country favorites, playing the songs they thought too quiet and too slow for live performances.
The band found that these were the songs they really lived to play, so they decided to make a change. Adding "mountain boys" to their name, the re-christened Scud Mountain Boys played their first show in 1993. In keeping with their simplified approach, the Scud Mountain Boys preferred to record in the same kitchen that spawned their new direction. They had tried recording in a small studio but found it alienating. A 4-track recorder captured the sounds for 12 original songs and 3 covers of songs originally performed by such diverse sources as Jimmy Webb (Wichita Lineman), Olivia Newton-John (Please, Mister Please), and Cher (Gypsies, Tramps and Thieves). Originally sold as the Pine Box cassette, the tracks were later released on vinyl by the indie-rock label Chunk Records in 1995.
Later in 1995 the Scud Mountain Boys recorded another set of tracks which became "Dance the Night Away" on Chunk. Including more 4-track kitchen recordings, as well as others made a 24-track studio, the CD-only release featured drums on a few songs, another Jimmy Webb cover (Where's the Playground Susie).
The band signed with Seattle's Sub Pop Records and recorded "Massachusetts," a14-song album with a number of more upbeat songs with drums and electric guitar. Released in 1996, the CD received much praise. Sub Pop released the first 2 CDs as "The Early Year," a double CD, in 1997. The group disbanded shortly after that release, and has not performed since.
Tickets for these shows go on sale Oct. 21.
More news for Scud Mountain Boys
CD reviews for Scud Mountain Boys
The Early Year
The Scud Mountain Boys rose out of late night gatherings in guitarist/vocalist Bruce Tull's kitchen, playing quiet, acoustic, country-flavored tunes more than the regular rock bands they were used to playing in. The Scuds became a full-time project and, almost immediately, released two records in one year. This is a double-CD reissue of these first two releases: "Pine Box" and "Dance The Night Away" (both released in 1995 on Chunk Records). The former was recorded with just one microphone. »»»
On the Scuds' latest, they reveal where there true musical direction lies. Although definitely having some country influences, the sound is similar to that of Better than Ezra or R.E.M. in their mellower moments. They also display their country influences, evoking memories of Gram Parsons, the Jayhawks et al on tracks prominently featuring traditional country instruments such as the mandolin, lap steel, and pedal steel guitar ("Big Hole" and "Van Drunk"). The tempo is rather slow and laid-back throughout. »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Over the Rhine presents its version of holiday songs
Shortly before performing Merle Haggard's downer Christmas song, "If We Make It Through December," Over The Rhine co-leader Linford Detweiler remarked how his wife (and other half of OTR) Karin Bergquist recently described the act's holiday sounds as "reality Christmas music."
And when a duo includes a song like "My... »»»
Concert Review: Perhaps not country, but Urban stars
After Keith Urban scorched a version of "Days Go By," a man in his mid-50s in a Led Zeppelin T shirt said to his rhinestone clad lady friend, "This is not country music, that guy's a rock star."
Indeed, the chart topping Aussie further contributes to country's multiple personality disorder, but in a category other than pop.... »»»
Country News Digest
Elsewhere in the news
Currently at the CST blogs
For nearly a decade and a half, The Devil Makes Three has concocted an amazing blend of bluegrass, folk, country, blues, rockabilly and whatever happens to bubble to the surface, and applied it liberally to their songwriting ethic.... »»»
Mercy Rose Isbell recently celebrated her first birthday and, ironically, the album she helped inspire has just been released. Synchronicity is a beautiful thing. Mercy Rose is, of course, the daughter of singer/songwriters Jason Isbell and Amanda Shires, two of the most gifted Americana artists working today...
Something old is new again. The Earls of Leicester, fresh from their first release in late 2014 and the IBMA Entertainer of the Year Award for 2015, followed that remarkable success with "Rattle and Roar."... »»»
If naming your release "Gunslinger," you'd better let it rip and go for a harder country sound, especially if donning a black cowboy hat on the cover. The reality does not exactly match that sentiment for Garth Brooks, but at times he comes mighty close. »»»
Listening to Garth Brooks' and Trisha Yearwood's new holiday album of (mostly) duets, one is once again reminded how Yearwood is one of the most underrated country artists, whereas - if we're being honest - Brooks is a little on the overrated side. »»»
The Life and Songs of Emmylou Harris
Perhaps no artist is so ingrained in the very fibre of modern Americana more than Emmylou Harris. Her presence is everywhere - in the music she makes on her own, in the music she shares with others, in the music that feature finds her simply settled in the background sharing supporting vocals or merely lending inspiration. »»»
Balsam Range has been at the heart of mainstream bluegrass music since its debut in 2007. "Mountain Voodoo" is an ambitious, and successful, summation of the first decade. Vocal harmonies provide the core of Balsam Range's music. It's mountain music, to be sure, with lots of vocal range. »»»
The gospel, per Kenny Chesney's pseudo-spiritually-titled album, "Cosmic Hallelujah," is that the world is too crazy to make any sense of, and the only logical response is to drink more alcohol. (So, don't be surprised if there are more arrests for public intoxication at the performer's upcoming concert dates). »»»
Highway Prayer, A Tribute to Adam Carroll
Adam Carroll doesn't boast anywhere near the recognition factor of, say, Bob Dylan, Townes Van Zandt or any of the other far more famous singer/songwriters that astute insiders frequently compare him to. »»»