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Hank, Willie, Wills receive Grammy hall honors

Tuesday, December 7, 2010 – Willie Nelson, Bob Wills and Hank Williams were among the artists having songs named to join the Recording Academy Hall of Fame collection.

Established by The Academy's National Trustees in 1973, the Grammy Hall Of Fame was created to honor recordings of lasting qualitative or historical significance that are at least 25 years old. With 30 new titles, the list currently totals 881 and is displayed at The Grammy Museum.

Williams contributed Lovesick Blues. Nelson's song was On the Road Again, and Wills Steel Guitar Rag. The Beatles and the Jackson 5 were among those contributing soings.

"The Grammy Hall Of Fame represents all genres of music, acknowledging the diversity of musical expression for which The Academy has become renowned," said Neil Portnow, President/CEO of The Recording Academy. "These musical treasures have brought us timeless recordings, and each of them deserves to be memorialized. These recordings are living evidence that music remains an indelible part of our culture."

Songs named were:

BOGALUSA BOOGIE - Clifton Chenier
Arhoolie (1976)
Folk (Album)

BRIGADOON - Original Broadway Cast
RCA Victor (1947)
Musical Show (Album)

"CAT'S IN THE CRADLE" - Harry Chapin
Elektra (1974)
Pop (Single)

CISSY STRUT"- The Meters
Josie (1969)
R&B (Single)

"DARK WAS THE NIGHT - COLD WAS THE GROUND" - Blind Willie Johnson
Columbia/Vocalion (1927)
Gospel (Single)

"DO NOTHIN' TILL YOU HEAR FROM ME" - Duke Ellington & His Orchestra Featuring Al Hibbler
Victor (1944)
R&B (Single)

"FRANKIE" - Mississippi John Hurt
Okeh (1928)
Blues (Single)

GENIUS + SOUL = JAZZ - Ray Charles I
mpulse (1961)
Jazz (Album)

HEAVY WEATHER - Weather Report Columbia (1977) Jazz (Album)

"I'LL BE THERE" - The Jackson 5
Motown (1970)
Pop (Single)

"I'VE BEEN LOVING YOU TOO LONG" Otis Redding
Volt (1965)
R&B (Single)

JOAN BAEZ - Joan Baez
Vanguard (1960)
Folk (Album)

"KO-KO" - Duke Ellington & His Famous Orchestra
Victor (1940)
Jazz (Single)

THE KOLN CONCERT - Keith Jarrett
ECM (1975)
Jazz (Album)

"THE LETTER" - The Box Tops
Mala (1967)
Pop (Single)

"LOVESICK BLUES" - Hank Williams With His Drifting Cowboys
MGM (1949)
Country (Single)

"MANY RIVERS TO CROSS" - Jimmy Cliff
A&M (1969)
Reggae (Single)

"MY MAMMY" - Al Jolson
Brunswick (1927)
Traditional Pop (Single) "ON THE ROAD AGAIN" - Willie Nelson
CBS (1980)
Country (Single)

"PENNY LANE" - The Beatles
Capitol (1967)
Pop (Single)

"PLEASE MR. POSTMAN" - The Marvelettes
Tamla (1961)
R&B (Single)

PURPLE RAIN - Prince & The Revolution
Warner Bros. (1984)
Pop (Album)

"ROCKIN' CHAIR" - Mildred Bailey
Vocalion (1937)
Jazz (Single)

SCHUMANN: CARNAVAL OP.9 - Sergei Rachmaninoff
RCA Victor (1929)
Classical (Album)

"STEEL GUITAR RAG" - Bob Willis & His Texas Playboys Featuring Leon McAuliffe
Vocalion (1936)
Country (Single)

"SUMMERTIME" - Sidney Bechet
Blue Note (1939)
Jazz (Single)

SUNDAY AT THE VILLAGE VANGAURD - Bill Evans Trio
Riverside (1961)
Jazz (Album)

"TAKE ME TO THE RIVER" - Al Green
Hi (1974)
R&B (Track)

"WALKING TO NEW ORLEANS" - Fats Domino
- Imperial (1960)
Rock (Single)

"WE GOTTA GET OUT OF THIS PLACE" - The Animals
MGM (1965)
Rock (Single)

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CD reviews for Hank Williams

The Garden Spot Program 1950 CD review - The Garden Spot Program 1950
In a career that spanned a mere six years - a minuscule amount of time compared to those who are today celebrating anniversaries of 40, 50 or even 60 years of more - Hank Williams established himself as an abiding influence on all those who followed, a man whose music is as relevant and revered today as it was when it was originally recorded. Indeed, what Williams accomplished in that scant amount of time still resonates nearly 70 years later. There's been an abundance of compilations, »»»
The Lost Notebooks of Hank Williams CD review - The Lost Notebooks of Hank Williams
"The Lost Notebooks of Hank Williams" is a great story before you even start playing the music. Williams, according to the story, used to write down his lyric ideas in notebooks. When he died, there were four notebooks of unreleased or unperformed songs. Over the years, the notebooks remained in the possession of Williams' publishers Acuff-Rose and few knew of them. One who did, however, was longtime Nashville executive Mary Martin, who shepherded this project to its eventual light-of-day. »»»
Revealed The Unreleased Recordings CD review - Revealed The Unreleased Recordings
After his death in 1953, Hank Williams, became less a performer than a post-mortem brand name wherein his basic personality as an artist was increasingly downplayed and diminished. This remarkably enjoyable three-CD set, drawn from warmly remastered acetates - featuring occasional surface noise - of the old Mother's Best radio show, showcases much of that nearly lost essence. Supported by his regular collaborators the Drifting Cowboys, Williams brings surprising drive to live renditions his »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Lots to like about McKenna (when you could hear her) – Lori McKenna had lots of reasons to be in a good mood. First off, the opening band, a pop act called teenender included two of her sons. In two days, her 11th disc, "The Tree" would be released to glowing reviews. So it would seem that this homecoming show was the ideal setting with all five kids, her husband, siblings, cousins, people who... »»»
Concert Review: With Sugarland, the wait was worth it – A few songs into Sugarland's show, Kristian Bush referenced the band's five-year gap between tours saying, "A lot of people think Jennifer and I have been on a five-year vacation. Actually, we've been very busy." Clearly a lot of that time was spent in rehearsal. The duo put on a two-hour high energy gem that started out big... »»»
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