Sign up for newsletter
 

Chely Wright signs with Vanguard, new CD coming

Wednesday, February 10, 2010 – Chely Wright signed with Vanguard Records and will release her new CD, "Lifted Off The Ground," on May 4. Produced by Rodney Crowell, Wright wrote 11 songs for the project, including 1 co-write with Crowell.

At the same time Wright will also be releasing her first book, "Like Me" (Random House). The book is said to be a "candid account of her life, her career and her extraordinary journey. Like Me is a book of revelation: honest, inspiring and true," according to her publicist.

Wright, 39, scored with hits Single White Female and Shut Up and Drive. The Missouri native's most recent release of original material, "The Metropolitan Hotel," was on Dualtone in 2005.

Wright received the Academy of Country Music's Award for Best New Female Artist in 1995.

More news for Chely Wright

CD reviews for Chely Wright

Lifted Off the Ground CD review - Lifted Off the Ground
It would be almost impossible to give a review of the newest release from Chely Wright without also mentioning the other reason she's been in the news lately. Wright's recent admission that she is a lesbian has mostly overshadowed her new album, but the record should not be ignored. Many of the songs were born out of the depression that had taken over Wright's life under the weight of the secret she was keeping. Writing them helped to pull her out. As you might expect, this is a »»»
The Metropolitan Hotel CD review - The Metropolitan Hotel
After giving up on the major labels and maybe vice versa and an ill-fated stint with a new indie that produced one measly single, Chely Wright went her own way to very good effect. The Kansan always has had a strong voice that does justice to the material. That has not changed one iota here, although she can sound tender (the opener "It's the Song" about the difficult life on the road), but is no easy mark. What may be different this time around is Wright is tackling far weightier matters. »»»
Never Love You Enough
The new-traditionalist tag hung on Chely Wright's early career, and intimate album tracks like "Emma Jean's Guitar," were all but banished with the success of 1999's "Single White Female." Folksiness has given way to the chart-friendly crossover material and arena-styled power-ballads that continue to reign on her latest. The leadoff track, "Never Love You Enough" resounds with second-generation Beatle influences by way of Badfinger and Klaatu, and "For the Long Run" sports a melodic hook »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Trampled by Turtles leads stellar night – The animals ruled, for the most part, led by Trampled by Turtles, in a superb trifecta of music long on musicianship and quality songs. Trampled by Turtles, who headlined the sterling bill that also included Elephant Revival and Hurray for the Riff Raff (not animalistic unless the "riff raff" act that way), are going through some major sonic changes.... »»»
Concert Review: Goodnight, Texas gets on the map – Goodnight, Texas is a town with a small population - 28 according to the band's web site. So, if anything is going to put the unincorporated dot on the map, it may be the bi-coastal country band that stole the name. Avi Vinocur, who dwells in San Francisco, and Patrick Dyer Wolf, of North Carolina, are the mainstays of the band with them... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Trampled by Turtles get wild Trampled By Turtles is an indie folk group, an alt.-country band or a bluegrass act - depending on how you choose to look at them. Perhaps it's best to view the outfit as the ultimate combo platter consisting of just about everything that's good about American music. They play wonderfully, yet they also write intelligent songs that draw everyone from Townes Van Zandt to Nirvana to Ralph Stanley. It's all good, and some (or all) of these influences can be spotted in most of Trampled By Turtles' enjoyable sounds.... »»»
Don't try labeling Parker Millsap If you move in alt.-country/Americana circles, you simply cannot get away from the name Parker Millsap. He's certainly one of the biggest buzz artists of 2014. Better still, his self-titled album lives up to all the hype. He's a smart songwriter and a passionate singer and is essential listening for anybody looking for high quality contemporary music. Millsap also creates music appealing to a wide variety of musical tastes. You can make a case that he's a country guy, but you can also hear a lot of blues and folk. And if you attempt to put a label on him, he'll quickly tear it right off.... »»»
Simpson gets metamodern What a difference a year can make. Last year, Sturgill Simpson was overly anxious about the arrival of his debut album, "High Top Mountain." This year, Simpson is simultaneously anticipating the birth of his debut child and his just-released sophomore album, "Metamodern Sounds in Country Music," and his mood couldn't be more relaxed and joyous.... »»»
Where It's At CD review - Where It's At
Dustin Lynch is a throwback on his sophomore release thanks to the good-looking Tennessee native sporting a straw cowboy hat, Now that's something you don't see these days unless you happen to be King George Strait. Instead, the hat acts of yesteryear - the moniker, in reality, was a dig at those who were part of the same milk toast country sounds that were being put out in the '90s - traded them in for baseball caps. »»»
I Don't Dance CD review - I Don't Dance
The cover of "I Don't Dance" features a glam shot of Lee Brice standing in a spotlight, looking more like a pop artist than a country singer. Listeners who prefer their country on the gritty side might be scared off by the pretty cover shot. The music matches the image: pop influenced mainstream country music, in the vein of contemporaries Jake Owen and Kip Moore.  »»»