Eilen Jewell returns to studio with Lorett Lynn covers band
Friday, January 29, 2010
– Eilen Jewell can be found most of the time leading her own quartet, the Eilen Jewell Band, which plays traditional country music. But she is not limited to that.
The Idaho native also has a side project, the Sacred Shakers, which plays gospel music with a country beat. And now the Boston-area resident is about to go into the studio with yet another effort - a Loretta Lynn covers band.
Jewell said she was unsure whether the effort would be an EP or full-fledged CD. "That might depend upon what we want to show world," she said.
Jewell said Thursday that she and her band would go into a studio north of Boston on Monday to record the songs as the Butcher Holler band. That is the Kentucky area that was home to Lynn. During her show at Club Passim earlier in the evening, Jewell said she once opened a show for Lynn and had her sign her acoustic guitar.
Jewell said she expected the disc to be out on Signature Sounds. She also records for the western Massachusetts label with her band the Sacred Shakers.
More news for Eilen Jewell
CD reviews for Eilen Jewell
Sundown Over Ghost Town
It's not an overstatement to say that Eilen Jewell is Johnny Cash reincarnate - at least, that's the sound she puts forth on her seventh album, "Sundown Over Ghost Town." Jewell's melancholy vocals and simplistic instrumentation betray just enough to show each song's depth and autobiographical roots.
The 12 tracks range from lullabies to laments and from toe-tappers to tear-jerkers. Some of it is clearly autobiographical - "Songbird" is a sweet song »»»
Queen of the Minor Key
On Eilen Jewell's "Queen of the Minor Key," her fourth album of original material, the Idaho-born/Boston-based singer/songwriter pushes her sound beyond the country/folk parameters she established for herself on her previous 3 (2005's "Boundary County," 2007's excellent "Letters from Sinners & Strangers" and 2009's "Sea of Tears"). Bookended by the surf/spy thematics of opening instrumental Radio City and propulsive bikini beach closer »»»
Sea of Tears
For her third release, singer songwriter Eilen Jewell combines her mesmerizing, and sometimes melancholy vocals, with great instrumentals led by the adept guitar playing of Jerry Miller on an album with a 1960's retro appeal.
While her vocals continue to charm, the lyrics are sometimes a bit disappointing. Nine of the 12 songs included are originals written by Jewell. However the covers are the highlight. The originals still capture the obvious talents of Jewell and the band, but lack »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Making perfect sense of Striking Matches, The Secret Sisters
The pairing of Striking Matches and The Secret Sisters on tour makes perfect sense. Both are duos, although the Matches are male/female and the Secrets truly are sisters (Rogers is the name, not Secret). Both emphasize keen vocal interplay. And perhaps most importantly, they shared a very famous producer, T Bone Burnett.
But when it came to the live... »»»
Concert Review: Whitehorse changes gears
Whitehorse, the Canadian husband-and-wife duo of Melissa McClelland and Luke Doucet, has changed gears.
In years past, they were more on the roots side, but you would have scratched your head wondering where that went during their show at what is billed as a folk club.
Only Whitehorse couldn't be accused of being folk oriented either in a tour... »»»
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Sundown Over Ghost Town
It's not an overstatement to say that Eilen Jewell is Johnny Cash reincarnate - at least, that's the sound she puts forth on her seventh album, "Sundown Over Ghost Town." Jewell's melancholy vocals and simplistic instrumentation betray just enough to show each song's depth and autobiographical roots. »»»
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