Rockabilly singer Burgess dies at 88
Monday, August 21, 2017
– Rockabilly singer Sonny Burgess, who recorded for Sun Records, died on Friday at 88.
Burgess reportedly fell at his Arkansas home last month. He had continued playing until very recently.
"I always heard my dad say that Sonny was one of the outstanding guys he worked with," said Jerry Phillips, son of Sun Records founder Sam Phillips in an article published in the Knoxville News-Sentinel. "Sonny had his own unique sound - which was the highest compliment Sam could give you. Sonny had a little bit of Howlin' Wolf in his singing, and of course my dad really liked that. But Sonny was one of those guys who traveled the world, had a great long life, and had people who loved him all over the place. He's going to be missed."
Burgess was born on a farm near Newport, Ark. to Albert and Esta Burgess. on May 28, 1929. In the early 1950s, Burgess played boogie woogie music in dance halls and bars in the Newport area. Burgess formed a boogie-woogie band, the Rocky Road Ramblers, which took a break when Burgess went into the Army. The group caught the attention of Sun Records' Sam Phillips with the band releasing "We Wanna Boogie" in 1956 for Sun Records. The group broke up in 1971, but Burgess continued his career. He released a self-titled disc for Rounder Records in 1996. He later formed a band, The Legendary Pacers, which was inducted in 2002 into the Rockabilly Hall of Fame. His last record was "Live at Sun Studios" in 2012.
CD reviews for Sonny Burgess (rockabilly)
Rockabilly pioneer Sonny Burgess barely sounds like a week has gone by since he stepped into Sun Records in 1956 and recorded such rockabilly classics as "Red-Headed Woman" and "We Wanna Boogie." And he certainly doesn't sound like it was 40 (!) years ago.
This is a terrific album and one of the very finest new albums you'll hear by an original fifties rockabilly artist in 1996. It's so good, in fact, that it seems unfair to just pick out a few songs as highlights. Bruce Springsteen contributes a »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: McLean shows far more than two good songs
If you believe one overheard remark, that a Don McLean concert features only two good songs ("American Pie," "Vincent"), you would have missed a show that strongly contradicts such an assumption. McLean's performance offered an enjoyable mixture of career highlights and favorite oldies and is by no means a two-hit wonder.... »»»
Follow Country Standard Time
Elsewhere in the news
Currently at the CST blogs
The Long Ryders have come a long way since they were initially associated with other Los Angeles relatively retro acts collected under the Paisley Underground umbrella. Even back during the mid to late '80s,... »»»
Suffice it to say that the past has always loomed large throughout Chip Taylor's career. That's all the more obvious if only for the fact that Taylor wrote some of the biggest pop hits of the '60s, "Wild Thing"... »»»
Dan Tyminski (known simply as "Tyminski" on his 2017 release "Southern Gothic") has traditional music roots and unassailable bluegrass street cred especially given his membership in Alison Krauss' Union Station. He is also a powerful songwriter and has been writing songs for himself and others for years now.... »»»
Love and Revelation
Some might say all you need to know about Over The Rhine is its primary lead vocalist, Karin Bergquist. And that's true; her angelic singing - alone throughout "Love & Revelation" - makes the album well worth your ear time. »»»
Maren Morris, who had a huge pop hit with "The Middle," is never going to be anybody's ideal traditional country singer. Although, thankfully, there isn't anything that mind-numbingly beat-driven on her "GIRL" album, »»»