Sign up for newsletter
 

Rascal Flatts, Pokey LaFarge release new sounds

Friday, May 19, 2017 – Country pop trio Rascal Flatts is out with "Back to Us" today. The band's 10th studio album was led by the single "Yours If You Want It." Lauren Alaina sings with the trio's "Are You Happy Now." The release comes in a regular 10-song version and a 13-song deluxe recording. The band self-produced except for one song, "Hands Talk," on the deluxe version.

Pokey LaFarge is back with his eighth album since 2006 "Manic Revelations." Recorded in LaFarge's hometown of St. Louis, the disc contains 10 originals and was produced by the Southside Collective-LaFarge, Joey Glynn (bass), Ryan Koenig (harmonica, guitjo, electric guitar), Adam Hoskins (electric guitar), Matt Meyer (drums, percussion), Luc Klein (trumpet, euphonium, piano, glockenspiel), Alec Spiegelman (saxophone, piano, tubax, organ, clarinet, flute), David Beeman (tambourine, stylophone, guitar, organ)-along with additional production by Tony Hoffer. LaFarge merges roots and vaudeville-type sounds.

More news for Pokey LaFarge

CD reviews for Pokey LaFarge

Manic Revelations CD review - Manic Revelations
A good many musical artists are looking for a hot new trend to champion, but Pokey LaFarge's only interest from the beginning of his career has been to bring a fresh perspective to folk, blues and soul with a swingy, jazzy, poppy undercurrent. Over the past decade and a half, LaFarge's sound and the band that helps him create it has evolved at a pace that reinforces the childhood nickname that he has adopted as his stage persona. That shouldn't be construed as a criticism; LaFarge »»»
Something in the Water CD review - Something in the Water
Whether Pokey LaFarge's seventh album, "Something in the Water," could be called more than "retro" is a stretch. The St. Louis musician's 21st century talent shows through his performance, compositions and writing, but some things work against him in his fight to make the album timeless. LaFarge covers a handful of genres that make him seem unsettled rather than well-rounded - like he can't pick just one. Jazzy numbers like "Underground" and »»»
Pokey LaFarge CD review - Pokey LaFarge
Although Pokey LaFarge is a relatively young 30 years old, his songwriting soul is as old as a Victrola crank. In the past seven years and across seven albums, LaFarge has paid homage to the American music that caught his ear as a teenager (hot jazz, swing, country blues and Appalachian folk), not with an idolator's slavish heart, but with the nervy spirit of an innovator. In the same way that Jim Mathus absorbed similar influences and churned out clearly referential and yet completely »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Lambert refuses to rest on laurels – Watching this stop on Miranda Lambert's "Livin' Like Hippies Tour," one is struck by just how many great songs the country singer/songwriter already has in her repertoire. With most artists, it's relatively easy to guess which song a performer will choose to close a show. But Lambert has so many winners to pick from, many... »»»
Concert Review: DBT rocks on – Drive-By Truckers still sometimes get miscategorized as alt.-country, but who's kidding whom? With three electric guitarists upfront exchanging hard rock licks all night, this is a blistering Southern rock band. Hitting the stage just before 10, the band played a satisfying 2-hour-plus set. At 11:40, Patterson Hood announced the band would be... »»»
Follow Country Standard Time  Subscribe to Country News Digest  Follow Country Standard Time on twitter  Visit Country Standard Time on Facebook 

Elsewhere in the news

Currently at the CST blogs

Tyminski goes dark Dan Tyminski (known simply as "Tyminski" on his 2017 release "Southern Gothic") has traditional music roots and unassailable bluegrass street cred especially given his membership in Alison Krauss' Union Station. He is also a powerful songwriter and has been writing songs for himself and others for years now.... »»»
Washburn, Fleck create "Echoes" Bela Fleck and Abigail Washburn have powerhouse individual talents; each has followed an estimable career path to where they find themselves today: making complex, but spare, records, writing music together and touring with their son Juno. Their new release, "Echoes In The Valley" features mostly songs written by Fleck and Washburn, banjos, Washburn's strong vocals and very little else.... »»»
Hillman bides his time Legends don't come any more legendary than Chris Hillman. The roll call of bands that comprises Hillman's half century in music reads like a wing exhibit at the Rock & Roll Hall of Fame; Byrds, Flying Burrito Brothers, Manassas, the Souther Hillman Furay Band, the Desert Rose Band,... »»»
Staggered CD review - Staggered
East Nashville may be known as "the" Americana hotbed these days, but some of the talent there is very much verging on rock 'n roll. This is the case with Lynn Taylor & the BarFlies on their third release, a collection of personal tunes by the front man. »»»
American Folk soundtrack CD review - American Folk soundtrack
The soundtrack for the independent film, "American Folk," stars two real-life singer-songwriters played by Joe Purdy and Amber Rubarth, who also contribute the bulk of the material on the soundtrack. Understanding the plot of the film helps explain both the sequence and content of the track list. »»»
Rifles and Rosary Beads CD review - Rifles and Rosary Beads
Mary Gauthier has built her career on honest, sometimes brutally and achingly self-confessional songs. This is the first time that she has focused on experiences other than her own, and it could become not only the strongest album of her career but, in its own way, a landmark album. »»»