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Underwood goes for Capitol

Tuesday, March 28, 2017 – Carrie Underwood bolted Arista for Capitol/Nashville, part of the Universal Music Group, it was announced Tuesday

Underwood spent her entire career on 19/Arista after winning The Voice.

"It's so inspiring to me as an artist to feel this excited about the future," Underwood said. "The incredible team at UMG shares the heart and passion I have for music as well as the drive, and their innovative spirit has shown that together the possibilities are endless. I also want to be sure to thank every single person who has played a part in my recording career so far. I will be forever grateful to them for all we achieved together."

UMG Chairman/CEO Sir Lucian Grainge said he was "so thrilled that Carrie has decided to make Capitol Records Nashville and UMG her home globally. As a talented writer, recording artist, performer and actor, Carrie is that exceptionally rare artist who can do it all."

Underwood previously worked with label President Cindy Mabe, who helped Underwood on her Sony debut, "Some Hearts" in 2005. Since then, Underwood has released four studio albums and a greatest hits package. "When I decided to take my position with Capitol Records in 2007, personally one of the hardest people for me to leave behind was Carrie Underwood," Mabe said. "We were a team and I had the opportunity to watch her leave American Idol as a kid and mature into one of the most important artists with the most powerful voice in music. It was amazing to be a small part of that ride. I am so proud and humbled that she has chosen to sign with Universal Music Group Nashville and that we will once again join forces as she writes the next chapter of her soaring career as a global superstar of enormous integrity and talent."

There was no word on when Underwood would release new music.

More news for Carrie Underwood

CD reviews for Carrie Underwood

Storyteller CD review - Storyteller
Carrie Underwood's powerful voice has been her calling card throughout her career, and that is no different on her latest. She has always possessed a voice that can be chameleon-like and work with the material at hand. Underwood does that again on these 13 songs, 6 of which she helped pen. Underwood knows a thing or two about writing or finding material that fits her commercial orientation as almost all 13 could conceivably be picked as singles. They are big sounding, big voiced and radio ready. »»»
Greatest Hits: Decade #1 CD review - Greatest Hits: Decade #1
Greatest hits albums are often derided as creative placeholders, or worse yet, contractual obligations. In Carrie Underwood's case, the album subtitled "Decade #1" is a chance to take a somewhat awe inspired look at what a successful career this American Idol alumnus has already had to date. One of its two new songs, the single "Something in the Water," is a wonderfully gutsy move on Underwood's part. Country is one of the rare genres where a Christian can sing of »»»
Blown Away CD review - Blown Away
Carrie Underwood's calling card remains intact - her ultra strong set of pipes. "Blown Away" is almost a tale of two CDs. The first half or so tends to be far more pop oriented and at times rocks, while the other half veers far more towards country and even gets traditional on a song or two. The lead-off hit first single, Good Girl, rocks far more than anything else. It sounds good, catchy, but with Underwood singing hard, the song is geared for arena rock, not anything remotely »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Kristofferson gives insight, but no easy answers – When they say music gets better with age, they're not always just talking about songs alone; sometimes they're also referring to the listener. When Kris Kristofferson sings, "Well, I woke up Sunday morning/With no way to hold my head that didn't hurt," to smartly open "Sunday Mornin' Comin' Down," he... »»»
Concert Review: No sugarcoating, Welch dishes out an experience – Gillian Welch (accompanied, as always, by master guitarist David Rawlings), celebrated her "The Harrow & The Harvest" album with a powerful night of music. She apologized many times for the utter unhappiness expressed through this album's songs, admitting it's "not the most chipper album" at one point.... »»»
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