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Simpson wins Album of the Year Grammy

Sunday, February 12, 2017 – Sturgill Simpson's left of center disc, "A Sailor's Guide to Earth," won the Grammy on Sunday for Best Grammy Album.

Maren Morris' "My Church" took the honor for Best Country Solo Performance. Morris also sang with Alicia Keys during the broadcast.

Hillary Scott & the Scott Family won two Grammys: "Thy Will" took Contemporary Christian Music Performance/Song with Bernie Herms, Hillary Scott and Emily Weisband, songwriters. Scott and her family's album, "Love Remains," took Contemporary Christian Music Album.

Pentatonix's version of "Joelene" with Dolly Parton won Best Country/Duo Performance.

Lori McKenna won the Best Country Song Grammy for "Humble and Kind." Tim McGraw recorded the song.

The Best Roots Gospel Album wen to Joey + Rory for Hymns," released a year ago as Joey was succumbing to cancer.

Sarah Jarosz took the honor for Best Americana Roots Performance for "House of Mercy." She also took the Best Folk Album for "Undercurrent."

Vince Gill's "Kid Sister" took the Best American roots Song. The song was recorded by The Time Jumpers, which includes Gill.

Will Nelson won the Grammy for Best Pop Traditional Pop Vocal Album for "Summertime: Willie Nelson Sings Gershwin."

Stax artist William Bell won Best Americana Album for "This is Where I Live."

O'Connor Band with Mark O'Connor scored the Grammy for Best Bluegrass Album for "Coming Home."

More news for Sturgill Simpson

CD reviews for Sturgill Simpson

A Soldier's Guide to Earth CD review - A Soldier's Guide to Earth
If scratching your head about the sounds emanating from Sturgill Simpson's third release, then "It Ain't All Flowers" from his last release, the excellent "Metamodern Sounds in Country Music," ought to serve as a reference point. In a disc filled with traditional country sounds, "Flowers" was about as far away as one could get with the electronics sounding so completely disjointed from everything else on the release. Put it this way - " Islands" »»»
Metamodern Sounds in Country Music CD review - Metamodern Sounds in Country Music
The first time you hear Sturgill sing you may feel like you've heard a ghost - the ghost of Waylon Jennings, that is. Although his voice isn't as low as Jennings' was, it's nevertheless still in the same general vocal range ballpark. Better still, the Kentucky native sings wonderfully honest country songs. "Life of Sin," for instance, is a song about, well, sinning, which is really some of what great country is all about. Yes, most of this album will do a »»»
High Top Mountain CD review - High Top Mountain
There's not a whole lot of traditional troubadours around these days. Old school may still be appreciated, but when it comes to country crossovers and reaching the masses, it's roots rock, alt.-country and Americana that hold the upper hand. Which makes it surprising in a way that newcomer Sturgill Simpson should sound like such a, well, old-timer. Hell, even his name resembles the kind of handle aptly suited to a country crooner. It's little wonder then that his debut disc, »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: The Surly Gentlemen prove anything but – For about the past six months, veteran bluegrassers Clay Hess, formerly of Kentucky Thunder, and Tim Shelton of NewFound Road, along with Clay's son Brennan, have collectively been The Surly Gentlemen. The trio's sound is probably best described as stripped down bluegrass meets singer/songwriter. These Surly Gents have been playing small... »»»
Concert Review: Isbell shines – Jason Isbell was in a jubilant mood shortly after taking the stage at the Anaheim House of Blues' recently relocated new location. Now situated in a shopping strip called the GardenWalk, yet still close to the Disney theme parks, Isbell later humorously noted how the area is so clean. He even referred to it as a "tiny Toronto.... »»»
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Elsewhere in the news

Currently at the CST blogs

Gibson Brothers rise up from "In the Ground" There's no more solid live bluegrass show than the Gibson Brothers. They play with great technical skill and crispness. Their harmonies are just what a brother act should be: sweet, true and never forced. Brothers Leigh and Eric Gibson surround themselves with outstanding sidemen with impeccable bluegrass cred: Jesse Brock (mandolin), Mike Barber (bass) and Clayton Campbell on fiddle.... »»»
The Devil Makes Three examine salvation, sin For nearly a decade and a half, The Devil Makes Three has concocted an amazing blend of bluegrass, folk, country, blues, rockabilly and whatever happens to bubble to the surface, and applied it liberally to their songwriting ethic.... »»»
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The Drugstore Gypsies CD review - The Drugstore Gypsies
In a time when good old fashioned electric guitar rock has grown a bit stagnant, a fresh new quintet from Texas is stepping up to provide a jolt courtesy of a concise and confident debut that makes a case for the genre by adding touches of blues, country and southern rock to muscular classic rock riffs. »»»
Universal Favorite CD review - Universal Favorite
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Vaquero CD review - Vaquero
Independent singer/songwriter Aaron Watson's "Vaquero" is an ambitious 16-song mix of Texas country and mainstream Nashville with mostly good results. The strongest tracks are those that embrace the Tex Mex style of the title track, which imparts some sound advice delivered by an "old Mexican cowboy" the singer meets in a bar ("don't live your life like a sad country song/ A fool on a stool still a fool right or wrong"). »»»
Graveyard Whistle CD review - Graveyard Whistle
Old 97s' "Graveyard Whistling" is a slight return to form after 2014's "Most Messed Up," which was heavy on profanity, but far too light on charming country songs. "Graveyard Whistling" is a little more innocent and a lot more fun than its predecessor. "Bad Luck Charm," for instance, finds lead vocalist Rhett Miller playing a familiar role - that of lovable loser.  »»»
Freedom Highay CD review - Freedom Highay
Rhiannon Gidden's "Freedom Highway" takes an expansive look at the Black experience in America. "Better Get It Right the First Time" utilizes a gospel-y call and response format to tell the tragic story of a Black life that mattered. However, Giddens goes all the way back to slavery days for the lyrics to "At the Purchaser's Option." »»»