Sign up for newsletter
 

Monument Records is back

Thursday, January 26, 2017 – Monument Records, the home of Roy Orbison and the Dixie Chicks, is back in action.

Sony Music announced the re-launching of Monument today with industry veterans Jason Owen and Shane McAnally serving as co-presidents of the label. Caitlyn Smith and Walker Hayes are Monument's first artists.

Owen has worked at Nashville labels in various positions, while McAnally has a strong reputation as a songwriter.

"It has always been in my nature to create new paths and identify unique opportunities for artists, especially for those who don't necessarily fit into one particular box," Owen said. "I've been waiting to find the perfect scenario, to explore that passion and take it to the next level, and this partnership with Shane and Sony is the perfect opportunity to purposefully sign and market excellent music from unique, one-of-a-kind artists, regardless of genre boundaries. It is something that we believe is needed. Instead of focusing solely on how we think an artist might fit into our business model, we are championing their individuality and ability to create incredible music and then forging a path for each artist using Monument as the vehicle for their music to reach the masses."

"Co-heading a label with Jason Owen was the easiest decision I've ever made," said McAnally. "The opportunity to work side-by-side with artists and their respective teams, to see a project from start to finish has been a dream of mine for a long time. I am always drawn to projects and artists who are met with the question of, 'Where does this fit?' I believe that an artist who doesn't seem to fit anywhere, actually fits everywhere. Monument will be the place for projects of credibility that need creative and unorthodox ways of getting heard. Walker Hayes and Caitlyn Smith are both impossible to compare to anyone else; they are true originals and originality is what we intend to buildMonument on."

Smith, from Cannon Falls, Minn,, is best known for co-writing "Like I'm Gonna Lose You," Meghan Trainor's duet with John Legend. She has enjoyed success as a songwriter having cuts with Jason Aldean for "It Ain't Easy," Lady Antebellum ("747"), Rascal Flatts ("Let it Hurt") and Cassadee Pope ("Wasting All These Tears"). Garth Brooks cut her song "Tacoma," while Kenny Rogers with Dolly Parton recorded "You Can't Make Old Friends."

Hayes, an Alabama native, had already worked with McAnally. Hayes released EPs last year.

McAnally has written and/or produced more than 25 number 1 songs. He also has worked with Kacey Musgraves, Sam Hunt, Old Dominion and Brandy Clark.

Originally founded in 1958, Monument Records built a reputation as a label that crossed genres, blending sounds and styles with the release of Monument's first hit "Gotta Travel On" by Billy Grammer, "Only The Lonely" by Orbison, along with Kris Kristofferson, Connie Smith, Little Big Town, Parton and Dixie Chicks.

Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: There's a lot to be said about The Felice Brothers – The Felice Brothers have soldiered on, occupying the fringes of the musical world with ups and downs. After not knowing whether the group would even continue following the departure of half of the band a few years ago, The Felice Brothers continued with a new rhythm section and a new album, "Undressed," that is heavily political.... »»»
Concert Review: Turner bring it on (to his second) home – Frank Turner opined during the first of four sold-out nights of the Lost Evenings Festival that Boston was his home away from his British home. The likable, accessible singer hit the sweet spot not only with his perspective, but his performance as well demonstrated why. Turner made a major change in this year's festival. For the first time, he... »»»
Follow Country Standard Time  Subscribe to Country News Digest  Follow Country Standard Time on twitter  Visit Country Standard Time on Facebook 

Elsewhere in the news

Currently at the CST blogs

Wilson goes her own way After having huge success at the get go with "Redneck Woman," Wilson eventually went her own way and took a break. During her "hiatus," Wilson started her own label and was a "120 percent mom" to her teenage daughter.... »»»
Carll tells it like it is A visit with Hayes Carll finds him taking a rare day off at home to discuss new album "What It Is" co-produced by Brad Jones and Carll's girlfriend, Allison Moorer. "This album works around three themes; our relationship (he and Moorer), the world and myself.... »»»
Watson gets "Lucky" Dale (The Real Deal) Watson has been releasing hard country albums since 1995 and shows no signs of slowing down on his most recent release, "Call Me Lucky." This record marks his third effort recorded in Memphis, at Sam Phillips Recording Studio, with Watson's regular touring band, The Lone Stars.... »»»
Live at the Grey Eagle CD review - Live at the Grey Eagle
Let's just say Amanda Anne Platt and her five-piece band The Honeycutters had home court advantage playing in their hometown of Asheville, N.C. in what is as warm a live album as you'll hear. »»»
American Highway CD review - American Highway
Buckle up for a rollicking, joyful, adventuresome ride as Marty Brown drives flat-out down the straightaways and hugs tight the curves of the "American Highway." It's great to have Brown, who's written hits for Trace Adkins »»»
Front Porch CD review - Front Porch
Joy Williams' "Front Porch" album is a beautiful collection of acoustic, country-folk music. The title cut, for instance, includes sweet fiddling, while the rest of the album takes an appreciated low-key approach to its instrumentation. »»»
Hellbent CD review - Hellbent
Randy Rogers makes a big, bold statement with his title track, but it's the smaller insightful moment expressed through "Wine In A Coffee Cup" that stands out most. Rogers sings it empathetically over a swaying groove... »»»