Broken tailbone doesn't stop Jeff Bates
Tuesday, February 21, 2006
– Jeff Bates may have broken his tailbone the day before in a fall, but that didn't stop him from performing last Friday at a Country Radio Seminar show in Nashville.
Bates opened the New Faces show, but the day before, he fell outside the Renaissance Hotel, resulting in the injury. Her performed for 20 minutes, singing a medley of "Long, Slow Kisses," "I Wanna Make You Cry" and "The Love Song," plus songs from his upcoming release, "Leave The Light On," including the rockin' "That'll Get You Ten," the Billy "Crash" Craddock classic "Rub It In" and his new single "No Shame."
The new disc drops on RCA Records April 11.
More news for Jeff Bates
CD reviews for Jeff Bates
In this time of faux outlaws, Jeff Bates is a refreshing real deal. His back story reads like a Johnny Cash song - abandoned as a baby, raised by sharecroppers, Bates has endured three marriages, a drug habit and some time in jail for grand larceny. But that's nothing compared to the crime against esthetics that his art director is guilty of - picking a CD cover photo that's a dead ringer for Garth Brooks' ill-fated alter ego Chris Gaines.
Bates' music doesn't »»»
Leave the Light On
David Allan Coe just might think Jeff Bates' second CD is the perfect country and western al-bum, since he's got songs about Mama ("Mama Was a Lot Like Jesus") and prison ("That'll Get You Ten") and prisoners who want to drive trucks ("One Second Chance.") It's true Bates doesn't have much to say about trains or getting drunk, but maybe the fact that he's actually been behind bars will give him enough outlaw extra credit to make up for that lapse.
It's all academic because Coe's crowd is »»»
Jeff Bates has a heck of a story - given up for adoption, he grew up in Mississippi, worked on an oil rig and as a carpenter, and even spent time in jail on drug charges before getting his first cuts as a songwriter and, eventually, his own record deal - but more importantly, he has a heck of a voice. With his deep, powerful baritone, he's an aural dead ringer for Conway Twitty, and the singer isn't afraid to exploit the resemblance - not, as Jerry Seinfeld would say, that there's anything wrong with that. »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Kristofferson gives insight, but no easy answers
When they say music gets better with age, they're not always just talking about songs alone; sometimes they're also referring to the listener. When Kris Kristofferson sings, "Well, I woke up Sunday morning/With no way to hold my head that didn't hurt," to smartly open "Sunday Mornin' Comin' Down," he... »»»
Concert Review: No sugarcoating, Welch dishes out an experience
Gillian Welch (accompanied, as always, by master guitarist David Rawlings), celebrated her "The Harrow & The Harvest" album with a powerful night of music. She apologized many times for the utter unhappiness expressed through this album's songs, admitting it's "not the most chipper album" at one point.... »»»
Country News Digest
Elsewhere in the news
Currently at the CST blogs
Legends don't come any more legendary than Chris Hillman. The roll call of bands that comprises Hillman's half century in music reads like a wing exhibit at the Rock & Roll Hall of Fame; Byrds, Flying Burrito Brothers, Manassas, the Souther Hillman Furay Band, the Desert Rose Band,... »»»
William Shakespeare noted a few centuries back that a rose by any other
name would be equally aromatic, and that general idea has musical
implications as well. The Cadillac Three knows a thing or two about maintaining
a sonic identity after a name change;... »»»
Those aware of the late Owsley "Bear" Stanley likely know him for one of two reasons - his pioneering work manufacturing lysergic acid diethylamide (LSD) in San Francisco during the mid-to-late 1960s and his role as an innovative sound engineer. Most notably, Bear worked...... »»»
The stunning vocal of Travis Meadows on the opening track, "Sideways," brims with honesty, pain and hard-earned wisdom as he offers a blend of confession and advice, stimulated by an experience at an adolescent addiction treatment center. Meadows, like many, is one of those Nashville songwriters ("Riser" for Dierks Bentley and "What We Ain't Got" for Jake Owen), but is finding his own voice relatively late in life. »»»
The Long Awaited Album
When last we visited a new album from Steve Martin & the Steep Canyon Rangers, 2011's "Rare Bird Alert," we found a cohesive, focused collection of bluegrass; it was an expansive, artistic creation that only benefited the bluegrass community. A subsequent live album (strikingly entitled "Live") presented a continued refinement of this pairing's chemistry. »»»