Sign up for newsletter
 

Rogers becomes owner of Texas country club

Thursday, December 22, 2016 – Randy Rogers and a business partner purchased a well-known Texas country music club on Tuesday, he announced today.

Rogers, along with partner KRR Entertainment, became the official owner of the Cheatham Street Warehouse in San Marcos, Texas. Kent Finlay founded, owned and operated Cheatham Street from 1974 up until his death on Texas Independence Day in 2015.

KRR Entertainment is an Austin based event production company that co-founded Lone Star Jam and produces events at the Nutty Brown Amphitheatre.

In 1975, George Strait made his debut at the venue, and Guy Clark once sat in with Townes Van Zandt, playing well past midnight closing time. In 1980, Stevie Ray Vaughan had a regular Tuesday night gig, and Charlie and Will Sexton, then 12 and 10, would open for Vaughn and sometimes join him on stage. There was a time when each Strait and Vaughan played one night a week at the venue.

"I still get butterflies when I step on that stage. I'm going to make sure other songwriters and musicians young and old get to experience that same feeling for many years to come. That's my goal," says Rogers, who purchased from Kent Finlay's children, Jenni, Sterling and HalleyAnna.

In 2000, Rogers was a student at then Southwest Texas State University, pursuing a mass marketing degree. Every Wednesday, he would make his way to the building by the railroad tracks to perform the open songwriter night.

He credited those songwriter nights for kick starting his career. Those nights spawned his relationship with Finlay.

Rogers met and formed Randy Rogers Band within the walls of Cheatham Street, and when they signed their first major label deal years later, they did it there, with Finlay by their sides.

Although a few cosmetic changes and updates are in the works - addition of a permanent patio and food service at the top of the list - the primary goal is to maintain the character of the venue.

More news for Randy Rogers Band

CD reviews for Randy Rogers Band

Hellbent CD review - Hellbent
Randy Rogers makes a big, bold statement with his title track, but it's the smaller insightful moment expressed through "Wine In A Coffee Cup" that stands out most. Rogers sings it empathetically over a swaying groove, one highlighted by equally empathetic fiddle. And it's an unusual drinking song. It's not about someone going out to a club and noisily ordering round after round to conspicuously drink away a heartache. Instead, it's a woman applying an »»»
Nothing Shines Like Neon CD review - Nothing Shines Like Neon
Randy Rogers Band's latest album cover provides insight into the music contained within. The brightly lit neon sign is a familiar sight to those who frequent honky tonks and smoky barrooms. The Texas country band plays music that is designed specifically for these locations and crowds within. Almost every song on this album has alcohol as one of the main characters. Fresh on the heels of Rogers' excellent twang filled collaboration with Wade Bowen, he returns with his full band with a »»»
Trouble
With "Trouble" the Randy Rogers Band seems to be attempting to straddle the line between hard-edged Texas alternative country and slick Nashville mainstream. Rogers is at his best when he sticks to alt.-country, as with the rocker Fuzzy in which he vaguely recalls the alcohol influenced events from the previous evening ("Who the hell is Heather/And when were we together/Cause I've got every letter of her name on my chest"). Similarly the bluesy Shotgun »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Carlile takes her chances on feeling "Blue" – During a rare moment sitting at the piano and appropriately dressed in blue, Brandi Carlile paraphrased a memorable Joni Mitchell quote. Basically, it went that, if you listen to Joni Mitchell music and only picture Mitchell - but not yourself - something is wrong. While Carlile, who performed Mitchell's "Blue" album in its entirety for... »»»
Concert Review: Underwood keeps it world class – There are different levels of fame. There are quite a few artists who go by a mononym; no one asks "Sting or Bono "who?" And then there is an artist whose surname is used as a verb. Being "Underwooded" is a slang phrase used to describe car vandalism. That's American Idol's best-selling artist fame.... »»»
Follow Country Standard Time  Subscribe to Country News Digest  Follow Country Standard Time on twitter  Visit Country Standard Time on Facebook 

Elsewhere in the news

Currently at the CST blogs

Willis, Robison spin "Beautiful Lie" Eleven years ago, Kelly stepped away from music. She had just finished touring on 2007's exquisite "Translated From Love" and felt the angst of being a travelling musician with family at home. At that point, Willis and her husband, musician/producer Bruce Robison,... »»»
Chip Kinman celebrates brother, career on "Sounds Like Music" For a brief moment last summer, the news of Tony Kinman's death was, if not greatly exaggerated, then at least fortuitously premature. The roots rock icon, known for his work in The Dils, Rank and File, Blackbird and Cowboy Nation with his younger brother Chip, had been diagnosed with cancer in March 2018,... »»»
Shiflett learns "Hard Lessons" Until recently, Chris Shiflett took a somewhat obsessive/compulsive approach to his music career. For the past two decades, Shiflett has been the primary guitar foil for Dave Grohl in Foo Fighters; early in his tenure, Shiflett was so self-deprecatingly... »»»
Redemption 10: Live at Blue Rock CD review - Redemption 10: Live at Blue Rock
Houston-based singer-songwriter and former lawyer Libby Koch celebrates the 10th anniversary of her first album, "Redemption," by releasing a full band, live audience setting for what was originally a solo acoustic album.  »»»
Live From the Ryman CD review - Live From the Ryman
The very best way - the only way, really - to see Old Crow Medicine Show is live. Like its namesake, the medicine shows of old that were part preaching, part snake oil sales pitches, part old time music and pure entertainment, »»»
Fire & Brimstone CD review - Fire & Brimstone
It would be easy (and lazy journalism) to write about how much Brantley Gilbert's music is un-country. You need only isolate the drum parts for most of these latest songs to confirm this is primarily a rock recording  »»»
Sunshine is Free CD review - Sunshine is Free
Monica Rizzio's second album, "Sunshine Is Free," emblematic of its title, ushers in bright country music, with roots touches but generally gliding in melodic, uplifting country territory. Put this in your player when you need a smile or two. »»»
Seems Like Tears Ago CD review - Seems Like Tears Ago
If the first few strains of Jason James' "Seems Like Tears Ago" remind you of George Jones, then that's exactly what Jason James intended as he channels the traditional country greats on these 10 original tunes. They are the kind of three-minute »»»
Heartache Medication CD review - Heartache Medication
Jon Pardi may sing about heartache medication with this collection of songs, but his focus on arrangements filled with traditional musical elements (fiddle, steel guitar and twangy electric guitar) is joyfully medicinal  »»»