Gayle invited to join Opry
Wednesday, November 16, 2016
– Crystal Gayle was surprised during her Grand Ole Opry performance on Tuesday with an invitation from Opry member Carrie Underwood to become an official Opry member.
Gayle will be formally inducted into the Opry on Jan. 21, 2017 by her sister, Loretta Lynn. Gayle made her Opry debut nearly 50 years ago on the Ryman Auditorium stage, singing the country classic "Ribbon of Darkness" at age 16.
Underwood surprised the sold-out Opry at the Ryman crowd by joining Gayle on the smash hit "Don't It Make My Brown Eyes Blue." Seconds after finishing the duet, Underwood turned to Gayle and said, "You are an inspiration to so many of us. You are important to country music, and you are important to the Opry, which is why I was asked tonight to ask you if you would like to join our Opry family officially."
Hugging Underwood, Gayle said, "I have always felt like I was a member of the family, and this is just so special."
"For more than half of the Opry's 91 years, Crystal Gayle has been lending her signature vocals to Opry shows and connecting with Opry audiences as well as with everyone backstage," said Opry Vice President and General Manager Pete Fisher. "She is family, and we are very excited that she'll become an official Opry member early next year."
Gayle had 20 number 1 country singles, beginning with "I'll Get Over You" and including her signature song, "Don't It Make My Brown Eyes Blue." That song earned her a Grammy for Best Female Country Vocal Performance and also made her album "We Must Believe In Magic" the first by a female country artist to go Platinum. She won CMA Female Vocalist of the Year in 1977 and 1978 and the Academy of Country Music honored her with the same award in 1976, 1977 and 1979.
More news for Crystal Gayle
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: There's a lot to be said about The Felice Brothers
The Felice Brothers have soldiered on, occupying the fringes of the musical world with ups and downs. After not knowing whether the group would even continue following the departure of half of the band a few years ago, The Felice Brothers continued with a new rhythm section and a new album, "Undressed," that is heavily political.... »»»
Concert Review: Turner bring it on (to his second) home
Frank Turner opined during the first of four sold-out nights of the Lost Evenings Festival that Boston was his home away from his British home. The likable, accessible singer hit the sweet spot not only with his perspective, but his performance as well demonstrated why.
Turner made a major change in this year's festival. For the first time, he... »»»
Follow Country Standard Time
Elsewhere in the news
Currently at the CST blogs
After having huge success at the get go with "Redneck Woman," Wilson eventually went her own way and took a break. During her "hiatus," Wilson started her own label and was a "120 percent mom" to her teenage daughter.... »»»
A visit with Hayes Carll finds him taking a rare day off at home to discuss new album "What It Is" co-produced by Brad Jones and Carll's girlfriend, Allison Moorer. "This album works around three themes; our relationship (he and Moorer), the world and myself.... »»»
Dale (The Real Deal) Watson has been releasing hard country albums since 1995 and shows no signs of slowing down on his most recent release, "Call Me Lucky." This record marks his third effort recorded in Memphis, at Sam Phillips Recording Studio, with Watson's regular touring band, The Lone Stars.... »»»
Joy Williams' "Front Porch" album is a beautiful collection of acoustic, country-folk music. The title cut, for instance, includes sweet fiddling, while the rest of the album takes an appreciated low-key approach to its instrumentation. »»»