Sign up for newsletter
 

Gene Clark/Carla Olson set of new and old coming in October

Monday, September 24, 2007 – The musical collaboration of Gene Clark of The Byrds fame and Carla Olson will result in a 2-CD set of previously released and new material, due Oct. 30 on Collector's Choice.

The set, "Gene Clark With Carla Olson: In Concert," includes an unreleased Clark performance for Mountain Stage, bonus tracks from the duo's Rhino album\ and a live recording from McCabe's Guitar Shop never previously released in the U.S.

Clark's post-Byrds solo career did not soar to the heights attained by bandmates Roger McGuinn, David Crosby or Gram Parsons. By the mid-'80s, he had no career to speak of, yet he continued writing. Texas-bred singer/songwriter Carla Olson who, along with her manager Saul Davis, approached him after a gig and proposed they make an album.

"At that time, Gene's name didn't really mean much to the general record-buying public," said Olson. "And I was a pretty much unknown singer from a cowpunk band in L.A. Saul was gently trying to convince Gene that people were not exactly knocking down doors to sign him. Yet the star thing never left him, bless him. He always held his head high and dressed to the nines."

The first disc is dominated by seven unreleased tracks from a Clark solo concert for Mountain Stage, the live public radio broadcast from Charleston, West Va. Fleshing out the first disc are 3 live bonus tracks from Clark and Olson's studio album, "So Rebellious a Lover," recorded in Los Angeles and issued in 1986 on Rhino Records and long out of print.

The second disc contains the entire Clark and Olson Feb. 3, 1990 performance at McCabe's Guitar Shop in Santa Monica, which was released overseas only on Demon Records as "Silhouetted in Light."

Backing Clark and Olson were Duane Jarvis (Lucinda Williams, Peter Case, Dwight Yoakam) on guitar and David Provost (Textones, Dream Syndicate, Droogs) on bass. "We weren't even aware that a tape of that performance existed," recalls Olson. "It was several years later, after Gene passed away in 1991, that Duane mentioned to me that he had a tape. At the end of the evening, the person doing the recording asked Duane if he'd like a copy of the show. He said yes, put the tape in his guitar case and forgot about it."

That cassette became the live album.

According to album annotator John Einarson, author of Mr. Tambourine Man: The Life & Legacy of The Byrds' Gene Clark, rehearsals for the McCabe's show in Clark's Sherman Oaks home had become problematic with the singer coming off a three-day writing binge with no sleep.

"Amidst the audience was a very intimate bunch of friends, a lot of people we both knew, so we had a really good time" Olson said. "In some gigs, you just can't do that; the distance between you and the audience is too great. But this was a moment to take advantage of how human we are. You can feel all our vulnerabilities and how close to the edge we all are. Gene was never really a safe person. He had an edge. But even on the bad nights, he still sounded beautiful so I guess we were the only one who kind of knew the difference between tragic and beautiful."

Many of the McCabe's songs were intended for a follow-up studio album that was never to be. Although Clark and Olson would appear together at the Palomino in North Hollywood, and at the Cinegrill in Hollywood a month before his death, the McCabe's set stands testament to their short collaboration.

Olson said, "He had a weathered sound in his voice but singing with Gene for me was always a joy and a pleasure. I'm proud of our performance on this album. I think Gene would be too."

Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Evans does one for the fans – The Downey Theatre is a relatively small community venue. Yet, when Sara Evans took its stage, she did so with such confidence and professionalism, you quickly forgot where you were. She gave this small, but loyal, audience an entertaining show that made you wish there were more there to witness it. Evans, who started her musical career extremely... »»»
Concert Review: The Cactus Blossoms move beyond Everlys – The Cactus Blossoms most obvious comparison is the Everly Brothers. Yes, Page Burkum and Jack Torrey are brothers, and they sure sounded like it. But only playing the Everlys card in describing The Cactus Blossoms would have sold them short. While the harmonies played a large role throughout, Torrey enjoyed a number of songs where he was the lead... »»»
Follow Country Standard Time  Subscribe to Country News Digest  Follow Country Standard Time on twitter  Visit Country Standard Time on Facebook 

Elsewhere in the news

Currently at the CST blogs

Tyminski goes dark Dan Tyminski (known simply as "Tyminski" on his 2017 release "Southern Gothic") has traditional music roots and unassailable bluegrass street cred especially given his membership in Alison Krauss' Union Station. He is also a powerful songwriter and has been writing songs for himself and others for years now.... »»»
Washburn, Fleck create "Echoes" Bela Fleck and Abigail Washburn have powerhouse individual talents; each has followed an estimable career path to where they find themselves today: making complex, but spare, records, writing music together and touring with their son Juno. Their new release, "Echoes In The Valley" features mostly songs written by Fleck and Washburn, banjos, Washburn's strong vocals and very little else.... »»»
Hillman bides his time Legends don't come any more legendary than Chris Hillman. The roll call of bands that comprises Hillman's half century in music reads like a wing exhibit at the Rock & Roll Hall of Fame; Byrds, Flying Burrito Brothers, Manassas, the Souther Hillman Furay Band, the Desert Rose Band,... »»»
The Cadillac Three creates its "Legacy" William Shakespeare noted a few centuries back that a rose by any other name would be equally aromatic, and that general idea has musical implications as well. The Cadillac Three knows a thing or two about maintaining a sonic identity after a name change;... »»»
Mr. Jukebox CD review - Mr. Jukebox
Apparently someone to forgot to tell Joshua Hedley that country music has passed him by. Where does Hedley, aka apparently known as the Mayor of Lower Broad, come off to incorporating honky tonk, Texas swing, western swing and countrypolitan all in the first three songs of his debut?  »»»
Volunteer CD review - Volunteer
Dave Cobb produced "Volunteer" for Old Crow Medicine Show, and while word on the street was that this promised to be a more rocking, less roots music effort, such talk shouldn't dissuade fans of the group's established sound from checking it out.  »»»
The Tree of Forgiveness CD review - The Tree of Forgiveness
Mortality is very much on the mind of John Prine on this, his first album of all-new songs in 13 years. Understandably. After all, this is a man who has survived lung cancer and squamous cell cancer, the latter of which took a toll on his vocal cords. He's also had two knee replacements and a hip replacement. »»»
Paco and Melodic Polaroids CD review - Paco and Melodic Polaroids
Paco is the name of Tim Easton's Gibson J-45, which he bought for $100 and a couple of trade-ins 30 years ago. The name was bestowed on the guitar in Paris by a Deadhead. It's been Easton's best traveling companion and songwriting aid. »»»