Isbell leads AMA nominations
Wednesday, May 11, 2016
– Jason Isbell led the list for the 15th annual Americana Music Association awards nominations with three on Wednesday.
Chris Stapleton, Lucinda Williams, Margo Price and Nathaniel Rateliff & the Night Sweats garnered two nominations apiece.
The nominations were announced in Washington at an event hosted by The Milk Carton Kids - Kenneth Pattengale and Joey Ryan - and featured performances by Lucinda Williams, Margo Price and Sierra Hull and Ethan Jodziewicz.
Artist of the Year
Album of the Year
Something More Than Free, Jason Isbell, Produced by Dave Cobb
The Ghosts of Highway 20, Lucinda Williams, Produced by Greg Leisz, Tom Overby and Lucinda Williams
The Very Last Day, Parker Millsap, Produced by Parker Millsap and Gary Paczosa
Traveller, Chris Stapleton, Produced by Dave Cobb and Chris Stapleton
Duo/Group of the Year
Emmylou Harris and Rodney Crowell
Lake Street Dive
The Milk Carton Kids
Tedeschi Trucks Band
Emerging Artist of the Year
Nathaniel Rateliff & the Night Sweats
Song of the Year
"24 Frames" Jason Isbell
"Dime Store Cowgirl" Kacey Musgraves
"Hands Of Time" Margo Price
"S.O.B." Nathaniel Rateliff & The Nightsweats
Instrumentalist of the Year
The winners will be announced during the Americana Honors and Awards show on Sept. 21 at the Ryman Auditorium in Nashville as part of "AmericanaFest," the Americana Music Festival and Conference, which runs from Sept. 20-25.
Each year, the Americana Music Association honors distinguished members of the music community with six member voted annual awards and with Lifetime Achievement Awards, which will be announced leading up to the event.
Sirens of the Ditch reissue
One of the four new tracks on this rerelease of Jason Isbell's "Sirens of the Ditch" is "The Assassin," and it features the same country/alternative rock hybrid sonic that characterizes Drive-By Truckers songs. Such an association is to be expected, though, as the album was Isbell's first solo release after leaving DBT. Furthermore, Patterson Hood and Shonna Tucker - each of DBT - played on the album. Much like George Harrison, just after leaving The Beatles, Isbell »»»
From A Room: Volume 2
There is no bigger artist in country music today, perhaps even in American music, than Chris Stapleton. His appeal reaches beyond just the commercial country fans for his gritty bluesy approach. 2015's "Traveller" set a high bar, which was met by this year's release of "From A Room: Volume 1," which won Album of the Year in the 51st CMA Awards. Stapleton also garnered the Male Vocalist of the Year for his second time. Now seven months after that release, "From »»»
Margo Price's surprise EP, "Weakness," is a pleasant surprise, indeed. It may be concise, but it's packed tightly with good stuff.
The project's title cut is a bit confessional and finds Price admitting, "Sometimes my weakness is stronger than me." Price sings it like a down home cowgirl, over a toe-tapping beat. She follows this upbeat track with a moody piece called "Just Like Love," which is played in a minor key, and is a "Jolene"-esque meditation. »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Mumford and Sons up to snuff, for the most part
Mumford and Sons have always played it smart when it has come to career moves. They have not overtoured by becoming regular fixtures on the touring circuit. Their M.O. is to tour just enough upon an album release and then disappear for a stretch. Ditto for releasing new music ("Delta" just came out last month, Mumford's first release... »»»
Concert Review: Despite small crowd, Hood accomplishes mission
It would have been quite easy to think that Adam Hood would have mailed in this gig. It could not have been easy to make your debut in the Boston area after putting out seven albums, not to mention having songs picked by A list artists, and having maybe 25 people show up.
If the Alabama native was dissuaded by the small crowd, he did not show it.... »»»
Follow Country Standard Time
Elsewhere in the news
Currently at the CST blogs
Suffice it to say that the past has always loomed large throughout Chip Taylor's career. That's all the more obvious if only for the fact that Taylor wrote some of the biggest pop hits of the '60s, "Wild Thing"... »»»
Dan Tyminski (known simply as "Tyminski" on his 2017 release "Southern Gothic") has traditional music roots and unassailable bluegrass street cred especially given his membership in Alison Krauss' Union Station. He is also a powerful songwriter and has been writing songs for himself and others for years now.... »»»
Bela Fleck and Abigail Washburn have powerhouse individual talents; each has followed an estimable career path to where they find themselves today: making complex, but spare, records, writing music together and touring with their son Juno. Their new release, "Echoes In The Valley" features mostly songs written by Fleck and Washburn, banjos, Washburn's strong vocals and very little else.... »»»
Tellico hails from that bastion of bluegrass and hybrid bluegrass, Asheville, N.C. to deliver its sophomore album "Woven Waters.'' This effort melds their rather inherent bluegrass affinities with British Isle influences, »»»
Rodney Crowell's "Christmas Everywhere" is a (mostly) melancholy collection of songs, with Christmas time as its setting. It's a strong set of carefully worded tunes, set to widely varying musical backings. »»»
The Southern Ground Sessions
Blackberry Smoke's "The Southern Ground Sessions" EP is five versions of songs from the band's recent "Find a Light" album, along with a cover of Tom Petty's "You Got Lucky," which also features vocalist/violinist Amanda Shires. »»»
Hard Times and White Lines
Whitey Morgan's fourth studio release exhibits the singer/songwriter's reverence for outlaw country and southern rock. The influence of Hank Williams, Jr. is evident on the opening "Honky Tonk Hell" with lyrics that »»»
Live at the Ryman
Jason Isbell didn't record this live effort at The Ryman Auditorium as a gesture to be country music's savior at The Mother Church of Country Music. The Alabama native's music is country-adjacent at best, more than it is »»»
The Place That You Call Home
The unusual name Ever More Nest is the project name for New Orleans-based, Shreveport, La.- raised singer-songwriter Kelcy Wilburn (aka Kelcy Mae). She has the poet's gift for lyrics and an engaging, lovely voice. »»»