10 artists you need to see at MerleFest
Thursday, April 21, 2016
– This year's event - April 28-May 1 in Wilkesboro, N.C. - has plenty of both and with a full four days of music it can be daunting to decide who to check out, and when. Country Standard Time's Kevin Oliver will be on site covering the festival, and here is his preview of 10 bands you might not know about, but need to put on your list to check out while you are there, in order of appearance.
3:45-4:15 p.m. Thursday, Cabin Stage
One of the advantages of playing MerleFest for many developing bands is that you get multiple sets over a day or two, creating word of mouth within the festival grounds and growing your audience along the way. Asheville, N.C. progressive bluegrass band Tellico is only appearing for this one brief set, however, so be sure not to blink. Formed by members of MerleFest veterans Dehlia Low and Town Mountain, the group's 2015 album "Relics and Roses," is a delightful spin on mountain music.
Foghorn String Band
10:45-11:15 a.m. Friday, Traditional Stage
12:15-1 p.m. Friday, Hillside Stage
2-2:45 p.m. Friday, Watson Stage
Self-described as "ass kicking, redneck string band music," the Portland, Ore.-based Foghorn String Band aren't as outlandish as that might suggest. A true string band, they play old time music the way one imagines it has been shared for over a century on back porches and mountain enclaves, with energy, soul and conviction.
The Whiskey Gentry
1:30-2:15 p.m. Friday, Hillside Stage
4:30-5:15 p.m. Friday, Walker Center
Husband and wife Jason Morrow and Lauren Staley of The Whiskey Gentry were finalists in the Chris Austin Songwriting Contest at MerleFest a couple of years back; this time around they bring the rest of the band for two sets. A rip-roaring live show along with two John Keane-produced albums has earned them a reputation for bluegrass and country-tinged Americana that rocks with near-punk fervor.
Mike Farris and the Roseland Rhythm Revue
6:30-7:30 p.m. Friday, Watson Stage
Probably the biggest name on this list, but still one that many are unfamiliar with, Mike Farris has enjoyed a long solo career after a brief fling with mainstream rock 'n' roll in the Screaming Cheetah Wheelies. His own material mixes with classic soul and and R&B his considerable vocal pipes can wrap around with ease. If you saw him guest with The Waybacks on the Hillside Album Hour a few years ago, you'll know what is meant when he has a full-scale show band behind him. Farris' only set promises to be a highlight of the weekend.
9:45-10:30 a.m. Saturday, Americana Stage
2-2:45 p.m. Saturday, Walker Center
Bluegrass is experiencing a youth movement of sorts, and Barefoot Movement are right in the middle of the new crop of acts combining traditional sounds with contemporary energy and songwriting style, including surprisingly diverse tones and influences to create a unique acoustic signature sound.
Karl Shiflett & Big Country Show
10:45-11:30 a.m. Saturday, Creekside
If traditional bluegrass and bluegrass gospel is your thing, it doesn't get much better than Karl Shiflett and company. Firmly rooted in the Osborne Brothers and Stanley Brothers style that defined bluegrass bands early on and was as much classic country as it was bluegrass, Big Country Show is as much a description of what they do as it is the name of the band.
Lindsay Lou & The Flatbellys
1:15-1:45 p.m. Saturday, Cabin Stage
6:30-7:15 p.m. Saturday, Americana Stage
Right at that intersection where bluegrass, folk, pop, jazz and more combine sits this Michigan band. Lindsay Lou's jazzy voice brings to mind Lake Street Dive while the ghost of Tony Trischka haunts the newgrass backing of the rest of the band, and their performances are nothing short of spellbinding. Their main set will be on the Americana stage, an appropriate venue for an act that personifies everything that all-encompassing genre tag implies.
Penny & Sparrow
10-10:45 a.m. Saturday, Hillside Stage
4-4:45 p.m. Saturday, Americana Stage
The Texas duo of Andy Baxter and Kyle Jahnke practice gentle acoustic heart-on-the-sleeve confessional singer-songwriter fare in the style of Storyhill, Griffin House and others. The pure simplicity of the arrangements and the way their voices intertwine in harmony combine for a memorable effect that's emotionally vulnerable but strongly present.
Zoe & Cloyd
11:30 a.m.-12:15 p.m. Saturday, Walker Center
5:15-6 p.m. Saturday, Americana Stage
Two former members of MerleFest veterans Red June, husband and wife duo Natalya Zoe Weinstein and John Cloyd Miller, the Asheville residents have broad musical backgrounds in bluegrass, classical music, and more that comes out in their 2015 debut as a duo, "Equinox." They recently placed first in the duo category at the FreshGrass Festival in Massachusetts.
Jonathan Byrd and the Pickup Cowboys
10-10:45 a.m. Sunday, Hillside Stage
12:45-1:30 p.m. Sunday, Americana stage
North Carolina songwriter Jonathan Byrd has performed and recorded both solo and with various full band configurations, and while his songwriting can be concise, cutting, and topical all at once it is with a like-minded group of musicians that his songs really shine, taking the fuller, yet still country-folk based sound and creating a more evocative context.
The entire list of performers is at the MerleFest web site.
Sho Nuff Country!
For a flicker in the early 2000s, there appeared on the national bluegrass scene a band that melded traditional bluegrass and country honky tonk sounds in a manner seldom heard since the heyday of Jim & Jesse and The Osborne Brothers. The Karl Shiflett and Big County Show appeared as a popular draw receiving solid notices, and the group released at least one stellar bluegrass album, 2001's "In Full Color." The follow-up "Worries On My Mind" had its moments. »»»
Pity the poor record store worker (and yes, there are some left) who has to try and classify the Whiskey Gentry's new album, "Holly Grove." The band has a definite rock attitude, but it also features fiddles and banjos, making it bluegrass - except the drums put it in the country genre. Then again, those drums occasionally lean closer toward punk than country, and there's a Celtic feel to more than a couple of songs. In other words, it's an Americana album and a very good one at that. »»»
Take Me Back
There are artists who play in a retro style because they think it sounds cool or they're paying tribute to the past glories of their chosen genre, and then there are those such as Karl Shiflett, who sounds as if he was dropped into our century from a barn dance radio show circa 1946. The modern recording techniques and lack of tape hiss give away these tracks as contemporary creations, but don't tell Shiflett as he's apparently happy to continue indefinitely in his arrested »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Carlile warms hearts with empathetic thoughts
Brandi Carlile, dressed festively with a Santa hat, began her mid-week concert set with Joni Mitchell's "River" and closed with the carol "O Holy Night." In between, she sang about an equal measure of old and new songs. And on this first night of a short acoustic tour, Carlile was both in fine spirits and voice.... »»»
Concert Review: Daniels wears out bows, but music endures
After each of the first few songs Charlie Daniels played, his 'fiddle tech (?)' exchanged his bow. Is this because he was playing particularly hard? Perhaps. Whatever the case, Daniels and his five-piece band clearly appeared to be giving it their all during the act's hour-and-a-half set.
As it is the Christmas month, Daniels sang a... »»»
Country News Digest
Elsewhere in the news
Currently at the CST blogs
Bela Fleck and Abigail Washburn have powerhouse individual talents; each has followed an estimable career path to where they find themselves today: making complex, but spare, records, writing music together and touring with their son Juno. Their new release, "Echoes In The Valley" features mostly songs written by Fleck and Washburn, banjos, Washburn's strong vocals and very little else.... »»»
Legends don't come any more legendary than Chris Hillman. The roll call of bands that comprises Hillman's half century in music reads like a wing exhibit at the Rock & Roll Hall of Fame; Byrds, Flying Burrito Brothers, Manassas, the Souther Hillman Furay Band, the Desert Rose Band,... »»»
William Shakespeare noted a few centuries back that a rose by any other
name would be equally aromatic, and that general idea has musical
implications as well. The Cadillac Three knows a thing or two about maintaining
a sonic identity after a name change;... »»»
Those aware of the late Owsley "Bear" Stanley likely know him for one of two reasons - his pioneering work manufacturing lysergic acid diethylamide (LSD) in San Francisco during the mid-to-late 1960s and his role as an innovative sound engineer. Most notably, Bear worked...... »»»
Headed into 2015, Imelda May was on a hit streak. Her rockabilly career was in full swing, nurtured by the likes of former Squeeze keyboardist Jools Holland and guitar icon Jeff Beck. Her albums routinely topped the charts in her native Ireland.... »»»
For most artists, eight years is a fair amount of time in their careers. For Nikki Lane, eight years represents the entirety of her recorded history, and she's filled that relatively short time span with a highlight reel of impressive accomplishments, not the least of which would be actually... »»»
For The Avett Brothers, MerleFest is a coming home of sorts. This year's edition of the MerleFest "traditional-plus" music festival in Wilkesboro, N.C., the event's 30th anniversary, a milestone...... »»»
Walker Hayes has a lot of Sam Hunt in his music, in that he mixes a lot of hip-hop in with his country. Traditionalists will have trouble with his unorthodox approach. Kids, though, raised on just as much Drake as Paisley, will likely eat it up. »»»
From A Room: Volume 2
There is no bigger artist in country music today, perhaps even in American music, than Chris Stapleton. His appeal reaches beyond just the commercial country fans for his gritty bluesy approach. 2015's "Traveller" set a high bar, which was met by this year's release of "From A Room: Volume 1," which won Album of the Year in the 51st CMA Awards. »»»
Down Home Sessions EP
Upon first glance at the track list of Cole Swindell's fourth installment of the "Down Home Sessions" series, one may get the impression that it is a covers EP. It features several chart toppers from other artists, including Luke Bryan's "Roller Coaster" and Thomas Rhett's "Get Me Some Of That." »»»
The Rest of Our Lives
The first full album from Tim McGraw and Faith Hill is an inspired effort, even though some of its songwriters may surprise you. The title cut, for instance, features pop ginger Ed Sheeran on its credits, while Meghan Trainor contributed to "Roll the Dice." »»»
Bloodshot Records' 13 Days of Xmas
Label holiday albums can sometimes be like office white elephant gift exchanges because there's a little bit of everything on the table. Some stuff you like, while other things may have been better left unwrapped. »»»
Blake Shelton's 11th studio album finds The Voice advisor in a contented, one might even say homey, frame of mind. The opening track and first single "I'll Name the Dogs" sets the tone. It's a rollicking ode to domesticity that manages to make household chore distribution ("You find the spot and I'll find the money / You be the pretty and I'll be the funny") both romantic and amusing. »»»