LBT takes Vocal Group award at ACMs
Sunday, April 3, 2016
– Little Big Town won Vocal Group of the Year at the 51st Academy of Country Music Awards on Sunday.
This was the first win of the night after "Girl Crush" lost out on several awards.
"It's such a gift to make music every day, and we're so thankful to do this," said Philip Sweet of LBT.
Karen Fairchild said, "We grew up singing harmonies with our families, so we want to give this to our families."
With Chris Stapleton dominating the awards, Kimberly Schlapman joked, "Thank you Chris Stapleton for not being a group."
Fairchild further joked that they discovered Stapleton, a reference to an earlier skit about people taking credit for Stapleton's success.
Little Big Town took the honor over Eli Young Band, Old Dominion, Rascal Flatts and Zac Brown Band.
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Anyone who missed Little Big Town's remarkable 2012 Unplugged performance on CMT should seek it out online. When they sing their monster hit "Pontoon," four hypnotic voices combine to harmonic perfection with no studio tricks - pick from any of the microphones, and it works as the song's lead vocal. But now that the group has ascended to the upper rung of stardom, different challenges arise. How do you compete with yourself fresh from a Grammy for Best Country Song »»»
For some, listening to Little Big Town will be an act of searching for something at least half as catchy as "Pontoon," yet without success. Whenever a group creates such a fantastically memorable single, the prospect of following it up successfully can be a bit of a handicap. With that said, though, "Pain Killer" is a pretty good pop-country album, as pop-country albums go.
Although Little Big Town has never been known to be rockers, the rollicking "Save Your Sin" »»»
When the chorus to Leavin' in Your Eyes kicks in with some lovely layered vocals, it's tempting to compare Little Big Town to Fleetwood Mac. After better sense kicks in, though, it's more reasonable to categorize LBT as Fleetwood Mac-lite, at best. All that '70s cocaine and infidelity made Fleetwood Mac so much darker than anything modern day Nashville could ever produce. To its credit, though, Fleetwood Mac could never produce anything nearly as catchy as Pontoon, easily the »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Stapleton shows his traditional roots
Chris Stapleton's All-American Road show feels like a singular mission to rid the genre of the bro country scourge that has plagued it for years. He came out with a blazing one-two punch of "Second One To Know" and "Without Your Love" and packed a stadium sized onslaught into a 9,000-seat arena. He never once veered from his... »»»
Concert Review: Jinks wins over fans, especially new ones
Cody Jinks asked the crowd a bit into his show how many had never seen him before. It seemed like Jinks has made a lot of musical inroads into the public's consciousness because roughly three quarters of the audience raised their hands to show that this was their first time.
That probably made Jinks feel pretty darn good about how life has been... »»»
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