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Bentley sees "Black" in late May

Tuesday, March 29, 2016 – Dierks Bentley will release "Black," his eighth studio disc on May 27, it was announced today.

"It's a relationship album that covers the ups and downs of the journey and ends with some self-realization and evolvement," said Bentley. "The song 'Black' helps set all of that in motion at the top of the album by guiding you into the darkness and the shadows of the night. The same guy who sings 'Somewhere On A Beach' winds up growing and having enough perspective to sing something introspective like 'Different for Girls.' By the last song, he's taking a look back on love and life."

Produced by Ross Copperman and executive producer Arturo Buenahora Jr., Bentley stretches beyond music to include rock. Maren Morris, Elle King, Natalie Hemby, Hillary Lindsey and Jessi Alexander sing on the disc.

"Having a female perspective on this record really made the album more than just music," said Bentley. "It makes it a conversation between a guy and a girl. Sometimes it's harmonious, and sometimes it's two people clashing, but it's always there."

The track list is:
1. Black
2. Pick Up
3. I'll Be The Moon (feat. Maren Morris)
4. What The Hell Did I Say
5. Somewhere On A Beach
6. Freedom
7. Why Do I Feel
8. Roses And A Time Machine
9. All The Way to Me
10. Different for Girls (feat. Elle King)
11. Mardi Gras (feat. Trombone Shorty)
12. Light It Up
13. Can't Be Replaced

More news for Dierks Bentley

CD reviews for Dierks Bentley

Black CD review - Black
Dierks Bentley seems intent on expanding his musical boundaries, but he may have overreached too much in eschewing where he came from. That most evident by the dominating textured beats. Producer Ross Copperman and Bentley seem hell bent on injecting odd meters and sounds, sharp detours from past efforts. Unfortunately, the atmospheric beats muddy up the vocal delivery on "Freedom," a song that stretches far too long at almost four minutes. Bentley also channels U2 with its »»»
Riser CD review - Riser
Change was in store for Dierks Bentley when it came to recording his seventh album, "Riser." On the personal front, he lost his father and added to his family, clearly affecting the subject matter of his latest. On the musical front, he traded long-time producer Brett Beavers, producer of every disc except "Up on the Ridge," for Ross Copperman, who has enjoyed more success as a writer, including several previous tracks for Bentley. Bentley embraces current trends in country »»»
Up on the Ridge CD review - Up on the Ridge
Dierks Bentley takes a left, turn, sort of, on his fifth studio disc. Bentley has built a solid reputation as a country artist with a slew of hits and catchy songs with edge. But here, Bentley goes bluegrass or at least 12 songs steeped in that sound. This is nothing new for Bentley, who previously has recorded bluegrass songs. Much to his credit, Bentley does not come off as a dilettante, but, instead, someone who feels comfortable with the music from the lead-off title track to the closing sad »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Stuart turns up the honky tonk – Late in the afternoon before heading up to Penn's Peak, news broke that the venue was nominated by The Academy of Country Music as one of the top five small venues for 2018. This foreshadowed a special vibe for Marty Stuart and His Fabulous Superlatives on this night, playing for about 1,000 fans. The band, together now for 16 years, bedecked in... »»»
Concert Review: Trampled by Turtles overcome sad songs – There's light in the darkness of Trampled by Turtles. The latter is in the subject matter of the songs - there's a lot of doom and gloom in these relationships. There doesn't seem to be a lot of happy moments. As if to underscore that, the stage was often saturated in dark hues. So, where's the light? Well, despite the cup... »»»
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