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Dan+Shay go "From the Ground Up"

Thursday, February 11, 2016 – Dan + Shay released the first single from their upcoming sophomore disc.

"From The Ground Up" was written by Dan Smyers, Shay Mooney and Chris DeStefano and was co-produced by Smyers and Scott Hendricks.

The duo had success with their 2014 debut, "Where It All Began," scoring hits with "Nothin' Like You" and "19 You + Me."

They will be on the road in June with Darius Rucker on his Good for a Good Time Tour.

More news for Dan + Shay

CD reviews for Dan + Shay

Obssessed CD review - Obssessed
Dan Myers and James Shay Mooney came from different parts of the country (Allegheny County, Pa. and Arkansas, respectively) and met in Nashville where each was tracking the well-worn path to country music success. They began writing songs together a little over three years ago, already have a hit album ("Where It All Began") and now have another tiger by the tail. Dan + Shay know a hook, can write songs and have identified a sweet spot in the formula of country music success. »»»
Where It All Began CD review - Where It All Began
Dan + Shay debut with a likable disc, if your bent is the Rascal Flatts world of country. In fact, Dan Smyers of Pittsburgh and Shay Mooney of Arkansas come mighty close to mimicking the longstanding country stars with the biggest difference that they're a duo and Rascal Flatts is a trio. Perhaps the similarities ought come as no surprise because the duo started writing the day after they met in Nashville in December 2012. Guess who placed their first song on hold? Rascal Flatts. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: LSD tour provides a lot of highs – This was not your grandkids' country, that's for sure. Even the name of the tour - the LSD Tour - was a throwback (albeit far before the principals were making music). But make no mistake about it. With the ever cool country traditionalist Dwight Yoakam, the country with some rock and blues and rabble rousing of Steve Earle thrown in and the... »»»
Concert Review: Alvin, Gilmore fortunately get together – Dave Alvin and Jimmie Dale Gilmore had known each other for decades, but it wasn't until last year that they toured together in a guitar pull setting. What started as a small Texas tour mushroomed into points east and west and eventually the release earlier this month of their blues-based disc, "Downey to Lubbock." And now we have the... »»»
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Currently at the CST blogs

Tyminski goes dark Dan Tyminski (known simply as "Tyminski" on his 2017 release "Southern Gothic") has traditional music roots and unassailable bluegrass street cred especially given his membership in Alison Krauss' Union Station. He is also a powerful songwriter and has been writing songs for himself and others for years now.... »»»
Washburn, Fleck create "Echoes" Bela Fleck and Abigail Washburn have powerhouse individual talents; each has followed an estimable career path to where they find themselves today: making complex, but spare, records, writing music together and touring with their son Juno. Their new release, "Echoes In The Valley" features mostly songs written by Fleck and Washburn, banjos, Washburn's strong vocals and very little else.... »»»
Hillman bides his time Legends don't come any more legendary than Chris Hillman. The roll call of bands that comprises Hillman's half century in music reads like a wing exhibit at the Rock & Roll Hall of Fame; Byrds, Flying Burrito Brothers, Manassas, the Souther Hillman Furay Band, the Desert Rose Band,... »»»
Bigger CD review - Bigger
Sugarland is back with "Bigger," its first studio album in nearly a decade. And its arrival says more about branding, than anything else. Although his voice is heard often enough on this album to make his presence felt, it's still difficult to get away from seeing Kristian Bush in the Oates to Hall or Ridgeley to Michael role in this duo.  »»»