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Kelley drives debut home in February

Friday, January 8, 2016 – Charles Kelley of Lady Antebellum will release his debut solo album, "The Driver," on Feb. 5 on Capitol Records Nashville.

The nine-track disc has already received a Grammy nomination for its lead single/title track, which features Dierks Bentley and Eric Paslay. Kelley also covers Tom Petty's "Southern Accents" with Stevie Nicks helping out.

There was no word on tour dates. Kelley cancelled his touring in December with no reason given.

"At first, it was really weird to go in the booth and be like, 'Where's Hillary? Where's Dave?' But it was very exciting to be the leader in there and go, 'This is it, I'm doing this,'" Kelley said. "It was the most fun I've had in the studio because everything felt new again. It took me out of my comfort zone."

The disc emerged from the studio in the back of producer Paul Worley's offices. Satisfied with the first studio go-round, Kelley and Worley made plans to reconvene a few months later, where they came out with "Dancing Around It." The second session also included "Leaving Nashville," a song about the ups and downs, heartaches and disappointments, of life as a songwriter.

Three final songs were cut later in the year. "Round in Circles," marks the first time that Charles and his brother, Josh Kelley, recorded together since Josh's early work. Miranda Lambert appears on "I Wish You Were Here" and the very last song recorded, "The Only One Who Gets Me," the fist time Kelley has written a song specifically for and about his wife, Cassie.

"While so many of these songs are something I specifically can relate to, it really is all of our story," added Kelley. "It is a pure musical left turn, to take myself out of my own head and bring in a fresh perspective when we go back in to make the next Lady Antebellum record."

The track list is:
1. Your Love (Abe Stoklasa, Ashley Ray)

2. The Driver featuring Dierks Bentley and Eric Paslay (Charles Kelley, Eric Paslay, Abe Stoklasa)

3. Dancing Around It (Charles Kelley, Abe Stoklasa, Daniel Tashian)

4. Southern Accents featuring Stevie Nicks (Tom Petty)

5. Lonely Girl (Chris Stapleton, Jesse Frasure)

6. The Only One Who Gets Me (Charles Kelley, Nathan Chapman)

7. Round In Circles (Charles Kelley, Josh Kelley)

8. I Wish You Were Here featuring Miranda Lambert (Jedd Hughes)

9. Leaving Nashville (Abe Stoklasa, Donovan Woods)

Fans can receive as an instant download of the title track alongside an additional track each Friday leading into release with an iTunes pre-order purchase.

More news for Charles Kelley

CD reviews for Charles Kelley

The Driver CD review - The Driver
Many artists find inspiration from pain or life changing events. Lady Antebellum's Charles Kelley got his out of sheer boredom, and it resulted in a Grammy nomination. The title track off of his first solo album, "The Driver," is up for Best Country Duo/Group Performance. With Lady A on hiatus, Kelley thought, "It's winter." "I'm bored and I want to make some music." He contacted producer Paul Worley to test drive the title track and a few others he »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Cantrell continues to satisfy – Laura Cantrell may never be a country star. Not at this stage of her career when she's 50, touring here and there and releasing new music every few years or so. But five albums in, Cantrell continues as a warm, enjoyable and worthy purveyor of her brand of country. That would mean going towards a more traditional side, not rushing the songs... »»»
Concert Review: Not only is Turner traditional, he's popular – Every time Josh Turner reached for some of those wonderful subterranean low notes, which he often pulled out during his enjoyable night show, it was like a superhero applying a superpower. He didn't need this extra advantage to please his audience; he has so many quality songs stockpiled in his catalogue already doing the job.... »»»
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