Bentley returns to Europe
Tuesday, December 1, 2015
– Dierks Bentley is heading back to Europe.
Bentley announced today that he would play Europe for the third time with four shows in April in Dublin, London, Manchester and Glasgow next April. Tickets for the international shows with rising singer/songwriter Tucker Beathard will be available this Friday, Dec. 4 at 9 a.m. local time.
"We've been coming to Europe and slowly building a fan base since 2006, but it feels like something has really clicked recently," said Bentley. "The volume and size of the crowd last year really blew my band and I away and we've been talking about coming back ever since we walked offstage. We can't wait for this tour!"
Tour dates are:
April 21 Dublin, Ireland @ Olympia Theater
April 22 London, UK @ Eventim Apollo
April 23 Manchester, UK @ O2 Apollo
April 24 Glasgow, UK @ Clyde Auditorium
More news for Dierks Bentley
CD reviews for Dierks Bentley
Dierks Bentley seems intent on expanding his musical boundaries, but he may have overreached too much in eschewing where he came from.
That most evident by the dominating textured beats. Producer Ross Copperman and Bentley seem hell bent on injecting odd meters and sounds, sharp detours from past efforts. Unfortunately, the atmospheric beats muddy up the vocal delivery on "Freedom," a song that stretches far too long at almost four minutes. Bentley also channels U2 with its »»»
Change was in store for Dierks Bentley when it came to recording his seventh album, "Riser." On the personal front, he lost his father and added to his family, clearly affecting the subject matter of his latest. On the musical front, he traded long-time producer Brett Beavers, producer of every disc except "Up on the Ridge," for Ross Copperman, who has enjoyed more success as a writer, including several previous tracks for Bentley.
Bentley embraces current trends in country »»»
Up on the Ridge
Dierks Bentley takes a left, turn, sort of, on his fifth studio disc. Bentley has built a solid reputation as a country artist with a slew of hits and catchy songs with edge. But here, Bentley goes bluegrass or at least 12 songs steeped in that sound. This is nothing new for Bentley, who previously has recorded bluegrass songs.
Much to his credit, Bentley does not come off as a dilettante, but, instead, someone who feels comfortable with the music from the lead-off title track to the closing sad »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: With Sugarland, the wait was worth it
A few songs into Sugarland's show, Kristian Bush referenced the band's five-year gap between tours saying, "A lot of people think Jennifer and I have been on a five-year vacation. Actually, we've been very busy."
Clearly a lot of that time was spent in rehearsal. The duo put on a two-hour high energy gem that started out big... »»»
Concert Review: With Tuttle, the music's in good hands
Molly Tuttle, preternaturally talented artist and current reigning IBMA Guitar Player of The Year (2017) lives up to the hype. Her songs are well-crafted and soulfully delivered.
Boothbay Harbor Maine is a typical seaside resort town (perhaps slightly more upscale than most), which is somnolent, if not downright dead, 8 1/2 months of the year.... »»»
Follow Country Standard Time
Elsewhere in the news
Currently at the CST blogs
Dan Tyminski (known simply as "Tyminski" on his 2017 release "Southern Gothic") has traditional music roots and unassailable bluegrass street cred especially given his membership in Alison Krauss' Union Station. He is also a powerful songwriter and has been writing songs for himself and others for years now.... »»»
Bela Fleck and Abigail Washburn have powerhouse individual talents; each has followed an estimable career path to where they find themselves today: making complex, but spare, records, writing music together and touring with their son Juno. Their new release, "Echoes In The Valley" features mostly songs written by Fleck and Washburn, banjos, Washburn's strong vocals and very little else.... »»»
Legends don't come any more legendary than Chris Hillman. The roll call of bands that comprises Hillman's half century in music reads like a wing exhibit at the Rock & Roll Hall of Fame; Byrds, Flying Burrito Brothers, Manassas, the Souther Hillman Furay Band, the Desert Rose Band,... »»»
It's difficult to know where to start when praising Lori McKenna's "The Tree." It's so good in so many ways. Artists like Little Big Town and Tim McGraw have benefited greatly from recording McKenna songs, yet it's unlikely many mainstream country music fans recognize her name. »»»
Circus of Life
"Circus of Life," the title of Kinky Friedman's album, is a little misleading. It conjures up images of carnival barkers and circus freaks and songs as odd as its cigar-manufacturing, politically-astute novelist author/songwriter. The album is far more sensitive than that title suggests, though. In fact, it's a welcome respite from modern day circus-like life. »»»
Outlaws 'Til The End: Vol. 1
Many mainstream country artists will point to their Southern roots as proof of their country music credentials. These roots seemingly give them liberty to stray just as far from typical country music instrumentation as they like. However, how does this rule apply to Santa Barbara, Cal.'s DevilDriver, which applies its hard-rocking groove metal chops to a set of outlaw country music? »»»