Young, Isaak release new CDs
Friday, November 13, 2015
– Chris Young and Chris Isaak are out with new CDs today.
Young releases his fifth studio disc, "I'm Comin' Over." Young co-wrote 9 of the 11 songs on the release produced by Corey Crowder and Young. The title track was the lead single.
Isaak releases "First Come the Night," his first album of new material in six years. He channels Roy Orbison and Elvis Presley on the disc, which has five bonus tracks in the deluxe version.
It Must Be Christmas
Song selection can sometimes seem fairly inessential whenever chosen by a master singer. Such is the case with "It Must Be Christmas," Chris Young's new holiday collection. He sounds as perfectly comfortable with the jazzy "I'll Be Home for Christmas," where its supper club vibe takes a little of the edge off one seriously sad song, as he does with the Phil Spector rock nugget "Christmas (Baby Please Come Home)."
Young is also helped out by a few special guests. »»»
First Comes the NIght
Chris Isaak is something of a renaissance man. In addition to being a talented singer and songwriter, he's an actor, guest-starring in popular television shows like "Friends" and "Hot in Cleveland"; he even had his own series on Showtime in the early 2000's. He's been in movies with Michelle Pfieffer, Jodie Foster and Tom Hanks. He's done some voice-overs, and he was recently named as a judge on "The X Factor Australia." But the truth is even if »»»
I'm Comin' Over
Chris Young has enjoyed steady success from his previous four releases, and there's no reason to suggest that "I'm Comin' Over" won't do the same. But that doesn't mean that Young is doing anything all that different from what's au courant.
Young's go to has always been his full-sounding, big-bodied voice, and that remains intact here throughout these 11 songs, 9 of which he had a hand in writing. His voice is front and center (that's apparent »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Kristofferson gives insight, but no easy answers
When they say music gets better with age, they're not always just talking about songs alone; sometimes they're also referring to the listener. When Kris Kristofferson sings, "Well, I woke up Sunday morning/With no way to hold my head that didn't hurt," to smartly open "Sunday Mornin' Comin' Down," he... »»»
Concert Review: No sugarcoating, Welch dishes out an experience
Gillian Welch (accompanied, as always, by master guitarist David Rawlings), celebrated her "The Harrow & The Harvest" album with a powerful night of music. She apologized many times for the utter unhappiness expressed through this album's songs, admitting it's "not the most chipper album" at one point.... »»»
Country News Digest
Elsewhere in the news
Currently at the CST blogs
Legends don't come any more legendary than Chris Hillman. The roll call of bands that comprises Hillman's half century in music reads like a wing exhibit at the Rock & Roll Hall of Fame; Byrds, Flying Burrito Brothers, Manassas, the Souther Hillman Furay Band, the Desert Rose Band,... »»»
William Shakespeare noted a few centuries back that a rose by any other
name would be equally aromatic, and that general idea has musical
implications as well. The Cadillac Three knows a thing or two about maintaining
a sonic identity after a name change;... »»»
Those aware of the late Owsley "Bear" Stanley likely know him for one of two reasons - his pioneering work manufacturing lysergic acid diethylamide (LSD) in San Francisco during the mid-to-late 1960s and his role as an innovative sound engineer. Most notably, Bear worked...... »»»
The stunning vocal of Travis Meadows on the opening track, "Sideways," brims with honesty, pain and hard-earned wisdom as he offers a blend of confession and advice, stimulated by an experience at an adolescent addiction treatment center. Meadows, like many, is one of those Nashville songwriters ("Riser" for Dierks Bentley and "What We Ain't Got" for Jake Owen), but is finding his own voice relatively late in life. »»»
The Long Awaited Album
When last we visited a new album from Steve Martin & the Steep Canyon Rangers, 2011's "Rare Bird Alert," we found a cohesive, focused collection of bluegrass; it was an expansive, artistic creation that only benefited the bluegrass community. A subsequent live album (strikingly entitled "Live") presented a continued refinement of this pairing's chemistry. »»»