Sign up for newsletter
 

Bamford wins at Canadian CMAs

Wednesday, September 16, 2015 – Gord Bamford won three Canadian Country Music Association Awards on Sunday. Johnny Reid took the big honor, the Fans' Choice Award.

Bamford took home Male Artist of the Year, Single of the Year for "Where a Farm Used to Be" and songwriter of the year for the same song along with Buddy Owens and Phil O'Donnell.

Other winners were:

Album of the Year - Dallas Smith - "Lifted"

Female Artist - Jess Moskaluke

Group or Duo: High Valley

Video of the Year - Dean Brody - "Upside Down"

Roots Artist - Lindi Ortega

Interactive Artist/Group - Brett Kissel

Rising Star - Madeline Merlo

CCMA Discovery Award - Raquel Cole

Musician awards went to Lisa Dodd on bass, Chad Melchert on drums, Denis Dufresne on fiddle, Ryan Davidson on guitar, Mike Little and Bart McKay in a tie on keyboards, Robin Pelletier (mandolin) for special instrument and Ed (Peewee Charles) Ringwald for steel guitar.

Album Design of the Year went to "Ramble" by The Boom Chucka Boys with Brandon Heard for design and Ashley Champagne for photography.

Joey Moi took producer of the year for Smith's "Lifted."

Video Director of the Year went to Stephano Barberis for "Undressed" by Bobby Wills, "Boat on the Water" by Aaron Pritchett; "I Only Smoke When I Drink" by Small Town Pistols.

Hall of Fame inductees were Dianne Leigh and Elizabeth "Ma" Henning.

MusicCounts won the Slaight Music Humanitarian Award. Robert Ott took the Leonard T. Rambeau International Award.

The top selling album of the year went to "Crash My Party" by Luke Bryan. Yoan won the Top Selling Canadian Album for its self-titled disc.

More news for Gord Bamford

CD reviews for Gord Bamford

Country Junkie CD review - Country Junkie
Gord Bamford is capitalizing on the attention brought on by the success of "Is It Friday Yet?", released only a year ago. The Canadian's latest, "Country Junkie," picks up right where he left off, packed to the brim with classic country songs catchy enough for commercial radio, like his country colleague Justin Moore. The album kicks off with the twang anthem, Where A Farm Used to Be, which reflects on the encroachment of the city on rural areas. »»»
Is It Friday Yet? CD review - Is It Friday Yet?
In his native country Canada, Gord Bamford is one of the most popular country artists around. But like his fellow Canuck country stars George Canyon and Dean Brody, he has yet to break through south of the border. The country star from the prairies of Alberta has his eye set on spreading his wings on his fifth release, "Is it Friday Yet?" The album kicks off with an upbeat song perfectly suited for two stepping at the local rodeo dance, Must Be a Woman. Right off the bat, »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Kristofferson gives insight, but no easy answers – When they say music gets better with age, they're not always just talking about songs alone; sometimes they're also referring to the listener. When Kris Kristofferson sings, "Well, I woke up Sunday morning/With no way to hold my head that didn't hurt," to smartly open "Sunday Mornin' Comin' Down," he... »»»
Concert Review: No sugarcoating, Welch dishes out an experience – Gillian Welch (accompanied, as always, by master guitarist David Rawlings), celebrated her "The Harrow & The Harvest" album with a powerful night of music. She apologized many times for the utter unhappiness expressed through this album's songs, admitting it's "not the most chipper album" at one point.... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Hillman bides his time Legends don't come any more legendary than Chris Hillman. The roll call of bands that comprises Hillman's half century in music reads like a wing exhibit at the Rock & Roll Hall of Fame; Byrds, Flying Burrito Brothers, Manassas, the Souther Hillman Furay Band, the Desert Rose Band,... »»»
The Cadillac Three creates its "Legacy" William Shakespeare noted a few centuries back that a rose by any other name would be equally aromatic, and that general idea has musical implications as well. The Cadillac Three knows a thing or two about maintaining a sonic identity after a name change;... »»»
With Stanley and Watson, sound isn't elementary Those aware of the late Owsley "Bear" Stanley likely know him for one of two reasons - his pioneering work manufacturing lysergic acid diethylamide (LSD) in San Francisco during the mid-to-late 1960s and his role as an innovative sound engineer. Most notably, Bear worked...... »»»
When Was the Last Time CD review - When Was the Last Time
Darius Rucker is so darn likeable, he likely gets away with creating subpar music more than most. However, "When Was the Last Time" is a consistently good album, which is as respectable as it is likeable. »»»
Losing Sleep CD review - Losing Sleep
Chris Young has one of the best country voices, and it's always a pleasure to hear him sing. But it's disappointing when the title cut sounds more like the groove to a Justin Bieber song than anything truly country.  »»»
A Long Way From Your Heart CD review - A Long Way From Your Heart
The name Turnpike Troubadours suggests traveling music. Strap yourself in and get ready for an exhilarating ride. This Oklahoma-based roots-rock unit soars on its fourth release. Not to diminish the strong songwriting from leader Evan Felker, it's the band's pulsating musicianship with an array of electric instruments combined with fiddle and pedal steel that makes the sound so arresting. »»»
First Cigarette CD review - First Cigarette
The stunning vocal of Travis Meadows on the opening track, "Sideways," brims with honesty, pain and hard-earned wisdom as he offers a blend of confession and advice, stimulated by an experience at an adolescent addiction treatment center. Meadows, like many, is one of those Nashville songwriters ("Riser" for Dierks Bentley and "What We Ain't Got" for Jake Owen), but is finding his own voice relatively late in life. »»»