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Moore skate project gains steam

Wednesday, June 3, 2015 – Kip Moore announced plans today for his "Comeback Kid Skatepark Project," a charitable initiative that will oversee the construction of a series of skateparks to benefit communities and kids.

At a press conference today, Moore along with Nashville Mayor Karl Dean and Salemtown Board Co, revealed the phase one cities of the project including Nashville, Boston, San Marcos and Annapolis, Md. The inspiration for the name of the project comes from "Comeback Kid," a personal anthem from Moore's upcoming album "Wild Ones."

"What started off as a pipe dream of mine years ago, has truly become a passion project," said Moore. "It came from me wanting to give kids in inner cities a safe outlet, where they can form the bonds I know can be made from having somewhere awesome to go and be a part of something they enjoy. I wrote the song 'Comeback Kid' at a time when I felt like a comeback kid, but now when I sing it I think less about myself and more about the kids we are doing this for and how much I admire and respect them. We're starting with these four cities, but the plan is to keep growing this as far and wide as we can."

Each park will have a unique design to provide the first step for anyone of any age to learn how to skate. Most skate spots will range from 1,500 to 3,000 square feet and will include elements such as quarter pipe, bank-to-curb, hubba ledges, hand rail and step up. Most of the phase one skateparks will be up and running by this fall.

The "Comback Kid Skatepark Project" is the first initiative of "Kip's Kids Fund," a donor-advised fund through The Community Foundation of Middle Tennessee (CFMT) focused on youth and teens. As an avid rock climber, surfer, skateboarder and outdoor enthusiast, Moore has been drawn to the outdoors and alternative sports for much of his life.

More news for Kip Moore

CD reviews for Kip Moore

Slowheart
If you're one of those people who read CD inserts before listening to the music, Kip Moore starts out with one at least one strike against him on his third album. In the two pages of acknowledgements and thank yous (two pages!) there's this mixed metaphor on thank you number one, which goes out to Jesus: "You continually pull me from the sinking sand. . . I'm out of the woods because of your love." Um, not a lot of sand in the woods, Kip. Thankfully, things get better as »»»
Underground CD review - Underground
Claiming to have too many songs to choose from, Kip Moore's solution to his surplus was to release "Underground," an EP. "Everywhere we go the fans keep asking for the recordings of these underground songs that they've been hearing for the last few years," he said. "They're a passionate fan base so I decided to ask my label if I could record these songs live and give them the raw recordings." Moore co-wrote all five tracks, which include two studio »»»
Wild Ones CD review - Wild Ones
Kip Moore's sophomore release has been a long time in coming - 3 1/2 years - a surprise considering how well he did with his debut, "Up All Night," and its big hits ("Somethin' 'Bout a Truck," "Beer Money"). Moore has said he spent time expanding his sound - and he surely has done that - although two failed singles doubtlessly didn't help. While "Up All Night" veered towards the rootsier side and would not have been confused with »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Kristofferson gives insight, but no easy answers – When they say music gets better with age, they're not always just talking about songs alone; sometimes they're also referring to the listener. When Kris Kristofferson sings, "Well, I woke up Sunday morning/With no way to hold my head that didn't hurt," to smartly open "Sunday Mornin' Comin' Down," he... »»»
Concert Review: No sugarcoating, Welch dishes out an experience – Gillian Welch (accompanied, as always, by master guitarist David Rawlings), celebrated her "The Harrow & The Harvest" album with a powerful night of music. She apologized many times for the utter unhappiness expressed through this album's songs, admitting it's "not the most chipper album" at one point.... »»»
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