Sign up for newsletter
 

Gilbert rides with Wounded Warriors

Thursday, May 14, 2015 – Brantley Gilbert will embark on a motorcycle ride with Wounded Warrior Project® (WWP) to celebrate the May 18 release of "Just As I Am Platinum Edition" (The Valory Music Co.).

This is the second consecutive year the Georgia native has embarked on this type of journey, launching the standard album with 2014's "Athens to Arlington."

The disc produced the two times Platinum number one hit "Bottoms Up" and Gold-certified "Small Town Throwdown." "It's been a wild ride with this album. I put pen to paper and let the blood, sweat and tears of the last few years create these stories," said Gilbert. "A huge thanks goes out to the BG Nation for all the support. I'm excited to bring this new music to the fans - my friends - and kick it all off with a ride to benefit a cause that is so important to me."

Gilbert, a longtime motorcycle rider, will help introduce the WWP "Rolling Odyssey" program, a therapeutic ride for combat veterans with post-traumatic stress disorder (PTSD) and readjustment challenges, in conjunction with sharing his new music. This program is part of WWP's alliance with Harley-Davidson, and it will include stops at several Harley-Davidson dealerships along the route.

The ride kicks off in Houston on May 22 as 10 Wound Warrior Project Alumni will join Gilbert and will make stops in Beaumont, Texas, Scott, La. and Baton Rogue, La. Gilbert will perform on May 23 at LSU Tiger Stadium.

By encouraging wounded veterans to ride, the Rolling Odyssey program provides an opportunity for camaraderie, bonding, and therapy.

"Wounded Warrior Project is grateful for Brantley's support of the WWP mission, to honor and empower Wounded Warriors. We are honored to work with motorcycle icon Harley-Davidson in a joint initiative to raise awareness about post-traumatic stress disorder and help improve the lives of this generation of wounded servicemen and women who are living with PTSD. Operation Personal Freedom creates awareness and support for our nation's heroes through the love of motorcycle riding," said John Roberts, warrior relations executive vice president for WWP. "Our warriors are excited to get out on the open road and ride their Harleys alongside Brantley in this inaugural Rolling Odyssey event."

More news for Brantley Gilbert

CD reviews for Brantley Gilbert

The Devil Don't Sleep CD review - The Devil Don't Sleep
For those fans worrying over the potential demise of bro country, rest easy; Brantley Gilbert is here to keep that flag flying high. Comprised of a solid set of radio ready rockers alongside a few tamer numbers, Gilbert sets out to prove the establishment wrong, rolling his way through 16 tales of hard living and partying. Yet, while Gilbert holds strong to the "bro country" stance, he's also very much his own man, allowing his faith and values to pull front and center as well. »»»
Just As I Am: Platinum Edition CD review - Just As I Am: Platinum Edition
With the third version of Brantley Gilbert's "Just as I Am," he has almost doubled the average country album track listing. The definitive Platinum Edition contains 19 tracks that feature his trademark rock inflected country sound. The original 11 tracks are still intact, with the addition of the 3 songs from the original deluxe edition. Added on at the end are five new songs that largely fit well with the tone of the album. Those who originally purchased the regular edition »»»
Just As I Am CD review - Just As I Am
Brantley Gilbert's third release is a collection of songs that define who he is as an artist. There is a notable absence of wild experimentation here; these are straightforward songs from the artist who broke through with "Halfway to Heaven." The tattooed country rocker follows in the footsteps of Eric Church's recent hit, "The Outsiders," making a conscious step away from the overproduced hip hop country that artists like Florida Georgia Line are taking to the top of the charts. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: These Eagles keep songs alive and well – The newly reconfigured Eagles lineup, which now includes Vince Gill and Deacon Frey in place of the late Glenn Frey, hasn't changed its set much since this modified grouping's debut at Dodger Stadium in 2017. Don Henley announced from the outset, though, how the group continues to tour primarily so it can keep the Eagles' many great songs alive.... »»»
Concert Review: Lovett could not have scripted it any better – Cerritos is a fair distance from Hollywood, but Lyle Lovett, who has accumulated a long list of acting credits, sometimes seemed like he was giving a company town performance this night. Maybe it was because Paul Reiser, the "Mad About You" star, introduced Lovett with a funny bit about what some of the man's songs mean (or don't mean).... »»»
Follow Country Standard Time  Subscribe to Country News Digest  Follow Country Standard Time on twitter  Visit Country Standard Time on Facebook 

Elsewhere in the news

Currently at the CST blogs

Tyminski goes dark Dan Tyminski (known simply as "Tyminski" on his 2017 release "Southern Gothic") has traditional music roots and unassailable bluegrass street cred especially given his membership in Alison Krauss' Union Station. He is also a powerful songwriter and has been writing songs for himself and others for years now.... »»»
Washburn, Fleck create "Echoes" Bela Fleck and Abigail Washburn have powerhouse individual talents; each has followed an estimable career path to where they find themselves today: making complex, but spare, records, writing music together and touring with their son Juno. Their new release, "Echoes In The Valley" features mostly songs written by Fleck and Washburn, banjos, Washburn's strong vocals and very little else.... »»»
Hillman bides his time Legends don't come any more legendary than Chris Hillman. The roll call of bands that comprises Hillman's half century in music reads like a wing exhibit at the Rock & Roll Hall of Fame; Byrds, Flying Burrito Brothers, Manassas, the Souther Hillman Furay Band, the Desert Rose Band,... »»»
Cry Pretty CD review - Cry Pretty
Carrie Underwood's life was reading straight from the storybooks: one of the few American Idol Winners with ongoing success; a professional athlete for a husband; a beautiful baby boy. The string of great fortune turned sharply in 2017, »»»
My Way CD review - My Way
Not one to rest on his laurels, Willie Nelson's second studio release of the calendar year finds the artist dipping back into the Great American Songbook. Previous collections, including 1978's stellar Stardust, 2009's "American Classic" and 2016's "Summertime: Willie Nelson Sings Gershwin," established Nelson as one of the finest modern interpreters of American standards.  »»»
Let It Pass CD review - Let It Pass
This is the swan song for The Stray Birds unfortunately, but at least they are parting with another musical triumph. This record barely got made as founding members, fiddler/guitarist/banjoist/vocalist Maya de Vitry and fiddle/guitarist/ »»»
Pretty Bird CD review - Pretty Bird
"Pretty Bird" is Kathy Mattea's first studio album in six years, following 2012's "Follow Me Home." The major reason for this gap was Mattea's realization that her voice was changing so much, she felt as if she was losing it altogether.  »»»
The Keep CD review - The Keep
New Reveille, a talented quintet from North Carolina, can boast the finest harmonies that any kind of music can offer. On their debut, New Reveille mine the early American sounds and make them sound fresh. It's a unique sound that embraces »»»
Cactus CD review - Cactus
Elise Davis tells stories and brings relatable, realistic lyrics rather overly relying on imagery, metaphors and symbolism. That was the general take on her widely acclaimed 2016 "The Token." Some of that assessment holds true again here on "Cactus,"  »»»