Anderson strikes gold
Wednesday, April 22, 2015
– John Anderson is back.
He will release his first album in nine years, "Goldmine," on May 26 on his own label, Bayou Boys Music. Anderson wrote or co-wrote 12 of the 13 tracks. Anderson produced the record with long-time friend and producer Joe Spivey.
"With 'Goldmine', I thought, first off, I'm going to take my songs into the studio and make a record like I think it ought to be made, without all those other influences," Anderson said, "I'm more pleased with the sound of this record than I have been in a long time."
"I'm really proud of this album. At this point, it's just for me and the fans. A best case scenario for me is if the fans that have loved our music and supported us for so many years know 'Goldmine' is out there, and how to get it, I'll be happy."
The first single, "I Work a Lot Better," will be shipped to radio on May 11 and will be available for download on iTunes, Amazon and other major digital retailers. The rocking mid-tempo track is in the style of previous chart-topping hits, such as "Money in the Bank."
"It was actually Josh Turner's idea," Anderson said. "He is a fine young man, a great talent and a real asset to modern day country music. Josh and I have written several songs together, and it's always a pleasure to write with him."
Songs on the CD are:
1. Freedom Isn't Free (John Anderson/James C. Hicks Sr.)
2. Magic Mama (Merle Haggard)
3. Back Home (John Anderson/Jimmy Stevens/Jeff Farr)
4.Goldmine (John Anderson/Josh Turner)
5. Happily Ever After (John Anderson/James C. Hicks Sr.)
6. I Work Alot Better (John Anderson/Josh Turner)
7. I Will Cross O'er the River (John Anderson)
8. Louisiana Son Of A Beast (John Anderson/Bill Emerson/Jody Emerson)
9. Holdin' On (John Anderson/Jimmy Stevens)
10. Song the Mountain Sings (John Anderson/Buddy Cannon)
11. On And On And On... (John Anderson/Jimmy Fortune)
12. Don't Forget To Thank the Lord (John Anderson/John Rich)
13. You All Are Beautiful (John Anderson/James C. Hicks Sr.)
Raised in Apopka, Fla., Anderson grew up listening to both rock and traditional country. In 1977, Anderson signed with Warner Brothers Records and had his first major hit in 1980 with Billy Joe Shaver's, "I'm Just an Old Chunk of Coal (But I'm Gonna Be a Diamond Someday)." Other hits include the classic "Wild and Blue" released in 1982, and "Swingin," the number 1 Billboard Country single co-written with Lionel Delmore that would lead Anderson to garner the CMA Horizon Award.
Anderson has produced 23 albums and released more than 60 singles (26 of which charted in the Top 10). He was inducted into the Nashville Songwriters Hall of Fame last year.
Anderson is currently touring throughout the U.S. Most recently, Anderson collaborated with Keith Urban for the taping of "ACM Presents: Superstar Duets," a CBS special featuring country luminaries and chart-topping artists. The two-hour event will air on Friday, May 15. On July 25, he will join Urban again for a performance at Cheyenne Frontier Days in Cheyenne, Wyo.
More news for John Anderson
CD reviews for John Anderson
Unlike some country music stars have when they reached a certain age, John Anderson chooses to not rest on his laurels. Instead the 60-year-old member of the Nashville Songwriters Hall of Fame continues to release new recordings - although not as frequently as in his chart-topping heyday of 1980-1995 - featuring largely original numbers. While radio airplay may not be as once plentiful - 5 number ones, and over 20 top 20 single appearances - Anderson continues to produce songs that sound like they »»»
Listening to John Anderson's new CD is taking a trip back in time, to an era in country music history (not that long ago, believe it or not) when talent was all that mattered. You didn't have to be drop-dead gorgeous or Playgirl-centerfold hunky to be a country star because how you sounded was more important than how you looked on CMT. It's a testament to Anderson's talent that he's managed to survive this long into the video age despite being, well, he's no hotty. »»»
I Just Came Home to...; All the People Are Talkin'; Eye of a Hurricane; Tokyo, Oklahoma; Countrified
With the addition of these five reissues to the three already in print, the entirety of John Anderson's 1980's output for Warner Brothers is once again available. Collectively, what these records did - or what they were perceived as doing - was foster, if not lead, a traditionalist return in country music. Along with others - Ricky Skaggs, Rodney Crowell, George Strait - Anderson reintroduced harder sounds to mainstream country, and that sound is the backbone of each of these five »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Guthrie brings welcome vibe of sweetness
Before launching into "This Land is Your Land," Arlo Guthrie recalled how his father taught him this song when he was just eight or nine. His father, however, wasn't just any father, but the father of protest folk music, Woody Guthrie. Then when Arlo's daughter, Sarah Lee Guthrie, took the stage midway through the first half of the... »»»
Concert Review: McConnell, fortunately, comes home
Sean McConnell may have left Massachusetts a good 25 years ago, but there was no doubt about what this night meant to him. This was a homecoming for the Nashville-based singer/songwriter. His parents, who moved back to the Bay State from Georgia, other family and folks he said he hadn't seen since he moved, were in the house of the small club.... »»»
Follow Country Standard Time
Elsewhere in the news
Currently at the CST blogs
The Long Ryders have come a long way since they were initially associated with other Los Angeles relatively retro acts collected under the Paisley Underground umbrella. Even back during the mid to late '80s,... »»»
Suffice it to say that the past has always loomed large throughout Chip Taylor's career. That's all the more obvious if only for the fact that Taylor wrote some of the biggest pop hits of the '60s, "Wild Thing"... »»»
Dan Tyminski (known simply as "Tyminski" on his 2017 release "Southern Gothic") has traditional music roots and unassailable bluegrass street cred especially given his membership in Alison Krauss' Union Station. He is also a powerful songwriter and has been writing songs for himself and others for years now.... »»»
Maren Morris, who had a huge pop hit with "The Middle," is never going to be anybody's ideal traditional country singer. Although, thankfully, there isn't anything that mind-numbingly beat-driven on her "GIRL" album, »»»
As a genre, Americana has become a massive umbrella, and yet, the actual definition remains elusive at best. Still, for those that relate to its former manifestation as "roots rock" or "country crossover," the Vandoliers come remarkably close to identifying with a definitive sound. »»»
Call Me Lucky
2018 was a transitional year for Dale Watson. For decades, Watson has been both a pillar of the Austin music scene and one of Texas's most visible and passionate musical ambassadors. Given his Lone Star State roots, »»»
American Love Song
It seems like Ryan Bingham has only fallen up over the course of his 15-year career. A roommate's brother turned out to be a hobbyist drummer and became the foundation for Bingham's band, the Dead Horses. »»»
It's Kalyn Fay's weary, gentle, and oft-ethereal voice that's so totally captivating on her second release, "Good Company." She's a Cherokee singer-songwriter exploring her unique relationship to her home state. She writes about its values, the people, the land and the dichotomy of its presence and the distance she needs to keep from it, given her ancestry.
There's no doubt that Amy McCarley has one of the more interesting singer-songwriter backgrounds. Her third album is NASA's acronym for Main Engine Cut Off, serving here as a metaphor for McCarley leaving the world of NASA »»»