Shiflett walks the floor with Paisley
Monday, April 13, 2015
– Chris Shiflett, frontman of Chris Shiflett & The Dead Peasants and guitarist for Foo Fighters, re-launched his Walking The Floor podcast of interviews Brad Paisley.
The podcast, which debuted on Rolling Stone Country this morning, can also be downloaded.
The second half of the interview will be available on Monday, April 27.
Since its late 2013 launch, Walking The Floor has presented conversations between Shiflett and fellow artists from all walks of life. The 23 episodes include interviews with Dwight Yoakam, Steve Earle, Red Simpson, Redd Volkaert and Robbie Fulks; author Thomas Frank; pro-surfer Connor Coffin; photographer/director/talk show host Sam Jones; boxing trainer Robert Garcia; and rockers like John Doe (X), Matt Skiba (Alkaline Trio), Jonny "Two Bags" Wickersham (Social Distortion) and Nicholaus Arson (The Hives). Upcoming podcasts will feature interviews with Sturgill Simpson, Jim Lauderdale and Mike Ness (Social Distortion).
Shiflett has released two albums with The Dead Peasants, 2010's self-titled debut and 2013's "All Hat And No Cattle," which contains nine old-school honky-tonk songs and one original.
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All Hat and No Cattle
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Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Cantrell continues to satisfy
Laura Cantrell may never be a country star. Not at this stage of her career when she's 50, touring here and there and releasing new music every few years or so. But five albums in, Cantrell continues as a warm, enjoyable and worthy purveyor of her brand of country.
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Concert Review: Not only is Turner traditional, he's popular
Every time Josh Turner reached for some of those wonderful subterranean low notes, which he often pulled out during his enjoyable night show, it was like a superhero applying a superpower. He didn't need this extra advantage to please his audience; he has so many quality songs stockpiled in his catalogue already doing the job.... »»»
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