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Hunt doubles once again

Thursday, March 12, 2015 – Sam Hunt yet again doubled up on the Billboard charts. He leads the Billboard Hot Country Songs chart with "Take Your Time" for the week ending March 21 and the albums chart with "Montevallo."

On the songs chart, Zac Brown Band jumped from seven to two with "Homegrown." "Lonely Tonight" from Blake Shelton featuring Ashley Monroe was third. Cold Swindell stayed fourth with "Ain't Worth the Whiskey." Brett Eldredge was one back with "Mean to Me."

Darius Rucker stood at 10 with "Homegrown Honey," up 3. A Thousand Horse's first charting single, "Smoke," was up 4 to 15. Keith Urban moved 5 spots to 16 with "Raise 'Em Up," also featuring Eric Church. Kenny Chesney joined the top 25 with "Wild Child," at 24, up 2. The song features Grace Potter. Tim McGraw rounded out the top 25 with "Diamond Rings And Old Barstools," which features Catherine Dunn, up 3.

On the albums chart, Shania Twain was second with "Shania: Still The One: Live From Las Vegas," up from 31. The release is a CD/DVD. Jason Aldean was third again with "Old Boots, New Dirt." Florida Georgia Line remained fourth with "Anything Goes." Carrie Underwood also stayed fifth with "Greatest Hits: Decade #1."

Zac Brown Band's "Greatest Hits So Far..." was up 8 to 11. George Strait was 13th with "The Cowboy Rides Away: Live From AT&T Stadium." Asleep at the Wheel debuted at 14 with "Still the King: Celebrating the Music of Bob Wills And His Texas Playboys." Swindell's self-titled release was 15th, up 5. A compilation disc, "The Average Joes DJ's Present: Mud in the Club, Volume 1," debuted at 16.

On the Bluegrass Albums chart, Punch Brothers were again first with "Phosphorescent Blues." Robert Earl was second with "Happy Prisoner: The Bluegrass Sessions," Ralph Stanley third with "Ralph Stanley & Friends: Man of Constant Sorrow," Bela Fleck and Abigail Washburn fourth with a self-titled disc and the "Bluegrass Gospel" compilation fifth.

On the overall top 200 chart, Hunt was 17th, Underwood 40th, Aldean 44th, Florida Georgia Line 48th and Luke Bryan 53rd with "Crash My Party."

More news for Sam Hunt

CD reviews for Sam Hunt

Montevallo CD review - Montevallo
It's no secret that the genre of country music has been growing and expanding in definition over the past several years, from the bombastic arena rocking fury of early Garth Brooks to more recent days and acts like Florida Georgia Line, further blurring the lines of country and other genres. Finding traditional country themes and vibes to merge along the rivers of hip-hop, R&B and pop, the picking is ripe for rising artists like Sam Hunt and his debut recording, "Montevallo. »»»
X2C CD review - X2C
Sam Hunt is riding the country charts with "Leave the Night On," a rather surprising occurrence considering that the Georgia native has extremely little to do with what remotely constitutes country music on this four song EP. Hunt has gained some acclaim as a song writer, having penned Kenny Chesney's "Come Over," Keith Urban's "Cop Car" and Billy Currington's "We Are Tonight." Hunt fits in perhaps only because of the crossover sounds »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Cantrell continues to satisfy – Laura Cantrell may never be a country star. Not at this stage of her career when she's 50, touring here and there and releasing new music every few years or so. But five albums in, Cantrell continues as a warm, enjoyable and worthy purveyor of her brand of country. That would mean going towards a more traditional side, not rushing the songs... »»»
Concert Review: Not only is Turner traditional, he's popular – Every time Josh Turner reached for some of those wonderful subterranean low notes, which he often pulled out during his enjoyable night show, it was like a superhero applying a superpower. He didn't need this extra advantage to please his audience; he has so many quality songs stockpiled in his catalogue already doing the job.... »»»
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