Sign up for newsletter
 

McGraw rides "Shotgun" to the top

Thursday, December 4, 2014 – Tim McGraw shot to the top of the Billboard Hot Country Songs chart for the week ending Dec. 13 with "Shotgun Rider." McGraw displaced Carrie Underwood's "Something in the Water," which fell to second. Garth Brooks was first on the Top Country Albums chart with "Man Against Machine."

Keith Urban stayed third with "Somewhere in My Car." Maddie & Tea were in fourth with "Girl in a Country Song," one ahead of Sam Hunt's "Leave the Night On." Florida Georgia Line made it to eighth with "Sun Daze," up four. Eric Church made it into the top 10 with "Talladega" at 9, up 2.

Lee Brice's "Drinking Class" was 12th, up 4. Kenny Chesney stood at 14, up 3, with "Til It's Gone." Newcomer Craig Wayne Boyd debuted at 15 with "I Walk the Line." Luke Bryan jumped from 27 to 19 with "I See You." Randy Houser broke into the top 25 with "Like a Cowboy," at 24, up 2.

Jason Aldean was second on the albums chart with "Old Boots, New Dirt." Darius Rucker was third with "Home for the Holidays," Hunt fourth with "Montevallo" and Miranda Lambert fifth with "Platinum." Lady Antebellum jumped from 14 to 6 with "747."

Brantley Gilbert jumped from 20 to 7 with "Just As I Am." Cole Swindell's self-titled debut also was up 13, to 13. Brad Paisley was up 12 to 18 with "Moonshine in the Trunk." "Nashville Christmas" from the TV show "Nashville" debuted at 21. Dierks Bentley went from 28 to 23 with "Riser." Rascal Flatts stood at 25 with "Rewind," up 14.

On the Bluegrass Albums chart, Bela Fleck & Abigail Washburn were first again with their self-titled disc. "When I'm Free" from Hot Rize stayed second. Alan Jackson was third with "The Bluegrass Album." "Bluegrass Gospel," a compilation album, was fourth with Nickel Creek fifth with "A Dotted Line."

On the overall top 200, Brooks was 11th, Aldean 23rd, Hunt 26th, Rucker 30th and Florida Georgia Line 31st. The country chart is based on sales, while the Billboard 200 is "ranked by album sales, audio on-demand streaming activity and digital sales of tracks from albums." That presumably accounts for why the charts are different.

More news for Tim McGraw

CD reviews for Tim McGraw

Damn Country Music CD review - Damn Country Music
Tim McGraw said of his 14th studio album, "Damn Country Music," "It's is all about passion, (taking him back to 1989) "when I came to Nashville to chase my dreams." Country music has richly rewarded him over the past two decades, and he honors the genre's tradition here. The album gets off to a very traditional start with Celtic folk. The flute and skillful acoustic picking on the opener "Here Tonight" bring a Mark Knopfler tune immediately to mind. »»»
Sundown Heaven Town CD review - Sundown Heaven Town
The banjo comes first out of the speakers, the opening strains of "Overrated," the lead-off song on Tim McGraw's latest. But with a "1-2-3-4" count, the mood changes and goes for a more modern country approach. McGraw does about the same on the follow-up "City Lights" with Michael Landau's steely, but rocking lead guitar taking over near the conclusion as it does later hard on "Sick of Me" where the protagonist contemplates a need to turn his life around. »»»
Two Lanes of Freedom CD review - Two Lanes of Freedom
Tim McGraw's debut on Big Machine, "Two Lanes Of Freedom" is his first record since the announcement that he gave up alcohol five years ago and the first since his acrimonious, litigious split from the only label he had ever known, Curb. The new CD literally and symbolically represents a fresh start. If only the material better reflected his new take on life. What is presented here is about as boiler plate as contemporary country gets. The album is a safe play and takes almost no chances. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Daniels wears out bows, but music endures – After each of the first few songs Charlie Daniels played, his 'fiddle tech (?)' exchanged his bow. Is this because he was playing particularly hard? Perhaps. Whatever the case, Daniels and his five-piece band clearly appeared to be giving it their all during the act's hour-and-a-half set. As it is the Christmas month, Daniels sang a... »»»
Concert Review: Rawlings easily moves out of the shadow – Every once in awhile David Rawlings moves out of the shadow of musical mate Gillian Welch to launch his own tour. While Welch, for whom Rawlings plays guitar, has the more prominent career, nights like this ably confirm that there is a reason does his own thing as well. Rawlings, who released the very fine "Poor David's Almanack" in... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Washburn, Fleck create "Echoes" Bela Fleck and Abigail Washburn have powerhouse individual talents; each has followed an estimable career path to where they find themselves today: making complex, but spare, records, writing music together and touring with their son Juno. Their new release, "Echoes In The Valley" features mostly songs written by Fleck and Washburn, banjos, Washburn's strong vocals and very little else.... »»»
Hillman bides his time Legends don't come any more legendary than Chris Hillman. The roll call of bands that comprises Hillman's half century in music reads like a wing exhibit at the Rock & Roll Hall of Fame; Byrds, Flying Burrito Brothers, Manassas, the Souther Hillman Furay Band, the Desert Rose Band,... »»»
The Cadillac Three creates its "Legacy" William Shakespeare noted a few centuries back that a rose by any other name would be equally aromatic, and that general idea has musical implications as well. The Cadillac Three knows a thing or two about maintaining a sonic identity after a name change;... »»»
Boom CD review - Boom
Walker Hayes has a lot of Sam Hunt in his music, in that he mixes a lot of hip-hop in with his country. Traditionalists will have trouble with his unorthodox approach. Kids, though, raised on just as much Drake as Paisley, will likely eat it up. »»»
From A Room: Volume 2 CD review - From A Room: Volume 2
There is no bigger artist in country music today, perhaps even in American music, than Chris Stapleton. His appeal reaches beyond just the commercial country fans for his gritty bluesy approach. 2015's "Traveller" set a high bar, which was met by this year's release of "From A Room: Volume 1," which won Album of the Year in the 51st CMA Awards.  »»»
Down Home Sessions EP CD review - Down Home Sessions EP

Upon first glance at the track list of Cole Swindell's fourth installment of the "Down Home Sessions" series, one may get the impression that it is a covers EP. It features several chart toppers from other artists, including Luke Bryan's "Roller Coaster" and Thomas Rhett's "Get Me Some Of That." »»»

The Rest of Our Lives CD review - The Rest of Our Lives
The first full album from Tim McGraw and Faith Hill is an inspired effort, even though some of its songwriters may surprise you. The title cut, for instance, features pop ginger Ed Sheeran on its credits, while Meghan Trainor contributed to "Roll the Dice." »»»
Bloodshot Records' 13 Days of Xmas CD review - Bloodshot Records' 13 Days of Xmas
Label holiday albums can sometimes be like office white elephant gift exchanges because there's a little bit of everything on the table. Some stuff you like, while other things may have been better left unwrapped. »»»
Texoma Shore CD review - Texoma Shore
Blake Shelton's 11th studio album finds The Voice advisor in a contented, one might even say homey, frame of mind. The opening track and first single "I'll Name the Dogs" sets the tone. It's a rollicking ode to domesticity that manages to make household chore distribution ("You find the spot and I'll find the money / You be the pretty and I'll be the funny") both romantic and amusing.  »»»