Sign up for newsletter
 

Nashville Songwriters induct four

Monday, October 6, 2014 – Four new songwriters - John Anderson, Paul Craft, Tom Douglas and Gretchen Peters - entered the Nashville Songwriters Hall of Fame on Sunday.

The event also handed out awards. The Songwriter/Artist of the Year went to rock artist Jack White, who was unable to attend. White has produced Loretta Lynn and includes country in his repertoire.

Songwriter of the Year winner was Ashley Gorley, who wrote several of Luke Bryan's biggest hits.

The Song of the Year went to "Automatic," penned by Nicolle Galyon, Natalie Hemby and Miranda Lambert. Lambert sang the hit, which is from her country album.

The Frances Williams Preston Mentor Award went to Pat Higdon, a music publishing veteran.

Craft's hits include "Brother Jukebox," a hit for Mark Chesnutt, "Dropkick Me, Jesus," a hit for Bobby Bare, and "Heart Like a Wheel," from Linda Ronstadt.

Douglas' hits include "The House That Built Me" for Lambert, "I Run to You" for Lady Antebellum, "Love's the Only House" and "God's Will" for Martina McBride, ""Grown Men Don't Cry" and "Southern Voice" for Tim McGraw and "Something Worth Leaving Behind" for Lee Ann Womack.

Peters, who has released seven albums on her own, has penned songs for George Strait, Trisha Yearwood, Patty Loveless and McBride for whom she wrote the career song "Independence Day."

Anderson, a Florida native, has enjoyed a long career as a country artist.

More news for John Anderson

CD reviews for John Anderson

Bayou Boys CD review - Bayou Boys
Unlike some country music stars have when they reached a certain age, John Anderson chooses to not rest on his laurels. Instead the 60-year-old member of the Nashville Songwriters Hall of Fame continues to release new recordings - although not as frequently as in his chart-topping heyday of 1980-1995 - featuring largely original numbers. While radio airplay may not be as once plentiful - 5 number ones, and over 20 top 20 single appearances - Anderson continues to produce songs that sound like they »»»
Bigger Hands CD review - Bigger Hands
Listening to John Anderson's new CD is taking a trip back in time, to an era in country music history (not that long ago, believe it or not) when talent was all that mattered. You didn't have to be drop-dead gorgeous or Playgirl-centerfold hunky to be a country star because how you sounded was more important than how you looked on CMT. It's a testament to Anderson's talent that he's managed to survive this long into the video age despite being, well, he's no hotty. »»»
I Just Came Home to...; All the People Are Talkin'; Eye of a Hurricane; Tokyo, Oklahoma; Countrified CD review - I Just Came Home to...; All the People Are Talkin'; Eye of a Hurricane; Tokyo, Oklahoma; Countrified
With the addition of these five reissues to the three already in print, the entirety of John Anderson's 1980's output for Warner Brothers is once again available. Collectively, what these records did - or what they were perceived as doing - was foster, if not lead, a traditionalist return in country music. Along with others - Ricky Skaggs, Rodney Crowell, George Strait - Anderson reintroduced harder sounds to mainstream country, and that sound is the backbone of each of these five »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: There's a lot to be said about The Felice Brothers – The Felice Brothers have soldiered on, occupying the fringes of the musical world with ups and downs. After not knowing whether the group would even continue following the departure of half of the band a few years ago, The Felice Brothers continued with a new rhythm section and a new album, "Undressed," that is heavily political.... »»»
Concert Review: Turner bring it on (to his second) home – Frank Turner opined during the first of four sold-out nights of the Lost Evenings Festival that Boston was his home away from his British home. The likable, accessible singer hit the sweet spot not only with his perspective, but his performance as well demonstrated why. Turner made a major change in this year's festival. For the first time, he... »»»
Follow Country Standard Time  Subscribe to Country News Digest  Follow Country Standard Time on twitter  Visit Country Standard Time on Facebook 

Elsewhere in the news

Currently at the CST blogs

Wilson goes her own way After having huge success at the get go with "Redneck Woman," Wilson eventually went her own way and took a break. During her "hiatus," Wilson started her own label and was a "120 percent mom" to her teenage daughter.... »»»
Carll tells it like it is A visit with Hayes Carll finds him taking a rare day off at home to discuss new album "What It Is" co-produced by Brad Jones and Carll's girlfriend, Allison Moorer. "This album works around three themes; our relationship (he and Moorer), the world and myself.... »»»
Watson gets "Lucky" Dale (The Real Deal) Watson has been releasing hard country albums since 1995 and shows no signs of slowing down on his most recent release, "Call Me Lucky." This record marks his third effort recorded in Memphis, at Sam Phillips Recording Studio, with Watson's regular touring band, The Lone Stars.... »»»
Live at the Grey Eagle CD review - Live at the Grey Eagle
Let's just say Amanda Anne Platt and her five-piece band The Honeycutters had home court advantage playing in their hometown of Asheville, N.C. in what is as warm a live album as you'll hear. »»»
American Highway CD review - American Highway
Buckle up for a rollicking, joyful, adventuresome ride as Marty Brown drives flat-out down the straightaways and hugs tight the curves of the "American Highway." It's great to have Brown, who's written hits for Trace Adkins »»»
Front Porch CD review - Front Porch
Joy Williams' "Front Porch" album is a beautiful collection of acoustic, country-folk music. The title cut, for instance, includes sweet fiddling, while the rest of the album takes an appreciated low-key approach to its instrumentation. »»»
Hellbent CD review - Hellbent
Randy Rogers makes a big, bold statement with his title track, but it's the smaller insightful moment expressed through "Wine In A Coffee Cup" that stands out most. Rogers sings it empathetically over a swaying groove... »»»
When You're Ready CD review - When You're Ready
One of the most celebrated acoustic guitarists working within the Americana field, Molly Tuttle is two-time International Bluegrass Music Association Guitarist of the Year, the first female to be so honored. »»»
Stronger Than the Truth CD review - Stronger Than the Truth
The beauty of Reba McEntire's albums flows from her way with a phrase, knowing when to modulate to carry us deeper into sadness or joy and when to pull back when she wants us to listen quietly to the lessons of a tear falling. »»»