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Chesney, Aldean lead Billboard

Thursday, October 2, 2014 – Kenny Chesney led the Billboard Country Albums chart with "The Big Revival" for the week ending Oct. 11. The disc was the second best selling album in the U.S. Jason Aldean, once again, is leading the Billboard Hot Country Songs chart with "Burnin' It Down." The song is off his album out next week.

Tim McGraw fell to second with "Sundown Heaven Town," which debuted at number one last week. George Strait was third with "The Cowboy Rides Away: Live From AT&T Stadium." Luke Bryan was fourth with "Crash My Party." Lee Brice held fifth with "I Don't Dance."

Big & Rich debuted in eighth with "Gravity." Texas artists Josh Abbott Band debuted at 12 with "Tuesday Night," an EP. Lee Ann Womack debuted with "The Way I'm Livin'" at 18. Thomas Rhett jumped 12 to 25 with "It Goes Like This."

On the Songs chart, the top five songs remained the same. Florida Georgia Line was second with "Dirt." Chesney's "American Kids" was third. Sam Hunt stayed fourth with "Leave the Night On" with Luke Bryan fifth with "Roller Coaster." Aldean also was eighth on the chart with "Tonight Looks Good on You" making its debut.

Keith Urban moved from 19 to 15 with "Somewhere In My Car." Florida Georgia Line debuted at 19 with "Anything Goes." Brad Paisley was at 24 with "Perfect Storm," up 3.

There's a new number one on the Bluegrass Albums chart. The Earls of Leicester debuted in first with its self-titled debut. The group includes Jerry Douglas. Chris Thile and Edgar Meyer were second with "Bass & Mandolin." "Three Bells" from Mike Auldridge, Rob Ickes and Douglas was third. Greensky Bluegrass was fourth with "If Sorrows Swim." Nickel Creek, remained fifth with "A Dotted Line."

On the overall top 200, McGraw was 13th, Strait 14th, Bryan 35th and Brice 36th.

More news for Jason Aldean

CD reviews for Jason Aldean

Rearview Town CD review - Rearview Town
If you liked Jason Aldean's three previous number one albums, you'll like "Rearview Town." He sticks to the winning formula that has brought him past success. The 15 tracks are mainly juiced up, muscular numbers with scorching guitar. Ironically, amid the torrid tempos and high volume that dominate the collection, the ballads are the standouts, especially with the duet with the Miranda Lambert on "Drowns The Whiskey." Instead of whiskey drowning a memory, the inverse »»»
Old Boots, New Dirt CD review - Old Boots, New Dirt
Arguing whether or not Jason Aldean's kinda (country) party is, in fact, anything remotely related to true country music is pointless. Aldean is so entrenched in the mainstream country marketplace now, we just need to accept him as he is, the same way we reluctantly accept Taylor Swift as "country." It's mighty tempting to subtitle a review of Aldean's new "Old Boots, New Dirt" release as 'Pickup Trucks & Pickup Lines,' as Aldean spends a little time »»»
Night Train CD review - Night Train
Jason Aldean is getting used to the view from the top. His last album "My Kinda Party" spawned 5 Top 10 singles and has charted for almost 2 years. Driven by rocking country coupled with rap and a power ballad, that album seemed to rise to the top of the charts organically. With his fifth release, "Night Train," he seems to be taking dead aim at the summit. Aldean is at his best as a studly outlaw, but the majority of the material on "Night Train" is clichéd »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Combs, Gill, Harris, Crow comprise one final musical platter – Vince Gill played host to an entertaining guitar pull, a show which also featured his longtime friend, Emmylou Harris, slightly newer friend Sheryl Crow and brand-new friend Luke Combs. Gill joked from the outset that this All for the Hall fundraising show needed Combs to sell tickets, and by the audience's response, it was clear many came only to see Combs.... »»»
Concert Review: Stapleton shows his traditional roots – Chris Stapleton's All-American Road show feels like a singular mission to rid the genre of the bro country scourge that has plagued it for years. He came out with a blazing one-two punch of "Second One To Know" and "Without Your Love" and packed a stadium sized onslaught into a 9,000-seat arena. He never once veered from his... »»»
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